Combining technical and aesthetic qualities, porcelain tile stands out as a versatile ceramic option for various architectural and design applications, both indoors and outdoors. Composed primarily of ground clays, feldspars, silica, and other natural materials, porcelain is distinguished by its strength, compactness, and low porosity. In addition to its wide range of colors, patterns, and textures, this material comes in various formats and dimensions. Among these options, large-format porcelain tiles stand out, ideal for enhancing the design of seamless, contemporary spaces.

As part of its solutions for flooring and ceramic wall coverings, Cesantoni has developed large-format porcelain tiles that merge classic style with contemporary innovation. By analyzing these new rectified porcelain options, we demonstrate the versatility of this material across diverse applications, ranging from outdoor areas, kitchens, bathrooms, and common spaces to public space design.

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The transition of human settlements from a nomadic to a settled lifestyle transformed the conception of dwellings, extending beyond their primary use as shelter. Over time, each housing typology that developed around the world acquired unique characteristics that defined its identity and materiality, shaped by the culture and geographic region where it emerged.

In North America, the ancient city of Tenochtitlan was a benchmark for the technological and construction advancements of its time, distinguished by the use of native materials, such as earthen/stone floors, adobe walls, and local wood/cane posts. Over time, dwellings in Mexico have managed to preserve their identity while incorporating high-quality materials. The development of new technologies and the sophistication of the manufacturing process for architectural materials led to the rise of porcelain tiles, such as those developed by Firenze, which became a valuable resource due to their versatile aesthetics, high strength, and durability.

Essentially, windows are architectural elements set within an opening. These openings are integrated into walls in various dimensions to provide natural light and ventilation. Over time, window-making materials evolved from wood to metal. During this evolutionary process, the Industrial Revolution and the rise of metal took center stage, redefining construction at every scale—from entire cities to essential architectural features like windows.

The primary defining feature of metal windows is their structural simplicity and the large spans they can achieve. Their minimalist nature stands out for the visual lightness they provide, acting as elements that enhance the relationship between a building and its context. This connection is further elevated by minimalist systems developed by brands like OTIIMA, which integrate new technologies and opening typologies—such as sliding and pivot systems—that redefine spatial boundaries.

The construction industry faces growing pressure to adopt more sustainable practices due to the need to mitigate climate change and protect natural resources. Traditional construction has a significant environmental impact, ranging from the destruction of ecosystems to high energy consumption and greenhouse gas emissions. Furthermore, sourcing and manufacturing materials contribute to water pollution and hazardous waste generation. However, new products are emerging that offer more environmentally friendly solutions without compromising quality or performance, catering to architects committed to creating sustainable projects.

Indeed, selecting the right materials to help minimize negative impacts on the planet is one of the most effective ways to implement sustainable construction.

As a building material, stone has been fundamental since the dawn of human society, present in various forms throughout our surroundings. From post-and-lintel structures to robust dry stone walls, its deep-seated presence in both our environment and early construction is undeniable. Alvar Aalto highlighted this, asserting that this early architecture could be considered the "genius of discovery," as nature was then the sole provider of building materials.

Over time, as processes for transporting, handling, and working stone have been refined, this material has become far more sophisticated and manageable. While preserving its fundamental characteristics, it is now possible to expand its application as cladding—primarily in bathrooms and kitchens—using smaller stones known as pebbles. This transforms them into a design element that integrates visual interest and a new tactile experience, adding an extra dimension to their use.

Focusing on driving new ideas, creations, and proposals that set a new standard in contemporary architecture, each edition of Proyecto 10 de 10 by Porcelanosa México is conceived as a platform to explore and apply materials in innovative projects. Designing from the essentials and creating without imposing, the search focuses on an architecture that respects the rhythm of its surroundings, evolves over time, and connects deeply by creating spaces that breathe through natural materials, honoring their essence, texture, and origin. Beyond the aesthetics of the materials themselves, integration with the environment, textures, colors, and the relationship with natural light all shape the sensory experience of the spaces.

For more information on Obra Blanca 2025 and the upcoming 2026 edition, visit the following link or follow their social media channels.

