This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

Since ArchDaily launched its recruitment services, we have received job listings from architecture practices of all scales across China, from Beijing and Shenzhen to Hangzhou. Characterized by their distinct design philosophies, these practices operate across diverse architectural fields, seeking talented professionals to join their teams. Concurrently, ArchDaily and its sister platform, the design and materials database Architonic, are seeking a Business Development Manager for China. Below is a curated selection of nine active openings and representative practices. We invite qualified candidates to apply.

Hiring this week is Shanghai-based Atelier I-N-D-J. Active in the fields of architecture, spatial, product, and furniture design with a highly distinct style, they welcome young talents passionate about architectural design to join their team.

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'Instituto de la neoprehistoria' is the title of the exhibition organized by guadalajara90210 in the municipality of Zapopan, Jalisco, Mexico, which emerges as a fictitious entity emulating an institutional structure. The project constitutes a speculative exercise that attempts to reimagine Mexican prehistory as immense and ambiguous, in a scenario where anthropomorphic and intersex beings and endemic megafauna—now extinct—coexist in perfect symbiosis. The name of the institution is based on research by the National Museum of Anthropology's “Departamento de la Prehistoria” (Department of Prehistory), which published a series of volumes on Mexican prehistory between the 1950s and 1970s.

"Domingos Libro" is hosted by Carmelo of Enorme Studio. Every two weeks, the series takes a deep dive into forgotten architectural publications, books, and architecture magazines from the '60s, '70s, and '80s that harbor the most fascinating backstories.

In this latest episode, we explore the monograph on Japanese architect Arata Isozaki published by Rizzoli, and his obsession with Marilyn Monroe—an obsession that led him to replicate her body's geometry across several of his buildings.

While the construction industry was once among the most technologically lagging, today automation in architecture is undeniably here to stay. 

ARIZON Design was founded in Shanghai in 2008 by Junwei Shen. The firm specializes in providing master planning, design, and consulting services for boutique shopping centers, commercial complexes, and other architectural spaces. Its completed projects have won numerous international professional awards, positioning the firm as one of the most forward-thinking and specialized design agencies in the commercial retail sector. The name ARIZON is inspired by a passage from the I Ching (Book of Changes): “Great indeed is the generating power of Qian, to which all things owe their beginning,” symbolizing the use of boundless creativity to breathe endless life into architectural spaces. Championing an “ECO-FASHION” aesthetic and driven by the mission of “designing the future of business,” ARIZON strives to create greater commercial value for its clients. 

What if we told you that fungi could be the future of building materials? The possibilities of mycelium in architecture are becoming increasingly tangible, thanks to its capacity to be molded into everything from furniture and packaging to insulation panels and bricks. It offers excellent acoustic and thermal properties, along with remarkable fire resistance.

In Argentina, this is already a reality. Refugio Fúngico is a recent experimental biotechnological research and development project led by SUPERPRAXIS. It takes the form of a temporary installation in the city of San Carlos de Bariloche, crafted from a biomaterial made from organic waste and mycelium.

It took nearly 60 years to build the San Carlos Canal, an engineering feat that drew water from the Maipo River to irrigate the lands of southeastern Santiago.

Out of necessity, buildings change uses over time. Churches become libraries, and abandoned warehouses are transformed into cultural centers. Although much has been written on the subject since N. John Habraken's concept of open building in the 1970s, a fascinating global debate is currently underway. Do we really need so much square footage dedicated to offices when the pandemic proved that much of our work can be done remotely?

Videos

“Arquitectos” is a micro-documentary series produced by AvantVisual and directed by Mauro Alfaro on the life and work of prominent Chilean architects. The series was originally scheduled to premiere at the XXI Chile Architecture and Urbanism Biennial, “The Common and the Everyday.” However, due to the suspension of the Biennial in the wake of the 2019 social uprising, the premiere could not take place.

Congratulations, you made it through 2020!

This year was filled with far too many "unexpected" and "unforeseen" events. The pandemic transformed our external environment, shifting our psychological landscapes and behaviors in tandem. As an architectural observer and critic, I have found that the most profound change the pandemic brought to the profession is in our very way of seeing. "Lockdowns" have increasingly forced us to experience culture and space through images. This mode of observation traps us within digital platforms—relying on translated texts, edited photographs, and curated videos. Consequently, our sensory understanding of space (encompassing sight, hearing, smell, and touch) has been reduced to sight alone, leaving our critique of the built environment as a mere synthesis of fragmented impressions.

When the channels of intellectual nourishment shift, the evaluation systems of space inevitably change as well. But how does this affect design? Physicist Carlo Rovelli once noted, "Sometimes, a crazy perspective sees further than our usual blurry vision." Through the lens of the COVID-19 pandemic, I hope to expose issues and provoke collective reflection rather than mere complacency. In this year-end review, we attempt to respond to these shifts. Below are the ten most-discussed articles of the year, categorized into ten themes, offered in the hope of sparking further response and dialogue.

01.Social Distancing:Human——1.5m——Human
02. Female Architects:2020 Pritzker Prize Laureates: Yvonne Farrell and Shelley McNamara
03. Representatives of the Client:Shenzhen Opera House Competition Selects 20 Design Teams in a Clash of Titans
04. Contextual Disconnect:An Open Letter to Zumthor: "Architecture Should Not Be an Island"
05. Scale:Portzamparc Responds to the "Steel Ribbon" of the Suzhou Bay Cultural Center: The Coexistence of the Monumental and the Minute
06. Juxtaposition of Tradition and Contemporaneity:Jingdezhen Imperial Kiln Museum / Studio Zhu-Pei
07. Human Habitat:High-Density Hong Kong: Micro-living in 14㎡ Concrete Water Pipes
08. Experimental Exploration:KAIT Plaza, Kanagawa Institute of Technology / Junya Ishigami
09. Architecture for Animals:Kengo Kuma's New 'Casa Wabi Coop': A Grid Built of Charred Wood
10. Young Architects:2020 ArchDaily Best New Practices: 21 Firms from Around the Globe

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According to 2018 data from INEGI's National Survey of Demographic Dynamics (ENADID), the child population under fifteen in Mexico represents 25.3% of the overall total, which stands at 125 million people. The reality is that this population, despite representing just over a quarter of the total, has few to no spaces dedicated to their entertainment and development. With this figure in mind, this article reflects on public space and childhood in Mexican cities.

