This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

This article by María José Pizarro and Óscar Rueda was originally published in the 3rd issue of rita journal under the title "Ernesto N. Rogers y la 'Preesistenza Ambientale' en las Escuelas Nacionales de Arte de La Habana" and is part of a joint collaborative dissemination effort. The present text seeks to delve into the influence of Rogers' theoretical corpus on three of his outstanding students: Ricardo Porro, Vittorio Garatti, and Roberto Gottardi, and how this thinking informed the design of their first and most significant work: the National Art Schools of Havana.

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On Friday, September 25, the first Digital Event organized by ArchDaily took place, sponsored by Crest and Panel Rey for the Mérida-based architectural community. During the event, David Basulto (founder of ArchDaily) and Vanessa Vielma (Director of ArchDaily Mexico) gave a talk on the platform's history and shared relevant data specific to this context.

In a year defined by physical distancing, social media has taken on an even greater role in how we connect and stay informed. Our Instagram accounts have surpassed all previous reach records, bringing our audience the very best of what we publish on our website: projects, articles, interviews, and news from the architectural world, inspiring new ideas and tools for a better future for our cities.

Every architecture school has its canonical local landmarks. For students in Colombia, one of the most easily recognized is the Olaya Herrera Airport in Medellín by Elías Zapata Sierra, an undeniable yet understudied icon. Architect Eleázar Gómez Fernández (Universidad Nacional de Colombia) presents this master's thesis, published in the Digital Library of the Universidad Nacional de Colombia.

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PECA design studio—led by Mexican architect Caterina Moretti—launches its new collection titled "Loto," crafted from beech wood, fused glass, and wool. It features two side tables with tops made of recycled glass fused in Tlaquepaque—providing the transparency needed to appreciate the interior of the pieces—and a pouf upholstered in sheep's wool woven on a backstrap loom in San Juan Chamula, in the Chiapas Highlands, which leaves a minimal portion of its wooden base exposed to highlight the contrast between the two textures.

As part of an initiative by architects and urban planners to mark the 50th anniversary of the founding of Cancun in Quintana Roo, Mexico, two comics have been released to portray the history of Cancun's Foundational Zone. Created by Pablo Landa of Landa + Martínez and David 'El Dee' Espinosa, this work explains the origins of the city's urban layout, as well as the history behind Cancun's Foundational Zone, to help understand its sustainable, pedestrian-friendly origins that promote community life.

This article is part of a collaboration with the website coolhuntermx and was originally published under the title "Julio de la Peña, the architect who built half of Guadalajara."

The moniker of having “built half the city” is often an exaggeration when discussing architects with a large volume of work. However, in the case of Julio de la Peña, the claim is not so far-fetched. This is true not only because of the sheer number of his projects, but also due to how iconic they are for Guadalajara.

With the emergence of COVID-19, we have had to adapt to living differently than we were used to, which has been directly reflected in our working style. Where and how do we work today? A large portion of the workforce has transitioned to working from home, where feasible. While comfortable for many, for others it has meant a radical shift, bringing new spatial and resource requirements. For architects, engineers, builders, and contractors, this challenge has been particularly complex, as much of their work involves handling large, high-cost devices.

In this article, we present 3 innovative solutions that replace the traditional, bulky plotter, allowing us to print in large formats from our own homes.

COVID-19 will likely change the way we live and work for an extended period. In this landscape, organizations have been seeking short-, medium-, and long-term solutions to guarantee their staff a safe return to work. Protecting the health of employees exposed to contact in the workplace requires implementing biosecurity strategies, social distancing, occupancy limits, cleaning, and disinfection. This article explores preventive measures recommended by HID Global, based on the application of identification technologies.

Last week we announced the 15 finalist projects for the Building of the Year 2020 award (Obra del Año), which since 2008 has celebrated the best built architecture in Latin America and Spain, calling on our expert jury—that is, you, the readers—to choose your favorite completed buildings.

Today, the day has come to announce the winners of ODA2020.

La Parleta is a project by the Ecuadorian architecture and construction collective EseColectivo, which gathers "highly valuable reflections, anecdotes, and experiences surrounding the profession." Below, we share some of their thoughts alongside their fourth episode, "Post-Apocalyptic Architecture."

Street safety goes far beyond policing and lighting. While these factors may be important in certain contexts, community engagement and building social capital are key to making cities safer. “Feeling safe is crucial for people to embrace urban space,” says Jan Gehl.

At the same rate that the real estate development industry aggressively intervened in the most favorable areas of the city valley—backed by state approvals and concessions, supported by massive banking resources, and employing top individual talent trained at public universities—popular settlement neighborhoods grew proportionally across complex topographies, receiving minimal institutional support, completely devoid of financial backing, and with negligible, residual, if not non-existent, technical assistance.