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By Jeanette Fich Jespersen, MA, Director of the KOMPAN Play Institute, Chair of the Steering Committee of the World Playground Research Institute, University of Southern Denmark, Vice President of the International Play Association, Denmark.

"No, I don't want to go to that playground. It's boring!" This might sound like something no child would ever say. However, children have clear opinions about the playgrounds they like from a very early age. The reason why not only parents and caregivers, but also urban planners and architects must listen and adapt is more important than ever.

The way we perceive a space does not depend solely on its scale or form, but on a series of decisions that shape our experience from within. Certain gestures are decisive: clear height, the organization of vertical planes, or the size of the bed. Others operate more subtly, such as the play of light, the tonality of materials, or the use of color. All these variables influence how a space manifests—whether it feels open or contained, segmented or continuous. Along these lines, the use of large-format flooring becomes a key strategy, reducing visual fragmentation and reinforcing surface continuity.

The design of public restrooms has historically been linked to satisfying a common need for hygiene, health, and well-being in communities. By condensing different spaces, materials, and sanitation elements within their typologies, the architecture of public restrooms has adapted to contemporary demands for hygiene, care, and aesthetics. From sinks, toilets, and drinking fountains to partition systems, showers, changing tables, or lactation rooms, these features shape the dynamics of these spaces. Whether in airports, parks, clinics, hotels, or other sites, these elements aim to provide privacy and comfort, deliver efficient cleaning solutions, and integrate accessibility criteria across all components, supported by contemporary tools and technologies.

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Recognizing the contemporary role of the kitchen as a social, leisure, and experimental hub within the home, the dialogue between technology and architecture becomes increasingly relevant by bringing movement, adaptability, and flexibility to domestic spaces. While kitchens embody the essence of diverse cultures, preserving everything from ancient recipes and techniques to heritage and tradition, their architectural design increasingly integrates innovative material finishes and invisible technologies, seamlessly combining durability, energy efficiency, and design.

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In ancient Greece and Rome, agoras and forums were spaces where merchants and artisans displayed their products. Although they were not showrooms in the modern sense, they already operated as arenas for visual stimulation. The concept we know today took shape centuries later during the Industrial Revolution, when novel tableware began to be presented in carefully designed settings. And therein lies the key: designing. Over time, spaces dedicated to displaying materials, furniture, and objects have been much more than mere showcases; they have functioned as platforms for exploration and experimentation. What we call a showroom today inherits this spirit: spaces where design is not only observed but touched and projected in real time, giving rise to tools such as moodboards.

In its constant quest to create functional spaces that also establish a visual and emotional connection with their inhabitants, architecture has found a source of inspiration in nature. From the golden ratio, present in biological structures, to the use of site-specific materials, the natural environment offers a lesson in shapes and textures that nourish architectural thinking. An iconic example is Fallingwater, where stone acts as an integrating element between the building and its surroundings. While this work demonstrates the potential of stone, its presence and character have evolved into new formats, such as porcelain tile, expanding design alternatives and consolidating the importance of stone textures and tones in contemporary projects.

Water, in addition to being a design resource widely valued for its aesthetics and functional contribution, can become a formidable adversary when it infiltrates through cracks and fissures in built surfaces. Consequently, waterproofing is not merely a protective measure; it is an essential strategy to extend the lifespan of structures, ensure the habitability of spaces, and prevent issues like leaks and premature deterioration. From terraces and green roofs to heavy-duty surfaces, controlling moisture represents a constant challenge for architects, engineers, and builders. This is especially critical in a context that demands increasingly efficient waterproofing materials with greater resistance to adverse environmental factors.

External factors shaping the built environment play a decisive role in building configuration, particularly with respect to facades. These factors can encompass physical phenomena, such as wind pressure or seismic activity, as well as climatological aspects, including precipitation, solar radiation, and temperature changes.

Consequently, facades have evolved to adapt to the design conditions they face, driving the integration of lightweight building envelopes. In this context, the exterior wall solutions by Panel Rey stand out. These systems are used as exterior cladding, incorporating various substrates, profiles, and other components. Together, these provide the facade with lightness and strength.