Located at Castelli 3902, this project is the result of a collaborative partnership between the architecture and urban planning organization Proyecto Habitar and COOPTEBA SM/3F, a housing cooperative of education workers from the Province of Buenos Aires, San Martín, and Tres de Febrero. In a world where unequal access to urban goods and services shapes the lives of much of the population, the designers sought to work collectively and interdisciplinarily to address existing social and spatial injustices. Read on to learn more about this experience.

Although the Olympic Pool of Arica, built in 1972 by architect Alicia Meza and former CORMU members Nelson Berthelon and Sergio Román, received widespread national and international recognition at the time, today it is far from being part of the collective imaginary of modern architecture in Chile.

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Growing up in the rolling coastal countryside of Dorset in West England, Fred Rigby drew creative inspiration from natural elements—a passion that ultimately shaped his design philosophy. Characterized by organic forms, natural symbolism, and earthy materials, his work fosters a deep connection to nature within indoor environments. Premium Scandinavian design brand MENU collaborated with Rigby to develop their latest office furniture collection as a response to the pandemic-induced shift toward working from home. By integrating the warm, soft, and nature-centric qualities of his work, the collection aims to bring a sense of calm to the anxieties of our time.

This article compiles key insights from the research on air pollution conducted for Catalonia's participation in the 2021 Venice Biennale. The study was carried out in 2019 by 300.000Km/s under the direction of curator Olga Subirós.

"Domingos Libro" is hosted by Carmelo of Enorme Studio. Every two weeks, he takes a deep dive into forgotten architectural publications, exploring books and magazines from the 1960s, '70s, and '80s that hide the most fascinating backstories.

In this new episode, titled "La Casa de Muñecas" (The Dollhouse), he discusses the 1983 issue of the British magazine Architectural Design titled "Dolls' Houses," and how its editor, Andreas Papadakis, turned the search for a dollhouse for his daughter Alexandra into one of the most unusual and entertaining architectural competitions in history.

In November 2021, the Mayor Bruno Covas Augusta Municipal Park opened in central São Paulo. Despite the celebrations, the outcome could have been better. The decision to turn the area into a park was the result of a process that dragged on for years between developers planning to build residential and commercial towers on the site, and residents and activist groups advocating for a park on the same plot of land.

This project represents the latest collaboration between Italian firm Mario Cucinella Architects (MC A) and WASP, marking the first time the two teams have used raw earth—a natural, fully recyclable material—for 3D-printed construction. Located in Massa Lombarda (Ravenna, Italy), the completed habitat is named TECLA. The earthen dome was constructed in 200 hours of continuous printing by multiple synchronized 3D printers.

Exploring the relationship between comics and architectural representation, the thesis of Isis Zúñiga Campos invites us on a journey through the “Quebrada Márquez” housing complex, demonstrating how these narratives, built from drawings and images, can convey and represent both ways of inhabiting and the architectural experiences that surround us. Through the use of various graphic tools, drawing characters becomes a fundamental part of understanding how spaces are lived. Indeed, as the author describes, architecture without people is not architecture. While comics still have a long way to go in representing modes of living, in the meantime they reveal the pathways, spaces, and daily uses people create, offering a perspective closer to reality.

Below, the author explains this in detail in her own words.

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It is well known that since its inception, the field of architecture has been predominantly composed of white, cisgender men, who to this day continue to occupy some of the most prominent positions in both architectural practices and prestigious awards. For this and many other reasons, the struggle to bring visibility to women in architecture has always been present, responding to the specific demands of each era and winning increasingly significant battles. However, inequalities persist, making it a challenging profession for women—and even more so for women of color, Indigenous women, Latinas, and those from disadvantaged economic backgrounds.

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Architect Martín Luis Gutiérrez Martínez was born in Gómez Palacio—a city in the state of Durango, Mexico—in 1927, and he never left behind his Northern roots or any of his lifelong convictions. During the brief and cherished time I shared with him, our conversations were always filled with his exceptional memory, enlivened by an untiring passion for living and feeling architecture.

Although the COVID-19 pandemic postponed COP26 to November 2021, UN negotiators were still hard at work throughout 2020. Following a series of virtual events in June of last year, more than 3,000 national delegates concluded the Climate Dialogues, a series of 80 virtual meetings in which countries shared, reviewed, and discussed outstanding issues in international climate negotiations.

From the outset, countries agreed that the dialogues would not include the formal negotiations that typically occur at COPs and would not lead to any official decisions. Instead, they addressed events that countries had previously scheduled for 2020, alongside other informal exchanges. The dialogues served as a platform for countries and non-state actors to take stock of overall climate action progress in 2020, offering an informal space for negotiators to better understand outstanding issues as they prepared to resume negotiations in 2021.

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This week's featured career opportunities come from two design firms based in Beijing and Shanghai: IN.X Design and SLT- STUDIOLITE. Specialized in projects of varying scales and themes, both practices are highly active across diverse design sectors and are looking to recruit like-minded design talent to join their teams.