This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

The Doctores neighborhood (Mexico City) is a complex territory; understanding it requires observing the interrelations between objects in space, rather than space and the objects in themselves. Formerly known as Colonia Hidalgo and later renamed after its streets, it has undergone multiple processes of transformation and appropriation over time, ranging from the construction of its first homes during the viceregal period to the spatial and social shift brought about by the 1985 earthquake.

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Seattle-based Olson Kundig is a prime example of how a firm's design approach is shaped by geography and culture. Founded by Jim Olson (Jim Olson) in 1966, the firm now comprises hundreds of employees and four other partners, including Tom Kundig. The practice boasts a wide and diverse portfolio. In lectures and interviews, Kundig frequently discusses how his upbringing in a region with a rich history of mining and logging influenced his industrial and rational aesthetic, his use of durable, low-maintenance materials, and his keen focus on craftsmanship. At the same time, an imaginative approach that emphasizes kinetic elements and blurs the boundaries between indoors and outdoors is a hallmark of many of the firm's designs. This is often achieved through the integration of manual, hand-operated devices that allow users to physically activate the building, connecting them to the environment, the architecture, and its kinetic mechanisms.

Established in Shanghai in 2016, Atelier tao+c’s practice spans a diverse range of typologies and scales, from a single pendant light to an entire neighborhood, from micro-apartments in the city to the renovation of old rural houses, and from street-front shops to youth communities. Alongside our design practice, we are dedicated to research initiatives focusing on the renewal of existing buildings and the spatial organization of objects within residential environments.

Unconstrained by typology or scale, our projects focus on scale, construction, proximity, intimacy, and the dialogue between the past and the immediate. Through an exploration and deep understanding of typologies, we seek to uncover the latent potential within each site.

Our design methodology begins with a retreat to the interior, allowing space to grow outward from within, breaking boundaries and forging connections within the often-overlooked interstitial spaces between architecture and interior. We employ elemental forms, clear proportions, and unexpected sectional variations to cultivate a nuanced and cohesive sense of scale across interior and exterior realms. By elevating direct, everyday local materials and vernacular construction methods into a profound expression of craftsmanship and detail, we aim to allow life to unfold in all its complexity within a framework of simplicity.

The studio's work has been featured in books by prominent publishers such as Gestalten and Phaidon, and widely published in leading international design media, including The Architectural Review, Domus, The Plan, AIT, Azure, Wallpaper*, ArchDaily, Dezeen, Yellowtrace, and Divisare.

Website:   www.ateliertaoc.com

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The average Brazilian generates nearly one kilogram of waste per day, according to a survey by Selurb (National Union of Urban Cleaning Companies). Meanwhile, according to Abrelpe (Brazilian Association of Public Cleaning and Special Waste Companies), organic waste represents half of the total urban waste generated in Brazil every year. This is waste that could be repurposed for composting, biodigestion, and/or energy production, but is instead sent to landfills—where it contaminates the soil and produces polluting gases.

weico is a newly established architecture firm founded by a group of highly experienced industry professionals. Located in a small courtyard near the East Gate of the Temple of Heaven in Beijing, the studio currently comprises about 20 team members. Beyond building design, weico’s practice spans interior design, urban design, architectural programming, and large-scale project management. The firm places a strong emphasis on the cross-disciplinary integration of design with technology, industry, economics, and the humanities, and has recently begun incorporating graphic design into its project workflows. Led by Principal Architect and Partner Sun Wei, weico—established just over a year ago—has already won bids for and taken on major projects, including the T3 Headquarters, Hengli International Headquarters, the Hongqi High-End Customization Center, and consulting for the Hong Kong University of Science and Technology (Guangzhou) Phase II. The firm was also shortlisted for the CGN Scientific Research Base and the Bay Area University, drawing significant attention within the domestic industry.

Although we are an architecture firm, we do not view design as the end of our work, but rather as the starting point. We hope that all our work can serve as a medium to express our understanding of the world, and even as a tool to drive change.

We can define green technology as a set of instruments that enable sustainable production. This means managing product lifecycles more responsibly, always striving for minimal environmental impact.

The production stages span from raw material extraction, manufacturing, and distribution, to end-use and disposal. Consequently, the entire lifecycle can benefit from the application of green technologies, which help reduce environmental impact by using natural resources in a sustainable and conscious manner.

What comes to mind when you think of technology? Of all the words that pop into your head, "ancient" probably isn't one of them. We tend to think of technology as something that belongs to the future.

In a world where high-tech solutions are virtually synonymous with development, Julia Watson has taken the opposite approach. The New York-based Australian designer has spent much of her career traveling to indigenous communities in the most remote parts of the world—from Benin to Iraq—to study how we can apply their ancient innovations to our planet's contemporary environment.

