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Tribunales: sobre una teoría moderna is based on the curatorial work of Leslie Fernández and Óscar Concha, developed within the framework of the Móvil project (2015–2016 cycle), which involved sound, fine, and visual artists, alongside photographers and architects. The book consists of conversations with the cycle's participants regarding their approach to modern theory, as well as theoretical essays that structure the text around three thematic areas: urbanism, architectural design, and restoration.

This book charts a path for change, for the transformation of the city through its architecture. The author argues that it is possible to transform our cities by retrofitting existing buildings to harmonize with the climate, thereby reducing electricity, water, and gas consumption. The work carried out on the M16 building—which underwent a bioclimatic intervention and earned LEED Platinum certification—serves as a case study demonstrating that such a transformation is achievable.

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We are currently in a period of profound productive, social, and value-based transformation. In architecture, beyond the advancement of architectural representation systems and the evolution of construction types, there is an increasingly urgent need for a profound renewal of theory and criticism. This book presents a theoretical and practical refounding of architecture based on the explicit connection of three instrumental axes: diagrams, experiences, and actions.

Second edition of Tools of the Past, first published in 2016. Winner of the Amster Coré Award that same year. This deluxe volume brings together Francisco Dittborn’s tool collection, recounts the origins of collecting, and includes a brief history of tools, testimonials from individuals working with tools and wood across various fields, as well as a chapter on the origins and objectives of the Museo Taller.

Ways of seeing and inhabiting are interrelated in the photographic representation of architecture. Beyond the two dimensions of its physical medium, the image contains an interior space. We visually distinguish material elements and planes of depth, yet among them all lies another type of space: voids. Much like binary language expressed through sequences of 0s and 1s, our gaze tracks and separates solid objects, intermediate spaces, gaps, and silences. The act of reading the image transforms into a movement of introspection, provoking physical emotions within the viewer. This void is a direct consequence of the creator’s intent, offered to the viewer for their own occupation and interpretation. This yielding is not unconditional; it is not free from conflict. It entails a permanent struggle and tension, of enormous significance to the processes of construction and inhabitation of architectural space.

This book is the second volume in the "Cuadernos romanos" collection, which analyzes a group of fundamental buildings in architectural history. In this installment, Hadrian's Villa is studied in detail and placed within its deep historical context. By comparing the transformations its surroundings have undergone over time and assessing the consequences of these changes on the redefinition of three-dimensional scale, these masterpieces are brought into the present in a revealing cross-cultural exercise.

Enrique Norten has been recognized as one of the most important architects in North America. With offices in Mexico City and New York, TEN Arquitectos has successfully shaped these cities—from migration and exchange to information circuits—creating forms that define the skyline and activate streets from Mexico City to Brooklyn. Celebrating thirty years of practice, this bilingual publication presents eighteen recent projects, including the BAM in the Downtown Brooklyn Cultural District, the Rutgers University master plan in New Jersey, the Museo Amparo in Puebla, and the CENTRO and Universidad Panamericana campuses in Mexico City. This volume explores the evolution of the firm as an international practice and showcases the three “lines of research” that drive its work: architecture as public space, as infrastructure, and as territory. The book includes essays by Barry Bergdoll and Alejandro Hernández Gálvez, as well as conversations with prominent international cultural figures such as Elizabeth Diller, Thom Mayne, and Enrique Krauze.

Discover the city of Jaipur, the capital of Rajasthan, through this architectural travel guide. Founded in the 18th century by Maharaja Sawai Jai Singh, the city was planned according to the Hindu Vastu Shastra method, utilizing a grid system and imbuing its buildings with a signature pink hue. Jaipur is a cradle of Rajput, Mughal, and various other cultures, and it also houses a wealth of vernacular tradition. Beyond the Pink City’s preserved unique atmosphere and old-world charm, visitors can immerse themselves in the cultural heritage of the past within the city’s vibrant environment.

LATAM 02: Contemporary Latin American Architecture is the second book in a series that brings together outstanding architectural projects from the last five years in which Hunter Douglas has participated. Authored by Jeannette Plaut and Marcelo Sarovic (Constructo), the publication features 44 works from six countries: Argentina, Brazil, Chile, Colombia, Mexico, and Panama.

