The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina are joined by Jonathan Feldman, Architect, and Founding Partner and CEO of Feldman Architecture to discuss studying astronomy and English prior to architecture; taking on new clients; his office’s beginnings and evolution; key ideas for implementing sustainable design; and more.
https://www.archdaily.com/985829/the-second-studio-podcast-interview-with-jonathan-feldmanThe Second Studio Podcast
Cooperative housing, or co-housing, is a residential model that promotes access to housing in cities. This model first developed in countries like Denmark and Uruguay, and it is becoming increasingly popular throughout Europe. Indeed, it arrived in Barcelona several years ago and has since steadily expanded throughout the region, spreading beyond the boundaries of the Catalan capital. Below, we explore the cooperative housing model in Barcelona and how it contributes to a more democratic architecture for its citizens.
DIT Project: "Building a Space for Children." Image via Equipo Proyecto DIT (Gian Franco Pedreschi Rubio, Sergio Iván Puch Olivos, Jhordano Jesús Alfredo Zabanick Uriol)
In Peru, communal kitchens (ollas comunes) are self-managed neighborhood initiatives located in vulnerable areas. Driven by the food and educational insecurity triggered by the pandemic, these spaces have assumed a vital role in child development, transforming themselves into neighborhood schools. Within this context, "DIT: Building a Space for Children" emerged—a project selected for the XII Ibero-American Biennial of Architecture and Urbanism. Through this initiative, architects Gian Franco Pedreschi, Sergio Iván Puch, and Jhordano Zabanick, together with the community of the AA.HH. Horacio Zevallos, intervened in the public space adjacent to a communal kitchen in the Rímac district, improving the residents' quality of life.
Although the design and layout of bathrooms we use nowadays date back millennia, they are still considered as one of the most difficult to design and renovate. During the earliest stages of planning a bathroom, there are plenty of rules of thumb to follow, especially since it involves a lot of association and "pre-planning" with plumbing, electrical circuits, angular or uniquely-shaped fittings, and small floor areas. We will explore the basics of bathroom plumbing and where to allocate each fixture to optimize the bathroom's layout, facilitating your DIY remodel project or creating the space from scratch.
“Travel isn’t always pretty. It isn’t always comfortable. Sometimes it hurts, it even breaks your heart. But that’s okay. The journey changes you; it should change you. It leaves marks on your memory, on your consciousness, on your heart, and on your body. You take something with you. Hopefully, you leave something good behind.” – Anthony Bourdain
One of the most representative non-fixed elements of the tropical zones of Mexico are the hammocks, as they are part of the history and daily life, representing an important piece of furniture in the houses. Although it is true that the hammock is not originally from Mexico, it is thought that it may have arrived in the Yucatan Peninsula and was adopted throughout the southeast of the country in areas whose temperature and humidity require a kind of floating bed. In the case of the Mayan region, hammocks were initially made of Hamack tree bark. Later, both in the Mexican region and in the rest of Central America, the sisal plant, with softer and more elastic fibres, began to be used.
Trampoline Bridge / AZC Architects. Image Courtesy of AZC Architects
Humane cities center around the relationships between people and places. Communities thrive on shared resources, public spaces, and a collective vision for their locality. To nurture happy and healthy cities, designers and the public apply methods of placemaking to the urban setting. Placemaking—the creation of meaningful places—strongly relies on community-based participation to effectively produce magnetic public spaces.
The urgency to reduce greenhouse gas emissions has never been greater, and getting there is going to require bold steps for buildings, infrastructure, and communities. Incremental reductions are not enough; we need to focus on full decarbonization, which means removing carbon emissions caused by our built environment.
These big changes in the way energy is generated and used will raise important questions about who benefits and who pays. Technology-focused incentive programs can wind up leaving our most vulnerable communities behind, exacerbating a legacy of underinvestment and health disparities, while also failing to reach the essential goals of a complete energy transition. Instead, we need holistic solutions that put disadvantaged communities first and transition buildings that would otherwise be left out, leading to bottom-up market transformation that benefits everyone.
