Articles

Podium construction – alternately known as platform or pedestal construction – is a building typology characterized by a horizontal division between a lower ‘podium’ and an upper tower. The podium, which is typically made of concrete or steel, is crowned by multiple light wood-frame stories. Often, the lighter upper structure contains four to five stories of residential units, while the podium houses retail, commercial, or office spaces and above- or below-grade parking. An alternative configuration sports six to seven residential stories (including the podium) and subterranean parking. Some visible examples of this podium construction style include the amenity-rich Stella residences designed by DesignArc; an attractive yet cost-effective student housing project for the University of Washington by Mahlum Architects; and the warm, modern University House Arena District also designed by Mahlum Architects in Eugene, Oregon.

Originally used to transport large cargo on ships, shipping containers feature a rigid and highly durable steel structure available in various dimensions. However, moving beyond their traditional role in storage and cargo transport, these structures have been adopted as the basis for commercial and residential modules for several years. They offer high strength, low cost, fast construction, and, above all, a sustainability-oriented system through reuse. With this in mind, and moving beyond standardized housing, several architects have developed residential projects by reusing containers as modular blocks, stacking or joining them side-by-side to suit the specific program of each client.

The Museo Casa de la Memoria is located in Medellín's Boston neighborhood and was developed to commemorate the bicentennial of Colombia's independence. Led by Juan David Botero as the design team coordinator, the project was conceived from the outset as a highly recognizable building for both the community and visitors, drawing its sculptural form from traditional gabled houses. "It is a museum for the victims of violence, and as such, we had to ensure it was a space for everything; a home, the house where memory comes to life," Botero says.

The 3,800-square-meter cultural facility unfolds along the creek like a tunnel, housing exhibition rooms, workshops, archives, offices, and an auditorium. Its envelope functions as a folded skin, incorporating an air cavity that absorbs cool air, draws it in through the facade, and expels it as hot air at the top. This chimney effect helps control the typical 30ºC summer temperatures of the area, ensuring a stable and comfortable indoor climate. Below, we take a closer look at its sculptural thermal and acoustic envelope.

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This article was originally published in ArchDaily en Español last October 30, twelve days after the social crisis in Chile escalated. Some ideas of the analysis may feel outdated since some structural reforms were recently announced, but the author decided to keep the original spirit of the piece.

A 4 cent fair increase for the Metro in Santiago sparked mass fare-dodging protests in Chile starting on October 6. Alongside spontaneous street demonstrations, the protests spilled into widespread violence across Santiago during the following days until October 18. That day, the Metro network collapsed, the riots multiplied across the city, and looting and fires were out of control. That night, President Sebastian Piñera declared a state of emergency.

Urban transformation and development processes can often lead to side effects or unintended consequences when these movements are organic and unplanned. These outcomes are not always positive and can trigger phenomena like gentrification, which can become a major social problem, directly impacting low-income populations. Nonetheless, it is also clear that certain transformations typically associated with this phenomenon can bring improvements and reactivate underutilized spaces in urban centers; the threshold between this scenario as a virtue or a detriment remains a subject of ongoing debate among architects and urban planners.

Many authors address the importance of the street to vitality in urban space. Streets are public open spaces, typically bordered by the buildings that shape them. We rarely realize it, but it is through this open space that we appropriate the city, and where the experience of walking takes place.

Audience sightlines, accessibility and acoustics all make theater seating a hugely precise art. As part of their set of online resources for architects and designers, the team at Theatre Solutions Inc (TSI) have put together a catalog of 21 examples of theater seating layouts. Each layout is well detailed, with information on the number of seats, the floor seating area and row spacing. These layouts fall under three general forms; to supplement this information, alongside TSI's diagrams we've included the pros and cons of each type, as well as examples of projects which use each format. Read on for more.

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Have you ever been stuck for hours obsessing over a font that matched your work? Before starting a project, do you already think about which font you will use? Do you get annoyed when you read an important message written in Comic Sans? Or do you feel offended when a mundane sentence is written in all caps? Rest assured, you are not alone. 

Architects and designers constantly use graphic elements as expressive means in the schematization of their works. Among them, the most common are the drawings, in a constant variety of techniques, styles, and patterns. But among the elements that make up the boards, panels and drawings, techniques and models, there is a particular fragment that helps them in composition and identity: the font. 