What does it mean for the Costa Rican Architecture Biennial to have reached sixteen editions? Clearly, it represents a significant accumulation of exhibitions, conferences, and diverse programs that reflect the concerns and shifts in the country's architectural agenda over the past three decades.

'A Project of Trends: 30 Years of Architecture Biennials in Costa Rica' is the exhibition at the Museum of Contemporary Art and Design (MADC) that reviews this trajectory in detail, under the precise curation of Paz Monge Cortés and José Daniel Picado-García.

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As part of the agenda of What Design Can Do (WDCD)—an international organization that seeks to accelerate the transition to a sustainable and just society using the power of design—a series of events and conferences took place in Amsterdam during 2022, bringing together speakers from all over the world to present their projects and perspectives on the current challenges facing the design community today.

On January 13, the City of São Paulo, through the Municipal Secretariat of Urban Development and Licensing, published the draft bill for the mid-term review of the Strategic Master Plan (PDE)—the city's primary urban planning and development tool. In the draft, which is open for online public consultation and civil society feedback until February 17, the most controversial aspect involves changes to the parameters determining the number of parking spaces allowed in new residential developments near public transit infrastructure, such as subway and train stations, and bus corridors.

Some symbols transcend language barriers, easily recognized and understood across different cultures—such as restroom icons, the medical cross, and, more recently, the universal Wi-Fi symbol. Among these ubiquitous graphics is the "recycling" logo, conceived in 1971 by architect and designer Gary Anderson while he was a student at the University of Southern California. The symbol features three clockwise arrows forming a triangle, representing industry, consumers, and recycling, respectively.

Reintegrating what is typically discarded as waste back into the production cycle is a core tenet of the circular economy. This concept is particularly relevant to the construction industry, which has historically relied on resource extraction and destruction to sustain itself. Because the brick is synonymous with building anew, nothing embodies the circular concept quite like it. Innovators have risen to the challenge, devising solutions that transform waste into high-value resources, producing building blocks from raw waste materials ranging from seaweed and plastic to human hair. These innovations not only address pressing environmental concerns but also fundamentally redefine how we construct and inhabit our spaces. In this article, we highlight seven initiatives turning waste into valuable building blocks.

On a recent trip to the United States, looking out the airplane window while taking off from Tampa, Florida, I was struck by the pristine green landscape of the American suburb. Neatly organized rows of seemingly identical trees blanketed the flat terrain like a green carpet. To some, this abundance of green might look like a dream of environmentally integrated sustainability.

Nothing could be further from the truth. The American suburb, based on the outdated concept of the “garden city,” was designed to favor the automobile, low-density single-family housing, and single-use zoning. This model virtually rules out active transportation (walking or cycling) and makes mass transit—which relies on density and walkability—wholly unviable.

As physical and digital commerce increasingly merge, designers and architects are creating shopping experiences that bridge the gap between physical and online spaces. We are beginning to witness the dawn of a new retail landscape that skillfully overlays disruptive digital behaviors with new aesthetics.

This article by Antonio Giráldez López was originally published in the 17th issue of revista rita under the title "Making the City Through Soft Architectures." Through excerpts from conversations with the Usina de Innovación Colectiva, it reconstructs an experience of ephemeral urban transformation in the former Mercado Modelo of Montevideo, Uruguay. In this intervention, actions and programs take precedence over rigid, permanent structures, allowing us to imagine new possibilities for disused infrastructure. This interdisciplinary proposal arises from the principle of fostering communities, citizen laboratories, and "in-between times" to counter the private management dynamics that increasingly threaten these types of spaces.

Since the pandemic, urban issues have become more pressing than ever for many people in Latin America. COVID-19 triggered a turbulent shift in the real estate market, driven both by speculation in second-home markets and the influx of “digital nomads” in cities like Medellín, Buenos Aires, and Mexico City.

The Exhibition Pavilion for the 2023 Chilean Biennial of Architecture and Urbanism was located in the Plaza de la Constitución, just steps from the Palacio de La Moneda. The structure references and reinterprets a pavilion designed on this very site in 1972 by architect Montserrat Palmer for the Ministry of Public Works (MOP) to mark the opening of UNCTAD III—the headquarters of the Third United Nations Conference on Trade and Development in the Third World.

Pool design is an opportunity to create sophisticated, relaxing spaces that complement and enhance their surroundings. When choosing materials, it is essential to look for options that are not only aesthetically appealing but also durable and wear-resistant. One material that meets all these criteria is Sukabumi stone.

