From domestic rooms to public infrastructure, the library is an architectural typology that must address various specific requirements tied to its core responsibilities: preserving books and publications, and providing spaces for reading, study, and research. Regardless of scale, libraries must efficiently manage natural light and ventilation, since they often combine leisure and work activities that require distinct qualities of environmental comfort.

The life story of São Paulo-born landscape architect Mina Klabin Warchavchik is deeply intertwined with the history of modern art and architecture in Brazil, especially in São Paulo. Her father, Maurício Freeman Klabin, a Lithuanian immigrant, had left Russia due to a decree prohibiting Jewish land ownership. Upon arriving in Brazil in the late 19th century, he began working in a workshop producing blank books for the typography market, a business he would acquire within a few years. 

Venice is undoubtedly one of the most sought-after destinations in Europe for travelers from around the world. The city boasts attractions in many areas, from gastronomy to art, and naturally, architecture—an art form deeply woven into the city's fabric, most prominently showcased at the Architecture Biennales, held since 1980. Beyond the Biennale, the island has much to offer those interested in exploring places that epitomize the relationship between past and present, the preservation of historical memory, and new technologies serving buildings in constant relation with the water.

A house, likely from the 1950s, featuring a clothesline near a three-basin laundry sink, a bathroom with large tiles covered in rugs, and a kitchen filled with food. A middle-class family home in Barretos, in the interior of the state of São Paulo. This house stands as the protagonist in the narrative proposed by the series "Maria, José e menino" by São Paulo-based photographer Marina Schiesari.

From nostalgic parquet flooring to more sophisticated wood species, timber is a material capable of providing a high degree of comfort when used as a floor finish in architectural projects. Beyond its obvious aesthetic appeal, its characteristics contribute to a welcoming ambiance and can also meet acoustic and thermal comfort parameters, which explains why the material is so prevalent in residential design.

A few days ago, we asked our Instagram followers, "What does public space mean to you?" These reflections are intrinsic to architectural discourse and come into play across various project types, particularly those involving the planning of shared spaces in cities.

Women gaining a more prominent role in the labor market is an ongoing process, reflecting major historical efforts linked to the struggle for equal rights. While this is a subject of constant discussion and revision—especially considering that the gender spectrum should not be reduced to a simple male-female binary if we are to achieve a coherent and complex understanding of disparity—the relationship between occupation types, earnings, and gender generally continues to point to unfavorable conditions for women.

"The hardest thing in architecture is building in the desert. It is terrible, there are no references," Álvaro Siza once remarked. Paradoxical as it may seem, complex site constraints are often the starting point for architectural reasoning. Dealing with steep slopes, significant pre-existing structures, or endemic vegetation might initially seem like an obstacle to the creative process, but in many cases, this very confrontation is what makes a project unique and anchors it to its site.

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Residential projects can serve as testing grounds for experimenting with form, materials, construction techniques, and spatial configurations. One such feature is the double-height ceiling—spaces where the clear height between floor and ceiling is roughly twice that of a standard ceiling (typically between 2.50 and 2.70 meters). The generous volumes created under these conditions are ideal for maximizing natural light and ventilation, while also establishing more dynamic vertical connections.

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A Portuguese architect from a traditional aristocratic family, Fernando Távora's education was shaped by a profound discursive shift upon coming into contact with modernism. He often said that he "entered university in love with the Venus de Milo and left in love with Picasso," reflecting his intellectual brilliance in recognizing modernist initiatives as something with which he had to establish a dialogue. In 1945, he wrote for the first time about a "third way" for Portuguese architecture, a contribution that resonated both in his teaching—closely tied to the Porto School—and in his practice, finding direct and striking expression in several of his projects.

Playful experiences have long been a subject of research and experimentation for professionals across diverse fields. Interested in establishing a serious, committed dialogue around a lighthearted subject—which has yielded highly compelling initiatives across various disciplines over time—these practitioners prompt a debate on the potential of tools that foster experiences of pleasure, imagination, fun, and, in many cases, childhood.

In the field of architecture, notable projects have leveraged play as a design strategy. A key example of this approach is the Apollo Schools by Dutch architect Herman Hertzberger. These buildings, aligned with an avant-garde approach to primary education, materialize design principles from a pedagogical proposal centered on the playful and collective nature of children's learning.

The formal exploration of architecture offers several avenues for experimentation within design practice. Designing diverse forms, site layouts, and compositions is a strategy that gains significant depth when paired with material investigation. Glass, as a material, allows architects to engage with some of the core elements of architectural theory: natural light, the transparency and opacity of surfaces, the suspension of spatial boundaries, and the visual relationships established between different parts of a building.

When freed from its conventional role as a window, glass can be used strategically to address complex project conditions, enrich spatial quality, or serve as a balancing element between weight and lightness when combined with other materials such as steel, wood, and concrete.

A few weeks ago, we invited our readers to imagine a scenario: if the next Pritzker laureate were Portuguese-speaking, who would you bet on?

The establishment of an architectural drawing language throughout history is a tool that allows, for instance, a Japanese architect to design a building in Brazil, or makes it possible, by lingering over plans, sections, and elevations, to imagine the spatiality and character of a project that has not yet been built. This means that, despite local singularities, in terms of graphic representation, the field of architecture has successfully established itself as a common, international language.

Earlier this year, the full list of nominees for the 2018 Oscars—selected by the Academy of Motion Picture Arts and Sciences—was announced, and anticipation is building to see which films will take home the top honors in this edition.

Joaquim Manoel Guedes Sobrinho was a Brazilian architect and urbanist who graduated in 1954 from the School of Architecture and Urbanism at the University of São Paulo (FAU-USP)—as part of the institution's third graduating class—and was a leading figure of the so-called “Paulista School.” A prominent aspect of his professional practice was his partnership with his wife, Liliana Marsicano, with whom he established a lasting collaboration on a series of projects until 1974.

We invited fifteen architectural photographers to share their playlists with us, now available on ArchDaily Brasil's Spotify.

Continuing our series of publications aimed at broadening access to academic research from the country's universities, today we present the master's thesis of Ana Luzia Ribeiro Mello from the Institute of Arts at UNESP - Universidade Estadual Paulista Júlio de Mesquita Filho, titled “O brinquedo do parque: um conceito lúdico como arte do reaproveitamento” (The Park Toy: A Playful Concept as the Art of Repurposing) and advised by Prof. Dr. Clice de T. Sanjar Mazzilli. The study highlights the figure of architect and designer Elvira de Almeida and her career in designing and building play sculptures.