This two-day symposium is co-sponsored with the MIT 2016 Committee and the MIT Department of Architecture. It will examine architecture and cultures at MIT and their influences on education and student life on campus. Speakers, including David Adjaye and Hashim Sarkis, will explore the prescient design of the original buildings and the interdisciplinary, innovative research that they fomented, as well as imagine the teaching and maker spaces of the future.
'Next year sees the opening of Habitat III, the environmental congress held every twenty years by the United Nations. For this event, a manifesto is being prepared about the design of cities. It aims to replace the guidance given by Le Corbusier and others nearly a century ago, in document they called "The Charter of Athens." The new Charter of Athens addresses issues emerging in the 21st Century about environmental crises, the uses of technology and big data, and the challenge of social inclusion. The lecture serves as an introduction to this modest proposal.'
Set within the wider framework of “Living Anatomy: an Exhibition about Housing,” currently on view at Harvard Graduate School of Design, this exhibition focuses on ‘Robin Hood Gardens’ - Alison and Peter Smithson’s housing project in East London, completed in 1972. Threatened with demolition yet again, despite an ongoing campaign that still hopes to secure its preservation, Robin Hood Gardens stands today with broken windows, vandalized corridors, crippling facades, and a fractured public reputation. While deteriorating with neglect barely 50 years after its completion, this project’s architecture is still striking in its sense of livelihood and innovation.
On Monday, August 24, the Harvard Graduate School of Design opened its main Fall 2015 exhibition Living Anatomy: An Exhibition About Housing. Focusing on the past 50 years, the mixed-media exhibition features both built and academic work and showcases innovative approaches and solutions to housing in contexts around the world.
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On April 17, Harvard GSD will host this year's annual interdisciplinary Doctoral Conference, "Data Across Scales: Reshaping Design." The conference invites design reachers and practitioners to examine the role and potential of data in design. Particularly apt for the technology-centric times of present, "Data Across Scales" focuses on the proliferation of information technologies within personal and professional contexts.
The extreme climatic conditions of the North introduce a design paradox for architects. The fragile environmental conditions require incisive designs that respond to irregular loading from strong winds, heavy snowfalls, avalanche risk zones, and extreme cold. The studio investigated a prototypical design: a unit with sleeping and cooking space for up to eight people, on a mountain site in Slovenia. The talk (on Friday, February 13th) serves as an opening for the exhibition on this project, curated by Spela Videcnik, John T. Dunlop Design Critic in Housing and Urban Development, with Rok Oman, featuring the work of her Fall 2014 studio, displayed on the Experiments Wall (in Gund Hall). Construction of the shelter is planned for summer 2015.
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Architect and MIT Lecturer Cristina Parreño has created this new prototype for a self-supporting glass facade, entitled "The Wall." The design is the first in Parreño's "Tectonics of Transparency," a series of planned prototypes that will "explore the relationship between formal design, spatial perception, structural efficiency and systems of fabrication."
More details about Parreño's prototype after the break
Boston-based practice Wilson Architects has been commissioned by the Massachusetts Institute of Technology (MIT) to design a state-of-the-art research hub for nanoscience and nanotechnology: MIT.nano. Centrally located at the heart of MIT, the new glass-encased, four-story structure will house two floors of high-performance cleanrooms, as well as imaging and prototyping facilities that are all designed to foster innovation through cross-discipline collaboration.
Kresge Auditorium, designed by Finnish American architect Eero Saarinen, was an experiment in architectural form and construction befitting the Massachusetts Institute of Technology’s focus on technology and innovation. This feat of sculptural engineering serves as a meeting house and is part of the cultural, social, and spiritual core of MIT’s campus. Kresge Auditorium is one of Saarinen’s numerous daring, egalitarian designs that captured the optimistic zeitgeist of Post-war America.
Built in 1964 during his tenure as Dean at the Graduate School of Design, Josep Lluís Sert’s Peabody Terrace provides housing for almost 1500 Harvard graduate students and their families. One of several projects Sert designed for Harvard’s campus, it is a manifestation of his vision for the ideal neighborhood. Many elements such as the negotiation of scale, mixed use program, shared open space and design aesthetic were influenced by but represent a departure from earlier modern housing projects.
Peabody Terrace is a prototypical example of a twentieth-century project heralded by the architectural community as an exemplar of progressive modern ideals, but lambasted by neighbors and members of the general public for being unattractive, cold and imposing. This project and others like it highlight the disconnect that can occur between the architectural intelligentsia and the communities in which they build.
In the last two decades, the concept of urban metabolism, aiming to grasp the continuous processes of energy, material and population exchange within and between cities and their extensive hinterlands, has been subject of both extensive empirical research and, increasingly, critical discussion within the social and natural sciences. However, these interdisciplinary challenges have not yet been met with a synthetic response from the design disciplines.
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