This natural stone is quarried in the region from which it takes its name, Sukabumi, Indonesia. In addition to its visual appeal and emerald green color, Sukabumi stone has slip-resistant properties and is highly resistant to erosion. These qualities make it a popular choice for pool projects and decorative accents with a natural aesthetic worldwide.

In the dawn of humanity, communities instinctively organized themselves based on local conditions, available resources, and their way of life. While nomadic groups created solutions for temporary occupation—often carrying shelters among their belongings—settled groups also developed ways to occupy available spaces, establishing construction techniques that have evolved to this day.

One such way of dwelling, which conventional architecture eventually sidelined—to the point of it acquiring a fantastical status in popular culture—was the occupation of cavernous or excavated spaces. Yet, this remains an ancient practice that leverages vernacular techniques to adapt to climate conditions and expand architectural possibilities.

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Navigating certain cities around the world is remarkably easy to grasp, just as finding an address without GPS is not particularly difficult, even for first-time visitors. Urban design explains this ease of navigation. Urban spaces designed on a grid, such as Barcelona (Spain), New York, Chicago, and Phoenix (US), and Toronto (Canada)—where streets intersect at right angles to form a gridiron pattern—make orientation intuitive and optimize spatial utility.

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From fire in prehistoric caves to public lighting in smart cities, illumination has constantly evolved alongside technological advancements. In recent years, however, it has begun to shift even more significantly in terms of design and functionality, driven by a growing awareness of its impact on the environment and human health.

On December 10, 2022, ArchDaily successfully hosted the inaugural "Co-Creation & Co-Ideation" forum for ArchDaily Building Materials (Jianri Zhucai). The event featured seven guest speakers who shared their stories about materials: Libin Chen (Partner at David Chipperfield Architects Shanghai), Jing Lin (Senior Project Architect / Associate Director at SHL Architects), Shuangquan Ni (Marketing Director at Avarte), Yi Yao (Deputy General Manager of the Design Management Department of China Resources Land East China Region), Zhou Qing (Deputy General Manager and Design Director at GOA), Isabel (Residential Project Manager at iGuzzini), and Chunyan Cai (Principal of Atelier Tao+C). Additionally, Shuang Han, ArchDaily China's Editor-in-Chief, introduced our decision to launch a WeChat Mini Program to enter the building materials sector, along with our future plans. We would like to extend our special thanks to China Resources Land for providing the venue, to our sponsors iGuzzini and Avarte for their generous support, and to all the attendees.

Choosing color palettes plays a fundamental role in any design strategy. Beyond their influence on aesthetics, spatial perception, and emotion, selected colors can define the character of an environment. When choosing a color palette, it is essential to consider the context, the building's use, and the lifestyle of its inhabitants, while also accounting for how the colors interact—whether as complementary hues, highlights, or counterpoints to predominant tones.

In addition to enhancing interior comfort, colors profoundly influence user perception and behavior. Alongside structural and ornamental elements, paint choices complete the definition of color palettes in architecture and design. As they do every year, Sherwin-Williams has presented its color trends—this year introducing Terra Colormix 2023, which features 40 trending colors inspired by the rich interweaving of our lives and spaces. Below, we present various color palettes tailored to different types of projects—such as workspaces, educational and healthcare centers, multifamily buildings, contemporary residences, and hospitality spaces—showcasing the versatility of this collection through practical applications.

Founded in 2006, Shanghai Hetai Architectural Decoration Co., Ltd. has spent the past 17 years specializing in the research and practice of fair-faced concrete restoration and long-term protection, as well as the creation of fair-faced concrete finishes (weather-resistant Portland cement and weather-resistant white cement finishes). Through rigorous product selection, performance testing, process exploration, project application, and technological innovation, the company has successfully completed the restoration and long-term protection of 36 fair-faced and conventional concrete buildings cast across various periods. Additionally, they have completed nine fair-faced concrete finish projects alongside ongoing weather-resistance and stability testing spanning 10 to 16 years.

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Terra is the title of Brazil's participation in the 2023 Venice Architecture Biennale, an exhibition curated by Gabriela de Matos and Paulo Tavares that occupies the spaces of the Brazilian pavilion at the Giardini. Divided into two galleries, the exhibition challenges the canons of modern architecture while seeking alternatives for a decolonized and decarbonized future in marginalized ancestral narratives. Terra is the first Brazilian pavilion to be awarded the Venice Architecture Biennale's highest honor, the Golden Lion.

In an effort to expand access to the content exhibited in Venice, we present here the texts and images from the second gallery, titled Places of Origin, Archaeologies of the Future. The first gallery, Decolonizing the Canon, can be revisited here. ArchDaily would like to thank the Fundação Bienal de São Paulo, which generously provided the material from the Terra pavilion for this publication.

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