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  7. Huatian Theater / ADINJU

Huatian Theater / ADINJU

  • 23:00 - 24 August, 2019
  • Curated by 韩爽 - HAN Shuang
Huatian Theater / ADINJU
Flower sea view to the theater. Image © Bowen Hou
Flower sea view to the theater. Image © Bowen Hou

Theater west perspective view. Image © Bowen Hou Theater truss. Image © Bowen Hou Colorful membrane roof. Image © Bowen Hou Theater roof in the moring. Image © Bowen Hou + 30

  • Architects

  • Location

    Suqian, Jiangsu, China
  • Category

  • Lead Architects

    Huayin Zhong
  • Design Team

    Huayin Zhong, Zhiyun Sang, Yuchen Shen, Hongyu Lu, Lishan Zhou
  • Area

    6000.0 m2
  • Project Year

    2017
  • Photographs

  • Structure Design

    Jia Chen, Shuyang Xue
  • Landscape Design

    Jian Zhuang, Jia Fen, Defen Xu, Man Li, Yajing Liu
  • Construction

    Shanghai Haibo Membrane Structure
  • Corporation

    Shanghai Haibo Membrane Structure
  • Client

    Suqian Santai Mountain Tourism Developement
  • More Specs Less Specs
Faraway view of the theater. Image © Bowen Hou
Faraway view of the theater. Image © Bowen Hou

Text description provided by the architects. Huatian Theater, built in Mount Santai Forest Park, Suqian, is one design challenge of a large landscape building. Usually landscape buildings are small, melting into the landscape, yet our theater with big volume is to accommodate as much as 3,000 outdoor audiences with a shaded roof covering. Hence, the volume of the Huatian Theater is much larger than general landscape buildings. The tricolor flower sea stretches over five kilometers around the theater with a two-kilometer-long rainbow bridge meandering through it. How to dissipate the large volume of the theater and integrate it properly into the background of the endless flower sea is the key point in the design process.

Birdview of masterplan. Image © Bowen Hou
Birdview of masterplan. Image © Bowen Hou

Volume control of natural landscape building
The most important factor affecting the sense of volume of the theater is the selection of structure. Large-span structures with arches or suspended cables in the flower sea may easily remind you of a stadium or an airport terminal building. The generation of his feeling is largely related to the number of structural linear turning points and design of the linear combination. Unitary dispersions can reduce the sense of volume yet may not satisfy the audiences of their visual requirements so well. Hence, the form of a freeform surface grid roof plus a dendritic support structure which well echoes with the shape of the flowers and the surrounding woods was finally chosen.

Faraway view of the theater from flower sea and rainbow bridge. Image © Bowen Hou
Faraway view of the theater from flower sea and rainbow bridge. Image © Bowen Hou
Faraway view of the theater from flower sea and rainbow bridge. Image © Bowen Hou
Faraway view of the theater from flower sea and rainbow bridge. Image © Bowen Hou

Digital shape finding of roofing and supporting structure
The difficulty of roof design is surface shape control. An undulated contour is important to reduce the sense of volume, while the restriction of the drainage system in the middle part of the surface requires a relatively plainer rather than a bumpy surface to discharge water as smoothly as possible.

Theater roof in the moring. Image © Bowen Hou
Theater roof in the moring. Image © Bowen Hou
Roof night view. Image © Bowen Hou
Roof night view. Image © Bowen Hou

The parametric generation of the treelike structure
Length and angle as the branches’ parameters,supporting structure and the three-stage iteration of branches are helpful in finding the nearest point which can determine the connecting position between the branches and the grid roof. Moreover, the location of branch structure greatly minimizes the influence of the supporting system on the line of sight.

Theater truss. Image © Bowen Hou
Theater truss. Image © Bowen Hou
Tree structure analysis
Tree structure analysis

Color control of tensioned membranes
The roof has three layers of stretched membranes, the middle transparent layer serves as the rain cover and the upper and lower layers as the sunshade. Three colors of the colored membrane echo three ones (pink, yellow and purple) of the flower sea. The selection of colors is another technical problem encountered in the design process. Several kinds of membranes reflect their bright color very well under normal light yet can turn into a gray color when is viewed from the floor in backlight. It proved that the coloration performance of mesh membranes in backlight was accurater than that of glossy ones. Mesh membranes were finally selected as a result. We ordered three special colors from the manufacturer which best echoed with the Natian Flower Sea.

Colorful membrane roof. Image © Bowen Hou
Colorful membrane roof. Image © Bowen Hou
Theater roof. Image © Bowen Hou
Theater roof. Image © Bowen Hou

Theatre experiences in natural environment
The raised height of the auditorium is covered by soil which can perfectly place the audiences into the Flower Sea, making our theatre a natural part of it. Audiences can thus enjoy the fragrance of flowers while watching the stage performance. Standing here, you will find the relationship between performers and audiences, the boundary between the stage and the auditorium all stay in harmony. In this way, the ancient concept of outdoor theaters has been redefined.

Theater west perspective view. Image © Bowen Hou
Theater west perspective view. Image © Bowen Hou

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Project location

Location to be used only as a reference. It could indicate city/country but not exact address.
About this office
Cite: "Huatian Theater / ADINJU" 24 Aug 2019. ArchDaily. Accessed . <https://www.archdaily.com/923331/huatian-theater-adinju/> ISSN 0719-8884
Theater outdoor auditorium on the grassland slope . Image © Bowen Hou

三台山森林公园衲田花海剧场 / 南京大学建筑规划设计研究院

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