Year after year, interior design surprises us with new trends in colors, materials, textures, and patterns that take center stage in the spaces we inhabit. Maintaining a balanced dialogue, considering both the needs to be met and the emotions to be conveyed, is central to the design of diverse environments. Ceramic, mosaic, and porcelain coverings allow for the creation of spaces ranging from warm and cozy to elegant and sophisticated.

Ceramic is an intrinsically versatile material: advanced printing technologies allow for infinite possibilities in terms of colors, textures, and patterns. As a result, it is widely used in interiors worldwide, combining durability, low maintenance, ease of installation, competitive pricing, and the ideal aesthetic to transform environments according to the designer's vision. Trends and fashions are a natural part of interior design, and staying at the forefront is crucial for creating spaces that are both contemporary and timeless. Whether through the clean lines of geometric patterns, the cozy feel of rustic finishes, or the timeless elegance of marbled surfaces, each trend offers something unique to enhance the character of any space.

What role does street furniture play in public spaces? In response to human social behavior, the design of public spaces is part of a complex inquiry. Alongside the analysis of uses, community participation, the study of climatic and geographical conditions, and resource efficiency—among many other factors—it involves selecting appropriate urban equipment and elements to meet the needs of a large share of the population. As the Spanish architect and urban planner Oriol Bohigas Guardiola maintained, architecture is not only an art but also a direct service to society. Consequently, harmony among the multiple disciplines involved should yield tools that improve and facilitate community life. Understanding the role of street furniture—how it supports specific activities depending on its layout, dimensions, materials, and long-term lifespan—is essential to the current and future functioning of urban spaces.

As part of Expo OBRA BLANCA 2024, held from October 15 to 17 at Expo Santa Fe in Mexico City, Porcelana Corona México and Ambiance showcased their latest innovations in sanitaryware alongside a wide range of products for architects, builders, and distributors at booth 224 of the Bathrooms and Fittings Pavilion.

The atmosphere of a home is gradually built through the interaction between architecture, furniture, and materials. Each component contributes color, texture, and depth, making the living experience sensory and immersive. Among these, materials play a decisive role: they define more than just the visual aspect, conveying tactility, light, temperature, and a connection to the environment, thus transforming our perception of the home. When viewed contextually, they reveal new possibilities for designing and experiencing interiors and exteriors, reminding us that every choice influences comfort and functionality.

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In this third dispatch from New York, Kosme de Barañano shares the current state of construction on two structures that will undoubtedly become new milestones in the network of globalized public space—a symptom of the sculptural turn in architectures designed for this type of consumption. The shed and the staircase: two very different constructions that somehow pose an age-old question: are they sculptures, or are they architecture?

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On Thursday, September 6, ArchDaily México celebrated its sixth anniversary. The exclusive event took place in one of the country's most significant architectural gems: Casa Gilardi, designed by Luis Barragán, the only Mexican architect to receive the Pritzker Prize. The venue served as the setting for some of today's most influential architects to connect with the ArchDaily México team.

Designed by Milena Lara Silva, the project Ruta de las aves was selected as one of the 10 winners in the Thesis Project category of the 2018 Concurso Arquitectura Caliente (CAC 2018), a Chilean competition organized by Grupo Arquitectura Caliente and funded by the Ministry of Cultures, Arts, and Heritage.

The constant industrial threats endangering the delicate wetland ecosystems are primarily the result of Chile's weak environmental legislation. In the rural sector of Trumao, 11 kilometers from the city of La Unión, this has led to the gradual degradation of its forested wetland. This decline risks not only its biodiversity but also local communities that have persisted since ancient times thanks to the dynamic landscape and its natural resources—both of which are vital for their survival, economy, and, above all, their culture.

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The dynamics of city dwellers are shaped by their daily routines, including the work they perform, their schedules, and their chosen mode of transportation. Furthermore, physical and mental conditions underpin how people interact with the streets. This experience is entirely subjective, determined by factors such as age, height, or any physical condition involving the loss of a sense or limb.

People walk, crossing at traffic lights when they see the signal change, while simultaneously listening to a playlist on their phones. They recognize textures because they see them, and they track the direction of the wind visually. They perceive the city without deeply engaging with the sensory information they receive.