The cobogó is a widespread element in Brazilian architectural culture. Its origin and name trace back to the creators of this piece, which filters natural light and ventilation while providing rhythm and lightness to facades and interior partitions. Amadeu Oliveira Coimbra, Ernest August Boeckmann, and Antônio de Góis are the engineers who, working in Recife in the early 20th century, conceived this type of hollow block.
From Chinese architectural photographer Zheng Shi comes imagery of Kengo Kuma's Yangcheng Lake Tourist Transportation Center in China. Architecture aimed to build a topographic structure as a large hill by randomly placing aluminum extruded materials with single-sized sections. Inside is designed as the assemblage of slanted floors, in order to maintain the same landform both in inside and outside that create some random yet ambiguous state.
Access to housing, both in the case of purchasing or renting, with any type of financing, is usually one of the most important economic investments in people's lives. It is natural to ask oneself what considerations are necessary in order to have a knowledge base before acting.
Malaquita is a project located on the terrace of the Hotel City Center in the heart of the Historic Center. Its design is conceived as an escape from the bustle of Mexico City, a place where the passage of time across the different eras that shape the territory is palpable: pre-Hispanic, colonial, modern, and postmodern coexisting in constant resilience.
Within the framework of Espacios Oscuros research project, focused on observing and analyzing the experience of sexual diversity in public spaces of Santiago de Chile, architects María González and José Tomás Franco spoke with Nikos Salingaros, a mathematician and thinker known for his alternative theoretical approach to architecture and urbanism. Salingaros promotes design focused on human needs and aspirations, combining rigorous scientific analysis with a deep intuitive experience.
Our cities are, for the most part, hostile to the sensibilities of their citizens. (...) Almost everything has been aligned, standardized, emptied. So, how to meet different people, and how to expect a mix between strangers?
Name: City of Light
Photographer: Sebastian Weiss
Location: Lisbon
Year: March 2019
Architecture, unlike other aspects of culture (such as fashion or music), can only really be experienced and understood in person. For highly branded companies, designing a new building can be a prime opportunity to signal taste and values - but also creates an interesting architectural conundrum. While the buildings will be inhabited (nearly 24/7) by company employees, they’re also very much populated by the imaginations of people across the globe. What is it like to be in these places?
Beyond its vast and diverse geography, the Iberian Peninsula is a map of architectural examples that have successfully adapted by reinterpreting materials, technical methods, and human needs.
In this regard, vernacular architecture in Spain—referring specifically to traditional dwellings—might not be as robust today as in its heyday; nevertheless, numerous examples still stand, some even continuing to serve as viable living spaces.
Below is a selection of the most representative traditional houses across Spain's diverse regions, offering a journey through the territory to inspire new architectural perspectives.
The following research by the Córdoba Urbanism Laboratory (LuCBA)—part of an agreement between the Faculty of Architecture, Urbanism, and Design of the UNC and the Municipal Planning Institute—explores the formative logic, physical structures, and reality of the Green Belt of Córdoba, Argentina.
"The Metropolitan Rural Landscape" is a compendium that presents diverse, intentional perspectives on metropolitan rural territory. These viewpoints aim to highlight and open a discussion on the challenges and potential of these spaces. Below are some excerpts from the project:
No one knows a street or a neighborhood as well as the people who live there. Each place has its own peculiarities, potential, and challenges. Consequently, local-scale solutions can be created by citizens themselves, increasing both the efficiency and community buy-in of the project. Cities around the world have been adapting their legal frameworks to establish public policies that facilitate and foster citizen participation in transformative initiatives.
MIT's Senseable City Lab, led by the architect Carlo Ratti, has launched Escape, an interactive platform for visualizing air travel data. "Escape" serves as a search engine that helps users find the cheapest flights from a particular city, and to make the decision on their next trip faster and easier.
The urban public space between two architectural masses is defined as a street. It is where we establish the relationship between motorized vehicles, non-motorized transport, and pedestrians. In managing this relationship, public space requires a series of systems to guarantee active occupancy, in addition to infrastructure and safety. Consequently, the proper design of roadways and their immediate public surroundings becomes essential. Beyond what meets the eye, water, gas, electricity, and telecommunications networks are laid out beneath our feet, completely unnoticed.
Flávio de Carvalho was a modern Brazilian architect recognized worldwide for his innovative and provocative way of showcasing his worldview through art. Discover some of his artistic expressions below.
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Under heavy bombing, buildings seem to have only one fate: destruction. Severely damaged during the Spanish Civil War, the 13th-century Gothic Church of Vilanova de la Barca (Lleida, Spain) remained abandoned since 1936.
It was only almost 80 years later that the remnants of the structure – parts of the naves, the west façade and the apse towards the east– went through a restoration and refurbishment process. This time, however, the building was not meant to be used as a church but as a multi-purpose hall.
The practice of the dérive is a subject that sparks great interest among urban scholars and professionals. The Situationists, a social critique movement founded in 1957, used this practice to propose new interpretations of the city based on individual lived experience. Jacopo Visconti, curator of the 34th Bienal de Artes de São Paulo, analyzed in his doctoral thesis artistic practices that incorporate the act of walking, seeking the characteristics that defined the Situationist practice of the dérive. Advised by Prof. Dr. Luis Antonio Jorge, Visconti defended his thesis in 2012, which was later published as a book by Martins Fontes. Read the thesis abstract below.
With the aim of generating an architecture that incubates the wellbeing, self-realization, and fulfillment of its inhabitants to become the best version of themselves, CEBRA has launched an ambitious Research and Development Program (R&D) called WISE (Work, Innovation, Space and Education).
As explained by its creators, the purpose of WISE is "to bridge the ongoing and rapid change in the sectors of workspace and education to inform the design of buildings that stimulate learning and innovation. We are connecting ideas of the foremost thinkers of education and entrepreneurship, research and studies in sensory stimuli, cognitive psychology, and behaviorism with architecture."
We spoke with Carsten Primdahl, founding partner of CEBRA, and Klaudio Muca, R&D Architect at CEBRA, to better understand the approach and expected results of the program.
It is the end of May 2016, Alejandro Aravena’s “Reporting from the Front” Biennale is about to kick off the next day and I just landed at Venice airport. Vaporetto waterbuses are no longer running at this late hour, so I am heading for a water taxi, thinking that it will cost me a bundle to get to the city. But maybe not! I see a lonely figure, “Are you going to Venice? Would you like to share a taxi?” A young Chinese woman agrees without hesitation. As soon as the boat leaves I keep pressing my luck, “Are you an architect, by any chance?” Yes! The next hour flew unnoticed, as we discussed our discipline and common friends. Two years passed, and I am back to Venice Biennale. At the opening of the Chinese Pavilion, I am hopping from conversation to conversation until I am introduced to Xu Tiantian, “China’s most promising female architect.” We looked at each other and said in unison, “The taxi girl/guy!” We finally exchanged contacts and on my next trip to Beijing we met at Xu’s DnA Design and Architecture studio. What follows, after a brief introduction, is an excerpt from that conversation.
I Am Interested in Seeing the Future is an architectural exhibition, that, contrary to what you might expect, includes no models and no drawings. Instead, as soon as visitors arrive, they find themselves surrounded by text. The wall facing the entrance is covered by an installation of single words on posters, interview transcripts on colored paper, and mirrors that reflect the sentences on flimsy scrolls arcing down from the ceiling.
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.jpg?1553867198 "Tea House. Image © Wang Ziling")
