Content Editor at ArchDaily Mexico. Architect by UNAM (2018). Her interests focus on exploring the relationship of the body with architecture through dance. She has collaborated with different international choreographers who explore dance and architecture as an event. Twitter / Instagram: @monicarellano_
The 'Vivienda para Rosario' (Housing for Rosario) project by Rojkind Arquitectos + Dosa Studio arose in response to the events of 19S, when an earthquake with its epicenter in Morelos shook different areas of the country. In response, various organizations such as Reconstruir México, Pienza Sostenible, and Échale a tu Casa stepped in to support affected families by proposing long-term sustainable solutions. Guided by the premise that demolishing to rebuild from scratch was not the solution, efforts focused on promoting the reuse of existing materials and structures to facilitate diagnostic assessments and prevent future disasters.
Conversatorio FA is a project born out of the desire to create a space for reflection on contemporary thought, aiming to foster a dialogue enriched by diverse perspectives within these very spaces. It seeks to reclaim various spaces and generate new questions and inquiries through critical and pluralistic thinking in open university areas, fostering democratic dialogue on topics chosen based on student interests.
The structure of Conversatorio FA seeks to bring external guests closer to the community, establishing connections and raising new questions about the future of the profession. Past guests have included renowned figures such as Alberto Pérez Gómez, Néstor García Canclini, and, most recently, Carlos Amorales. As part of its eighth edition, an event was held focusing on gender perspective in architecture. It featured Argentine architect Inés Moisset, coordinator of the project "Un día, una arquitecta," and Zaida Muxí, author of several publications on gender perspectives and co-director of the Master's Laboratory of 21st Century Housing at the Polytechnic University of Catalonia.
As part of the commemorations marking the 30th anniversary of the passing of architect Luis Barragán, Cosentino and Arquiphilia invited 20 Mexican architecture firms to participate in a group exhibition titled "Inspiración, magia y embrujo 2018" (Inspiration, Magic, and Spell 2018). The initiative proposed an exercise to demonstrate how collaboration and creativity are key to design, challenging participants to create a sculpture using Dekton® by Cosentino to pay tribute to the work of the 1980 Pritzker Prize laureate. The resulting models were subsequently exhibited at the Instituto Cabañas in Guadalajara.
Operational coordination was led by Arquiphilia, represented by architects Bertha Elia Gutiérrez Gómez and Carlos Lassala Mozo, who previously organized the Do It Yourself exhibition in Guadalajara in September 2015. Mónica Urbán, from Cosentino's corporate team, was also part of the coordination team, serving as the liaison between the brand and the architecture firms. Before fabrication, the participants selected their materials from a catalog, evaluating different characteristics to find the ideal match for what they wished to express in their pieces.
Tatiana Bilbao is an internationally recognized Mexican architect who has helped position Mexico on the global architecture scene. One of the core principles of her practice is "creating dignified spaces to elevate people's lives" and building communities through spatial design.
On Saturday, May 12, at 12:00 p.m., the exhibition Perspectivas. Tatiana Bilbao Estudioopened at the Museo Amparo in Puebla, Mexico. The exhibition was first presented at the Museo de Arte Contemporáneo de Monterrey (MARCO) in 2017.
On Friday, January 26, the Better City International Forum took place in Mexico City. The event convened key figures from the Mexico City (CDMX) government, academia, the business sector, and civil society to outline a vision for turning this great metropolis into an exemplary city by strengthening the roles of each sector.
This initiative by the Placemaking Latinoamérica network aims to carry out urban actions that promote the appropriation of public space, leading up to the 2nd Placemaking Latinoamérica Encounter, which will take place in Mexico from November 5 to 11. How does it work? On the second weekend of every month, various actions will be organized across different cities and public spaces. The process is as follows:
The first action was "urban printing," which took place from July 6 to 8 in Mexico City, Puebla, and Buenos Aires, among other cities. This involves printing clothing with custom city-themed stamps. All you need is paint suitable for printing images of your city and the clothing you want to print on.
Plazoleta Amo Torres is a project by Echauri Morales in collaboration with Corporación Planen.Located in downtown Guadalajara, Jalisco, Mexico, the intervention comprises a series of urban design gestures aimed at revitalizing the area along Hidalgo Avenue at its intersection with Santa Mónica Street, directly in front of the Corona Market.
Moisés Hernández (Mexico City, 1983) is a Mexican designer who graduated with honors in Industrial Design from the Monterrey Institute of Technology and Higher Education in 2007. Hernández has always been drawn to the simplicity and refinement of objects; his inspiration stems from Mexican objects, traditions, textures, contrasts, and the chromatic diversity of his surroundings, as well as the experience of living in a chaotic, overpopulated city.
