Architects: Hugh Broughton Architects
- Area: 715 m²
- Year: 2022
Photographs:Dirk Lindner, Chris Ison
- Project Architect: Imogen Softley Pierce
- Service Engineer: Preston Barber
- Client: English Heritage
- Interpretation Designer: Drinkall Dean
- General Contractor : Simpson York Ltd
- Conservation Architects: Martin Ashley Architects
- Country: United Kingdom
Text description provided by the architects. Hugh Broughton Architects and English Heritage’s project to safeguard the future of Clifford’s Tower in York has completed and will open to the public on 2 April 2022. The project, which was designed by Hugh Broughton Architects working with conservation specialists Martin Ashley Architects, includes vital conservation works as well as architectural improvements which enhance the visitor experience.
Clifford’s Tower crowns the earthwork mound raised by William the Conqueror in 1068. For centuries it was the keep and chief strongpoint of York Castle. At first, there was a timber tower here, where the most notorious event in the history of the castle took place in 1190, when the Jews of York, who had taken refuge in the tower, died in tragic circumstances.
The stone tower was built soon afterward and was used as a treasury and royal exchequer. In the 17th century, a fire destroyed the interior of the tower, and the building was reduced to a shell. The mound at Clifford’s Tower was later cut back and a large retaining wall was built around it. In 1935, the lower slopes of the mound were reconstructed.
In addition to conservation works to the historic fabric, the project has made a series of improvements to the tower, with a particular focus on creating an inspiring and sensitively designed interpretation scheme within the tower. Developed through an extensive process of public consultation, the design scheme features a new timber deck that partially covers the ruin and is supported on four soaring timber columns.
The deck includes amphitheater seating for a group activity, with a series of lightweight walkways suspended from its structure which gives access to previously unseen first-floor features and doubles the access to the roof level through the restoration of two bartizan vices. The chapel has also been restored, with stonework cleaned, unsightly timber bracing removed, and the roof repaired and re-clad in clay tiles.
Access to the tower has been enhanced through improvements to the existing stair up the motte. Three resting places have been created, allowing people to pull off to the side of the stair, pause, and sit down. A newly enlarged public area at the base of the motte incorporates interpretation, accommodates an English Heritage-branded Piaggio tuk-tuk (auto-rickshaw) for the sale of tickets and guidebooks, and offers a ground-level place to engage with visitors, including those unable to ascend to the tower.
The project has been commissioned by a female-led team at English Heritage, headed by Andrea Selley, Rachael Baldwin, and Ruth Haycock, and delivered by a female led-design team, with the project leads including Imogen Softley Pierce from Hugh Broughton Architects, Francesca Basso from Martin Ashley Architects, Faye Newham from Ramboll, Sue Preston from Preston Barber, Angela Drinkall from Drinkall Dean and Kirsten Heckmueller from RNJ.