The Brazilian student team, comprising Luiza de Souza Santos, Marcus Barbosa, and Gabriel Thomé de Oliveira from UFMG, was awarded an honorable mention in the SkyCity Challenge 2019 international competition, which aimed to "explore sustainable ways of living, working collectively, and having fun." Learn more about their proposal below.

As extreme weather events become increasingly common worldwide, brises-soleil and perforated cladding have become effective options for creating a second skin on building facades, protecting interiors and creating unique atmospheres through the interplay of light and shadow.

Each building and facade orientation requires a distinct solution—whether fixed or operable, and in various materials. However, certain general guidelines can help streamline the selection process. We spoke with the experts at Hunter Douglas to identify the most critical considerations.

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Designing in a country with a predominantly equatorial or tropical climate requires decisions that mitigate heat gain within the building's interior. The versatility, functionality, and aesthetic appeal of the brise-soleil encourage architects—particularly within the Brazilian context—to incorporate them into residential designs. The brise-soleil, or sunshade, acts as a middle ground between openness and enclosure, controlling natural light without obstructing ventilation. Furthermore, this system strikes a balance between interior privacy and exterior views.

Tasked with mapping contemporary Brazilian production, the ​Tomie Ohtake Institute AkzoNobel Architecture Prize ​began its activities in 2013 with loosely defined horizons. While there was the expectation of creating an unprecedented initiative on the national stage by honoring projects built over the last decade, there was also the clear challenge of establishing a prize without categories, dealing with a broad universe of programs and comparing initiatives of widely differing scales.

Founder of the innovative architecture firm MAD Architects, Ma Yansong (born 26 November 1975) has helped to give China a name in the international architecture scene. The first Chinese architect to receive a RIBA fellowship, Ma explores contemporary architecture in relation to traditional eastern values of nature, resulting in buildings that are complex and contextually aware, but sometimes even surreal.

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The Alto Minho region in northern Portugal had its landscape transformed by a series of site-specific artistic interventions that were part of the DESENCAMINHARTE program. The initiative aimed to promote artistic creation in the region through a collaborative network designed to foster recognition of its local identity.

Choosing the right lighting for any space can be a complex decision. Considerations need to be made with respect to the purpose, form and function of the lighting application. Design and aesthetics also play a role in the equation. With so many options for lighting on the market, it takes specialized knowledge and understanding to determine the best fit for your space. Even more challenging than finding lighting for a generic space, an art gallery or museum application can be difficult and even overwhelming to light properly. LED lighting has simplified a large chunk of lighting for art display.

Up until now, space architecture has been mainly focused on engineering, centered on projects like orbital space stations or Martian exploration convoys, commissioned by world space agencies such as ESA (Europe) or NASA (USA). But in recent years, an increasingly broader spectrum of professionals (e.g. architects, sociologists) as well as entrepreneurs and investors (not all well intentioned) have joined the challenge of designing extraterrestrial built environments, the new space race of the 21st century.

The fast development of technology, the increase of world population and the climate change crisis create the perfect setting to think about life outside of our planet, and as these trends continue to evolve and converge, new opportunities to explore options beyond our traditional limits appear (NEOM), as well as new organizations which support this research (like SATC, SICSA). Even though no one is currently on Mars, many ongoing projects and simulations (MARS-ONE, Mars City Science) are already exploring how we will design, build and inhabit the new realms of humanity in outer space.

In some theoretical books, architecture and the human body are more or less the same, each depending on one another. Oftentimes, however, it is the body that undergoes detrimental adjustments to adapt to the architecture, not the other way around. 

In the newly released book X-Ray Architecture, architectural historian Beatriz Colomina argues that health facilities inspired modern architecture's most dominant formal signatures. 

Architectural modernism emerged in the wake of the early 20th-century European avant-gardes. The movement was fueled by industrial capitalism and the thrilling technological progress unfolding before everyone's eyes. The break with the past had been deliberately ushered in by intellectual, artistic, and technical movements since the mid-19th century. The Crystal Palace, for instance, designed by Sir Joseph Paxton, was built in London to host the Great Exhibition of 1851 and represented a structural revolution in the use of lightweight materials such as iron and glass.