The history of Mexican photography has helped shape Mexico's global presence. Photographers like Elsa Medina, Lola Álvarez Bravo, Graciela Iturbide, Maya Goded, and Juan Rulfo have masterfully captured the life of buildings, homes, and streets in a rapidly developing nineteenth-century Mexico. As a result, the contemporary Mexican photography scene has become an essential tool for architecture, contributing to a deeper visual understanding of the works that rise day by day.
Architecture is created for people, but how do we design beyond the human scale? With a renewed interest in biodiversity and animal habitats accelerated by the climate crisis, there is also the question of shelter and what it means to design spaces for interaction and rehabilitation. As architects look beyond structures for people, they are turning their attention to different kinds of enclosures and open spaces that rethink engagement with animals and their wellbeing.
Access to adequate housing is a human right. But with prices rising dramatically, incomes not growing proportionally and ineffective public policies, the lack of secure, affordable homes is fueling an ongoing global housing crisis. In fact, 90% of 200 polled cities were found to be unaffordable to live in, with the impact of COVID-19 only worsening the situation and forcing much of the world’s population to settle for precarious living conditions. This is only expected to aggravate in the not-too-distant future; by 2025, the World Bank estimates that 1.6 billion people will be affected by the housing shortage.
Diego Rivera and Frida Kahlo house. Via: Wikimedia, CC BY-SA 3.0 license
Geometric shapes, exposed reinforced concrete walls, visible electrical installations, large windows that prioritize natural light and ventilation, gardens that value native plants. The first works by the Mexican architect Juan O’Gorman, built between 1929 and 1932, bring an aesthetic that can be seen today, but in reality they are the pure expression of one of the currents of the 20th century modernist movement, functionalism.
Over the past 60 years, architects and engineers have surrendered to industrial construction solutions, with buildings designed to be built faster and faster and at very low cost.
Over the past 60 years, architects and engineers have surrendered to industrial construction solutions, with buildings designed to be built faster and faster and at very low cost. As a more standardized and cheaper international approach to building emerged throughout the 20th century, many professionals abandoned the vernacular traditions of their ancestral cultures, which were developed over thousands of years, to fight the climatic extremes of different regions.
Since the 1980’s, 3D-printing has offered new ways of developing architecture, engineering, and objects of daily use. When it comes to digitizing analogue processes, it is vital for users to become familiar with current tech innovations and their benefits. HIVE Project reshapes the art and craft of building in clay by combining traditional ceramics, smart geometry, and robotic precision to construct a masonry wall composed of one hundred seventy-five unique 3D-printed clay bricks.
Today, technology is increasingly ubiquitous in major cities, driven by the rapid pace of capital-driven movement. A popular term to describe the relationship between urbanism and technology is “Smart Cities,” which centers on leveraging data to enhance building connectivity. However, widespread access to these new technologies has revealed how our unique experiences as citizens—driven by a strong desire to document urban environments—allow us to map and experience cities from alternative perspectives.
The first woman to receive an architecture degree in Argentina was Filandia Pizzul in 1928 from the University of Buenos Aires, more than 50 years after the program was first established. Starting in 1874, the architecture program operated independently of the Department of Sciences, where these studies had been housed since 1865. She was a pioneer in several fields, also becoming the first woman to complete courses at the Civil Aviation Directorate in 1928, earning pilot's license No. 181.
As one of the first steps in the elaboration of an architectural project, the study of the current legislation on the ground is of paramount importance for the success of the proposal. Through calculations and restrictions, zoning laws present limits to be considered in projects that, consequently, instigate architects to think of intelligent solutions, dealing with such limitations in a practical and creative way.
These parameters are dictated by the government and aim to stop, maintain or accelerate urban growth in certain portions of cities. These are norms that establish guidelines for land occupation, delimiting the percentage of built-up area, setbacks, distances, permeability, among others.
The luxury hotel, as an architectural typology, is distinctive. In effect, it's a self-contained community, a building that immerses the well-off visitor into their local context. Self-contained communities they might be, but these hotels are also vessels of the wider socioeconomic character of a place, where luxury living is often next door to informal settlements in the most extreme examples of social inequality.