Are you aware of the revision and replacement of the Buenos Aires Urban Planning Code? Have you been searching for reflections on its modification recently?

Fittingly, the new edition #38 of the Professional Council of Architecture and Urbanism’s Online Magazine, Notas CPAU, presents the theme 'Urban Code'.

In this issue, the publication comprehensively addresses the issues raised in the Urban Code proposed by the Government of the City of Buenos Aires, as well as the Professional Council’s response to it.

Below are a few words from the magazine’s director, Bárbara Berson, followed by the table of contents.

This book, an anthology of José Manuel López-Peláez's finest writings, compiled with the perspective gained from a long career in teaching and criticism, focuses on the primary themes to which the author has dedicated his attention—particularly the Spanish masters of the second half of the 20th century with whom he was closely associated, such as Sota, Oíza, Fisac, or Coderch, as well as, of course, Erik Gunnar Asplund and Nordic architecture.

A manuscript that is erased to be written over, yet retains the traces of what was previously written: that is a palimpsest. This is how Alberto Campo Baeza presents in this book “layers of ideas, images, and feelings”—as De Quincey wrote—in which his reflections, his architectural passions, his sources of inspiration, and his favorite poets, architects, philosophers, and writers are superimposed. He revisits, once again, not what is fashionable or ephemeral in architecture, but what is constant, eternal, and universal: light, time, gravity, space, beauty…

This book is the first monograph dedicated to one of Hassan Fathy's houses. Sa Bassa Blanca also holds the added interest of being virtually the only work built by the Egyptian architect in Europe. Leïla El-Wakil, an art historian and architect specializing in traditional architecture and historical heritage, rigorously documents the entire design and construction process of the house, framing it within Fathy’s body of work while simultaneously highlighting its uniqueness.

• ISBN

  9783775743822

• Title

  'Las propiedades de la luz' de Luis Barragán y Fred Sandback

• Author

  Federica Zanco; Daniel Usabiaga

• Publisher

  Hatje Cantz

• Publication year

  2018

• Binding

  Tapa dura

• Language

  English

Proyectos Monclova is pleased to announce the solo exhibition Fred Sandback: The Properties of Light (Inside and Outside), running from May 26 to August 18, 2018, in conjunction with the launch of the new publication The Properties of Light: Luis Barragán and Fred Sandback, which will be presented alongside a panel discussion.

Reyes Ríos + Larraín is an architecture firm founded by Salvador Reyes Ríos and Josefina Larraín in Mérida, Yucatán. The firm is noted for the remodeling and restoration of historic mansions and haciendas in the state of Yucatán and across other parts of Mexico, which have been converted into hotels or private residences. This compilation showcases the firm's exploration of various construction systems, materials, and finishes used in the adaptive reuse of these projects. It also features projects built from the ground up on vacant lots, where the firm has implemented traditional construction techniques and, in some cases, designed custom furniture. The book details the firm's design process and working methodology through essays, sketches, site photographs, and models.

The role of the organic in the history of modern architecture has been primarily attributed to figures such as Frank Lloyd Wright and Bruno Zevi, who, for much of the 20th century, challenged radical mechanistic, functionalist, and rationalist proposals with a vision that sought to recover the organic relationship between humans and their environment. The broad definition of the organic allowed the scope of modern architecture to expand, encompassing subsequent generations such as Alvar Aalto, and even Eero Saarinen or Jørn Utzon.

Ornamento Journal is a visual exploration of the formal values of architectural detail, regardless of its constructive purpose.

One of the aims of this essay is to explain the poor reputation of matter in Western architecture and art, traversing various eras and authors to assemble the many arguments that have repeatedly rewritten the long-standing thesis that matter is confused, formless, irrational, dark, Dionysian, and even violent, while the purpose of art is to render it precise, formed, rational, luminous, Apollonian, and peaceful. Yet this essay also seeks to grant matter the aesthetic dignity it deserves and to glimpse its enigmatic depths.