New York: The Latest Architecture and News

Internationally acclaimed architect Chad Oppenheim, editor of Lair: Radical Homes and Hideouts of Movie Villains, examines the compelling and seductive abodes of movie villains. The villain’s lair is much more than where the megalomaniac goes to get some rest. Instead, the homes of the villains are places where evil is plotted and where, often, the hero is tested and must prove him/herself. In Lair, readers are invited to explore the architecture of villainy through rich content that includes in-depth visual and written material and a striking graphic design that features silver ink on black paper.

Videos

Join us online or in person at Building 14, Nolan Park, Governors Island, New York, on Friday 29th October where we present a new material and a new approach to making public spaces and buildings based on the FIELD Project, followed by a panel discussion on their possibilities in the built and green spaces of New York, voiced by leading institutions working on climate justice and social resiliency in the city.

Join the American Institute of Architects New York's (AIANY) Emerging New York Architects Committee (ENYA), the Future of Practice Committee, and a distinguished body of global computational design leaders on Saturday, November 6, for a one-day symposium and workshop to explore how computational thinking can be used to solve design problems.

“First impressions count” has been the watchword since the first luxury apartment house opened in 1884. Entrance doors and their embellishment set the mood of an apartment building and form the dividing line between public and private space, serving multiple functions: to welcome yet protect; attract yet repel; impress yet be reticent.

Helwaser Gallery is pleased to present the second solo exhibition of new works by artist Christina Kruse (b. 1976, Germany). "Christina Kruse: Plasterheads" will be on view through July 30th, 2021 at the gallery’s Madison Avenue space, and will introduce the artist’s latest sculpture works. Over the last decade, the artist has developed a distinct visual language within her practice. Often resembling abstracted human figures, her sculptures are defined by a combination of organic, rounded shapes offset by strong rectilinear forms.

For this exhibition, Kruse has developed a large-scale installation which will be displayed in the first room of the gallery. Displayed on a collapsible table, the installation is likened to a miniature world, where multiple figure-like maquettes are scattered across various miniature architectural elements. Rendered in different positions and poses, the maquettes resemble human figures caught in various acts: climbing in and out of the structure, looking up or down, in search for something. Yet, the figurines don’t interact with each other. Described as a metaphorical playground of the inner psyches, Lunapark (2021) attests to the artist’s interest in the deeper psychological states that motivate and shape the world that their human counterparts inhabit. For Kruse, each of the elements within the entire installation, including its materials, serve as a deeper metaphor that expresses the structure of the world that we inhabit. By choosing to use plaster and soapstone as primary materials to construct the maquettes, both of which are easily shaped, Kruse highlights the very malleability of human nature itself. Set against the infinite expanse of the table construction, these maquettes seemingly capture the endless permutations of behavior that result when they are connected by space and time.

Museums face challenges regarding relevance, transparency, and engagement with their communities. Central to the process is a re-examination of its architectural asset. Nationally acclaimed architect Jennifer Luce presents her latest work — the $55M re-imagination of Mingei International Museum, offering solutions to issues facing architects of cultural projects.

Videos

The world is in dire need of good design that benefits both people and the planet. High school and university students around the world have spent their semesters creating projects that use art, design, and biology to create a more sustainable and equitable future.