Aiming to internationalize emerging architectural production in Latin America, the Latin American Architecture Biennale (BAL 2019) has announced the practices selected to participate in the next edition of the event, which will take place in September 2019 in Pamplona, Spain.
Chilean architect and urbanist Germán Bannen, known for prominent projects in the municipality of Providencia such as the Parque de las Esculturas, Plaza Pedro de Valdivia, and the Plaza Bustamante Literary Café, passed away today at the age of 91, according to close sources.
Cortesía de Archivo Wiliams, Director Claudio Williams
Pavilions have been a key typology in architectural history. Their flexibility and ephemeral nature have allowed architects to unleash their imagination, breaking away from established canons. Each generation has taken the baton, pushing boundaries even further. From demountable structures to spaces that foster a democratic spirit, we look back at the history of Argentine pavilions and reflect on their importance.
Located just two hours from Santiago, the town of Los Vilos is home to a development that offers a reconnection with nature and architecture: the Ochoquebradas project. Within a vast oceanfront property, the master plan features weekend homes designed by renowned architects. The latest house to join the master plan was designed by the Argentine architecture firm Moarqs.
True to the spirit of the site, the architects designed a structure with minimal footprint, embracing the surrounding landscape through courtyards and large openings.
Architecture for Urban Play: Guidelines for Designing Public Play Spaces in Mexico City (APJU) is a digital publication that serves as a framework to guide the planning, design, construction, and maintenance of public play spaces, while incorporating children's perspectives into urban planning and design processes. Directed at urban planners, architects, designers, decision-makers, and the general public, this guide explores what it means to design a play space for a Latin American metropolis, analyzes the urban challenges of this process, and integrates diverse voices and perspectives from both civil society and government.
https://www.archdaily.com/1120399/architecture-for-urban-play-guidelines-for-designing-public-play-spaces-in-mexico-city-apjuLeticia Lozano y Mariana Ríos
Recently, Airbnb has begun to approach the architectural field, both by offering unique experiences in world-renowned buildings and by creating Archibnb, a platform that offers hosts the option to create architectural floor plans.
Through these initiatives, guests from various locations have had the privilege of spending a night in places like the Great Wall of China, the Louvre Museum, or the LEGO House.
Villa Fantasía Park is a space where several key community areas converge, featuring children's play zones and a wildlife sanctuary for confiscated, rescued, or donated animals. Designed by architects Kei Arao Takahashi, J. Abraham Lara Ramiro, and Héctor García Ventura, the project is also an Environmental Management Unit located in Jalisco, Mexico, spanning an area of 16,900 square meters.
https://www.archdaily.com/1120926/villa-fantasia-park-a-space-between-environmental-management-and-social-interactionKei Arao Takahashi, J. Abraham Lara Ramiro, J. y Héctor García Ventura
Palacio Salvo is an iconic, 100-meter-tall building located in the city of Montevideo. Inaugurated on October 12, 1928, and declared a National Historic Monument in 1996, it has now regained its light after almost 90 years in darkness. Thanks to the Gran Salvo project, and following a year of planning, production, design, and construction, a new beacon has completed its silhouette, crowning a historic dome that had been empty for years.
SKALAR is a large-scale art installation designed by light artist Christopher Bauder and musician Kangding Ray. Following its resounding success in Berlin, the work arrives in Mexico City for the first time as part of a collaboration between MUTEK MX, Noiselab, and the German studio WHITEvoid. The installation lasts approximately 45 minutes and is open to the public Monday through Sunday. Additionally, it will feature special shows with live performances by its creators, offering attendees an artistic and audiovisual experience distinct from the continuous loop.
Atlantes is the new monumental installation by Mexican artist Bosco Sodi, presented by Galería Hilario Galguera, Blain | Southern, and Kasmin. Situated on the coast of Oaxaca, near Casa Wabi, in the largely uninhabited area near Puerto Escondido, Mexico, Atlantes is described as "the region's most ambitious land art project in recent years."
Every four years, the city of Olympia hosted athletic competitions in honor of the god Zeus. During this period, time stood still: the city-states declared a truce and wars were suspended. These festivities were known as the Olympic Games. These new activities required new building typologies; architecture was put at the service of sports, a tradition that continues to this day.