The Mictlán Pavilion Competition was established as part of the activities for the 2018 Mictlán Festival, an annual event held in the municipality of Tlajomulco de Zúñiga in the state of Jalisco, Mexico. This event aims to celebrate the Day of the Dead traditions in this municipality, particularly along the Cajititlán waterfront.
For the competition, participants designed an intervention for the San Juan Evangelista pier in Tlajomulco, which served as a transitional space within the Day of the Dead Festival installations.
The 21 projects that make up the Official Selection of the Mexican Pavilion at the 16th International Architecture Exhibition of the Venice Biennale converge in latitudes, geographical regions, and echoes of the territory, drawing from the curatorial theme "Freespace." In four installments, we will share the works and insights of each of the participants representing Mexico in Venice. Read on to discover the third part of these projects.
A new renovation project is underway at the University of Guadalajara's Health Sciences Campus, led by Nr24arquitectura. Located at Sierra Mojada 950, Independencia Oriente, 44340 Guadalajara, Jalisco, Mexico, the project covers a total area of 10,000 m² and is expected to be completed by 2019.
Rozana Montiel is one of the 71 architects invited by the curators of the 16th International Architecture Exhibition of the Venice Biennale, Yvonne Farrell and Shelley McNamara, which opened on May 24, 2018, at the Arsenale in Venice, Italy. Her participation in this renowned festival engages with the central theme, 'Freespace,' which suggests both an imperative—'to free space'—and a resource—'having free space (to act/engage).' The Mexican architect's studio explores this theme as an imperative for action and a social resource for free agency.
Rozana Montiel Estudio de Arquitectura is an internationally recognized firm known for providing users with a sense of place and well-being, promoting habitability and spatial densification to foster active public spaces and local cultural production. Ultimately, this expands horizons of interaction, paving the way for community integration.
On Thursday, October 11, a new space named Design House opened in Mexico City, showcasing a series of interventions that blend design, architecture, and interior design. Over the past nine years, the event has presented cutting-edge proposals from 100 participating firms across various venues. This is done in collaboration with showrooms along the Ruta del Diño (Design Route), which provide the furniture and accessories featured in the various spaces.
For this year's edition, Design House features 24 renowned architecture and interior design firms. Guided by their unique visions, they have transformed different spaces, drawing inspiration from prominent personalities across various social spheres in Mexico.
Undoubtedly, 2018 has been one of the most important years in the history of ArchDaily México. Through both our existing and newly introduced tools, we have succeeded in providing inspiration, knowledge, and tools to architects currently facing the challenge of designing the future, aiming to improve the quality of life for those living in the world's urban centers.
This year, we connected more closely with our readers through various tools that fostered dialogue, participation, and the work of our Instagram community, aligning more closely with your interests. This community now consists of 71k followers who actively participate daily to discuss the present and future of architecture.
On July 17, the Council of the Arq. Marcelo Zambrano Scholarship selected architect Nuria Benítez Gómez as this year's winner: “The Arq. Marcelo Zambrano Scholarship is an initiative through which CEMEX reaffirms its commitment to Mexican architecture, promoting the professionalization of the construction industry by training highly talented young architects,” stated Juan Romero, President of CEMEX Mexico. “I recognize the important work of the Scholarship Council in choosing the winner during this year's deliberations, which, as in every year, has been highly enriching and now even more challenging due to the high level of competition and quality of work among the applicants.”
It is well known that Frederick Law Olmsted, designer of Central Park in New York; André Le Nôtre, responsible for the gardens of the Palace of Versailles; and Alan Titchmarsh, among others, were pioneers of landscape architecture for their ability to break the mold of traditional design. However, Latin America has produced outstanding work that deserves recognition. Such is the case in Mexico, where Pritzker laureate Luis Barragán showed the world the richness of the country's green spaces and his mastery in designing them.
In 1988, upon the death of Luis Barragán, a process began to manage the assets he bequeathed to a group of architects based in Guadalajara, Jalisco. This led to the creation of the Fundación de Arquitectura Tapatía Luis Barragán, established to safeguard a portion of his real estate, his library, and certain personal belongings. Consequently, the foundation secured the necessary funding to acquire the Luis Barragán House and Studio, preserving it as the house-museum it is today.
We spoke with architect Salvador Macías, co-founder of Estudio Macías Peredo, who now directs this venue, which aims to provide a public space for reflection and the dissemination of architecture.