Romullo Baratto is an architect with a PhD from FAUUSP and Managing Editor of ArchDaily. He previously coordinated the editorial team of the 11th São Paulo Architecture Biennial and served as Managing Editor of ArchDaily Brasil, where he led the platform to win the FNA Award—the first time the honor was granted to a media outlet. He collaborated on the editing of the book "Concrete Jungle", published by gestalten, and has curated architecture exhibitions in Brazil, Chile, Denmark, and Italy, as well as delivered lectures and moderated debates in Spain, the United States, and Portugal. His doctoral thesis investigates the urban landscapes of São Paulo through cinema. His work spans academic research and editorial practice, communicating architecture through texts, interviews, lectures, curatorship, and photography. Follow him on Instagram @romullobf.
Mulher, Mujer, Woman, or simply MMW, is an online platform dedicated to architectural representations, whose objective is to spread the women's production within our professional field. Created by the Brazilian architects Carol Vasques and Débora Boniatti as a reaction to the still scarce diffusion of female references, the platform seeks to "highlight the importance and relevance of women in the past, present and future of the profession."
Users now can virtually visit museums all over the world thanks to Google Arts & Culture. The project offers 360 ° views of places that can often be inaccessible due to financial costs or distance.
São Paulo-based firm SIAA Arquitetos has been named the winner of the national competition organized by AESabesp for the new São Paulo Water Museum, which involves the restoration and expansion of the former water and sewage department (RAE), currently the França Pinto reservation center.
Below, discover the winning proposal, accompanied by the project description written by the SIAA Arquitetos team.
The growing global coronavirus pandemic will leave profound marks on society. Perhaps not so much due to fatalities, but certainly in the way people relate to each other and to public spaces. In an attempt to reduce the rate of transmission of the disease, governments and authorities around the world have instructed people to stay at home, in the safety and hygiene of their domestic environment, and to avoid any unnecessary contact with other spaces, objects, and people.
Founded in 1997 by Marcelo Morettin and Vinicius Andrade, the São Paulo-based practice Andrade Morettin Arquitetos Associados now features a vast portfolio of projects across a wide range of scales and programs. Ranging from large-scale works, such as the São Paulo headquarters of the Instituto Moreira Salles, to exhibition designs, like the 34th Bienal de Arte de São Paulo, their work is largely characterized by the use of industrialized and prefabricated components which, beyond their well-known technical advantages, bring key aesthetic qualities to the reading of the projects.
From March 12 to 21, 2020, architects from across the country may register for the national public competition, which will select two preliminary architectural, urban, and landscape design proposals for the Parque da Cidade in Belém. The competition is an initiative of the Government of the State of Pará, through the State Secretariat of Culture (Secult), and is organized by the Foundation for Research Support and Development (Fadesp).
Submissions are now open for the selection of 20 Brazilian projects eligible to compete in the Third Oscar Niemeyer Award for Latin American Architecture. The selection will be conducted by a committee appointed by the Institute of Architects of Brazil, composed of architects and urban planners from various regions of the country. The deadline for submissions is June 15.
In its 6th edition, Open House Porto (OHP) welcomes the city of Maia, which joins Matosinhos, Porto, and Vila Nova de Gaia for the major annual architecture festival organized by Casa da Arquitectura – Portuguese Centre for Architecture. To inform and guide visitors, applications to recruit 400 volunteers are open until April 20.
With a vast built heritage, Lisbon's contemporary architectural production is rich in rehabilitation projects. Lacking space for new buildings - unless one is willing to pay for the land's high market price - Lisbon's current architecture prescinds tabula rasa and faces the challenge of working with what already exists - often limiting itself to design only interior spaces.
For the fourth time, we are giving our readers the responsibility of recognizing and awarding the projects that have made the greatest impact on the profession through the 2020 ArchDaily Brasil Building of the Year Award. By voting, you become part of an impartial network of jurors recognizing the most relevant projects of the past year.
Over the next three weeks, the collective intelligence of our readers will filter through hundreds of projects from Portuguese-speaking countries—Brazil, Portugal, Mozambique, Angola, Guinea-Bissau, East Timor, Equatorial Guinea, Macau, Cape Verde, and São Tomé and Príncipe—published in 2019, selecting the best built works in the Portuguese-speaking world.
From a pool of hundreds of projects published in 2019, readers will choose their favorites, with the 15 most voted advancing to the second stage of voting.
The Garagem Sul at the Centro Cultural de Belém—an exhibition space dedicated to architecture—will open the exhibition The Sea is Our Land: The Sensitive Construction of the Coastline on March 10. The exhibition invites us to invert our usual point of view and think about the land from the perspective of the sea. What can we learn from this shift in perspective?
digital collages with soft colors, still images or moving GIFs, Kim shows a ludic look over these buildings that are more than 5 decades old.
Between August and November of this year, Venice will host the 17th edition of the world's most prestigious architecture event, La Biennale di Venezia, curated by Lebanese architect and professor Hashim Sarkis, dean of the School of Architecture and Planning at MIT. This is also the first time Cape Verde is participating in the event, represented by architect Patrícia Anahory and visual artist César Schofield Cardoso.
Known primarily for his residential projects, Paraná-born architect Guilherme Torres, founder of the São Paulo-based Studio Guilherme Torres, spoke with us about his design approach, creative process, and the decisions involving active client participation.
With more than 40 years of professional experience, Yvonne Farrell and Shelley McNamara, partners and co-founders of Dublin-based Grafton Architects, are the first women to be jointly awarded the architecture’s highest honor, the Pritzker Prize. In addition to a very welcoming breath of hope towards greater female representation in the field, the selection also cast light over an equally urgent theme in the profession: recognizing architecture practice as a collective effort.
Architecture firm Superlimão, in partnership with BOOMSPDESIGN and the design brand BoConcept, is launching a donation drive to collect supplies for architecture students. The rising cost of materials has increasingly threatened the academic persistence of low-income students, prompting the group to join forces and organize this initiative. The collected supplies will be assembled into individual kits and distributed through student organizations at universities across São Paulo.
Active since 2006, the São Paulo-based practice 23 SUL, composed of partners Gaú Manzi, Ivo Magaldi, Luís Pompeo, Luiz Ricardo Florence, Moreno Zaidan, Tiago Oakley, and André Sant’Anna da Silva, features a portfolio across a wide range of scales, spanning from the domestic to the urban sphere, with projects developed for both private clients and the public sector.
Starting Saturday, February 29, Itaú Cultural presents the 49th edition of its Ocupação program, which this time honors architect Rino Levi. The institution invites the public on a journey through the life and work of the architect and urban planner who played an active role in São Paulo's modernization, shaping the city's landscape from the late 1920s onward.