When we visit an urban destination—or perhaps a rural one as well—can we truly say we know it? A brief vacation in a tourist destination might give us an impression of what a place "is." However, this is a far cry from reality, as tourism has always manipulated the impression left on visitors, obscuring the actual lived experience of the place. 

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The city of Puebla, located in the central highlands of Mexico, is particularly well-known for its street layout and its predominantly Baroque architecture. A UNESCO World Heritage Site since 1987, it hosts a broad cultural dynamic centered on the preservation of built heritage and its appreciation from afar, as if it were a museum piece. Consequently, on our daily commutes, we notice the monumentality of its facades, while most often overlooking what lies behind the large wooden doors: what we have called “the heart of the Poblano home.”

Within residential spaces, architects choose to give more or less prominence to certain areas of the program, depending on client preferences. While some prefer to prioritize more intimate spaces, others lean toward social areas—with the kitchen being a primary example.

Although the pragmatic function of a kitchen is to serve as a space for preparing food, there are few homes where it does not also double as a gathering place. Even in traditional dwellings like the Mapuche *ruka*, a central hearth is used both for cooking and for heating, conceptually evoking the same welcoming atmosphere as integrated urban kitchens. Today, fire is managed through stoves—with a strong modern shift toward induction cooktops for their safety and precise temperature control. Nevertheless, the core domestic principle remains the same, and contemporary architecture has allowed the kitchen to once again integrate seamlessly with daily activities and social zones.

Observing the reality of our built environment allows us to recognize that certain identities are not represented by existing models and scales. Unsurprisingly, these voices have been conspicuously absent from the planning and construction processes of cities and their architecture. Their desires, ways of being, and modes of inhabiting the world have been excluded and rendered invisible. This prompts us to rethink: Which voices are legitimized in urban debates, and for whom is the city designed?

In a conversation for the third edition of Revista CLEA—an annual publication of the Latin American Coordinator of Architecture Students (CLEA)—Ecuadorian architect María Augusta Hermida explores the capacity to decolonize spaces and cities today.

We have all heard the term BIM in the field of architecture and construction. But have you ever wondered why its adoption has grown so rapidly in recent years? Building Information Modeling (BIM) has streamlined the work of various professionals in the architecture and construction industries. It not only facilitates the design process but also simplifies the overall analysis of the building, thereby minimizing errors.

Through BIM methodology, teams can work collaboratively, maximizing the efficiency of project management and administration for both small and large-scale projects. This allows architects and engineers to work with parametric models and drawings, known as 3D smart objects.

Nearly sixty years ago, Flora Manteola, Javier Sánchez Gómez, Justo Solsona, Carlos Libedinsky, and Antonio Diaz envisioned a building with a capacity of 3,000,000 books and 500,000 magazines and newspapers for the National Library of Argentina preliminary design competition. Their proposal for a "large metal tent" would ultimately take second place to the concrete glyptodont by Clorindo Testa, Bullrich, and Cazzaniga that stands today.

From its inception, the proposal "prompted sensitivity toward new formal and structural directions," as noted in the jury's critique. In 2015, this design was featured in the exhibition Latin America in Construction, and today its original model and blueprints are in the official collection of the Museum of Modern Art (MoMA) in New York.

Below, we revisit the project through the words of Justo Solsona: 

There are many ways to define BIM methodology. One of them describes it as a set of processes that help us combine a project's geometry with the data required to complete its entire lifecycle. We could say that modeling in BIM is like virtually executing the construction process.

Another key aspect is that it allows us to work in a collaborative environment, helping to simplify the flow of information among different stakeholders and providing greater control over our projects. 

As part of an initiative by the Faculty of Architecture at the National Autonomous University of Mexico (UNAM), the Carlos Obregón Santacilia Bookstore is making a selection of its publications available to the public digitally and free of charge. These texts cover a wide range of topics, including research methods, analyses of administrative processes in the architectural field, theoretical writings by Alberto T. Arai, architectural history across various periods and contexts, structural systems, energy efficiency, urbanism, landscape, heritage, reconstruction, biennials, and guides to support the conception of new architectural projects.

This article by Julián García Muñoz and María de los Ángeles Beltrán Fernández was originally published in the second issue of rita magazine under the title "La prefabricación de bóvedas de ladrillo: Una utopía latinoamericana" and is part of a joint publishing collaboration. The following is an overview of the history of these prefabricated vaults, aiming to reclaim their value.

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For many years, the Catalan vault has been used in various projects ranging from residential to public programs. This design element stems from a traditional construction technique—likely originating in the Middle Ages—consisting of building a roof with bricks laid flat on their widest face—exposing their length and width—rather than on any of their thicker edges.