For the third edition of the Youth Olympic Games, held in Buenos Aires, architects from across the country participated by creating various spaces. The multidisciplinary team from Galpón Estudio, along with Gruba and Hacelo Sonar, among other professionals, led the creation of Espacio Infancia, which invites visitors to awaken their senses. Running, climbing, walking, pausing, observing, listening, imagining. Learn more about the project in the words of its designers.
Courtesy of Bienal de Arquitectura y Urbanismo de Chile. ImageGiselle Beiguelman
An entire day of the XXI Chilean Biennial of Architecture and Urbanism was dedicated to the guest city, São Paulo. The program opened with a presentation of the architectural works, student projects, research, and publications representing the city that were selected through the event's open call.
https://www.archdaily.com/1120912/art-and-architecture-on-sao-paulo-day-guest-city-of-the-xxi-chilean-architecture-biennialArchDaily Team
Along with the 17 winning projects of the Panorama of Works section, the XI Ibero-American Biennial of Architecture and Urbanism (XI BIAU) has announced the winners in the publications, research papers, and academic works categories.
Each year, the National Fund for Culture and the Arts (FONCA), through the National System of Art Creators (SNCA), recognizes outstanding figures in national culture through the Young Creators Program. By providing grants, the program supports the creative and educational development of Mexico's young artists, fostering favorable conditions for the realization of original, significant, and positive creative projects.
As part of the heritage preservation program of the municipality of Rosario, the provincial authorities of Santa Fe held the national preliminary design competition for the new building of the Provincial School of Visual Arts No. 3031 "General Manuel Belgrano". The selected plot contained the former railway workshops of the Central Argentino line, where contestants had to adapt the structures to the needs of the school and the community while preserving their historical value. Discover the winning project below.
Interior courtyards are open-air areas located within buildings, with their perimeters defined by walls or galleries. These outdoor yet contained spaces often play a crucial role in shaping and organizing a project's floor plan. In some cases, they act as a central lung, gathering the surrounding spaces around their perimeter. They can also be designed as pathway organizers or articulating elements, connecting while simultaneously dividing different areas of the project.
Numerous benefits—such as the influx of natural light, improved ventilation, and a stronger connection to nature without sacrificing privacy—have made this feature an effective solution for many architectural designs. Consequently, we present a selection of 15 projects in Argentina where interior courtyards take center stage.
Designed by architect Juan Segura and built in 1930, the Ermita Building in Mexico City is considered one of the most influential works of Mexican architecture from the first half of the 20th century. From its inception, it was one of the first buildings to incorporate mixed-use spaces, featuring ground-floor retail, a cinema, and apartments of various sizes.
The continental winners of the 2019 Prix Versailles have been announced, an annual award celebrating commercial architecture projects around the world.
This year, 11 winning projects were selected for the Central America, South America, and the Caribbean region across four main categories: shops, shopping malls, hotels, and restaurants. The global winners will be announced in September.
For the sixth time, INFONAVIT, through CIDS, has launched the call for entries for the Sixth Student Competition 2018, as part of its effort to promote and encourage creative practices toward new forms of construction, as well as to achieve better intra-urban social housing based on an efficient, compact, sustainable, and regional model.
The objective of this competition is to develop projects capable of adapting to the specific conditions of the territory and its inhabitants. Beyond defining a housing prototype, the goal was to identify processes and understand replicable procedures. This requires engaging with the community, listening to their stories, and understanding their dynamics and customs, as well as conducting extensive historical research to discover how ways of living have provided valuable lessons for housing design in each region.
Walking through the classrooms of the University of Buenos Aires' School of Engineering is like stepping into a time machine: fine wooden desks, rosettes, pointed ogival arches. Green chalkboards with theorems and equations waiting to be solved. Here, the foundations of knowledge are laid for the young minds who will later calculate bridges and dams, and optimize plants and processes.
As you walk up to the terraced workshops, the wood groans and creaks—a sound that signals the passage of time.
On June 28, 2019, Barranquilla-born architect Ricardo De Castro was awarded the Bronze A' Design Award in Como, Italy, for his design of the El Marquise Monument to the Magdalena River.