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  7. Royal College of Music / AIX Arkitekter

Royal College of Music / AIX Arkitekter

  • 04:00 - 20 June, 2018
  • Curated by María Francisca González
Royal College of Music / AIX Arkitekter
Royal College of Music / AIX Arkitekter, © Åke E:son Lindman
© Åke E:son Lindman

© Åke E:son Lindman © Åke E:son Lindman © Åke E:son Lindman © Åke E:son Lindman + 41

  • Architects

  • Location

    Stockholm, Sweden
  • Category

  • Lead Architects Building

    Tobias Rosberg, Margareta Källström
  • Lead Architects Concert Halls

    Annika Askerblom
  • Lead Architects Stage and Theater

    Torsten Nobling
  • Lead Architects Studios

    Anne Lagerheim
  • Area

    21000.0 m2
  • Project Year

  • Photographs

    • Architectural team building

      Jasmina Jovanović Holm, Helena Ekelund, Anders Rosenberg, Silvia Las Heras, Marco Antonio Martins Ferreira, Sigrid Zenger, Filip Håkansson, Björn Wikmark, Lena Lynch, Sabbe Puskas, Mats Duvnäs, Mats Dahlgren, Eva-Lena Hanses, Per Odebäck, Linnéa Zickerman, Christine Lavelid, Lars Pålsson, Peder Lindbom, Lars Öste, Ethna McDermott, Susanna Bremberg, Sibylle Maurer, Lotta Lindgren
    • Architectural team Concert halls

      Therese Alston, Jonne Lidström, Bo Jacobsen
    • Architectural team Stage and Theater

      Filip Håkansson, Peder Lindbom, Stephan Kühn
    • Architectural team Studios

      Therese Alston, Bo Jacobsen, Stephan Kühn.
    • Arch conservation expertise

      Johan Engström
    • Acoustic consultant

      LN Akustikmiljö
    • Acoustic consultant concert halls

      Akustikon, Norconsult AB
    • Accessibility

      Sweco Sverige AB
    • Art

      Ebba Matz
    • City plan

      Stockholms City Planning Office, Aleksander Wolodarski och Susanna Stenfelt
    • Interior design

      Sweco Sverige AB
    • Landscape architect

    • Project managagement

      Hedström and Taube
    • Structural engineer

    • Main contractor and builder

      NCC Building
    • Acoustic panels

    • Carcass/shell

      UPB AS, Riga
    • Electrical engineer

    • Facades

      ASC Pawel Filipek
    • Ventilation

      Gunnar Karlsén Sverige
    • Water/Ventilation/Heating-engineer

    • Clients

      Akademiska Hus and the Royal College of Music
    • More Specs Less Specs
    © Åke E:son Lindman
    © Åke E:son Lindman

    Text description provided by the architects. A music workshop cloaked in shimmering gold glass that arouses curiosity and anticipation. The goal has been ambitious – to create the world’s most modern college of music. Along the way, we faced several challenges. Aside from overall high demands on tone control and noise insulation, the educational environment also contains public spaces for performances and experiences. From the exterior, the composition of the new buildings for the College of Music has been interwoven with the listed historic stable facility, creating an inviting whole that enriches both the activities within and the urban landscape. At the Royal College of Music, 21,600 square meters of musical experiences have taken shape and as of 2016 are part of the cultural scene in Stockholm, Sweden and Europe.

    © Åke E:son Lindman
    © Åke E:son Lindman

    The new composition of the campus for the Royal College of Music, with new buildings interwoven with old buildings, in a complex inner city situation with valuable cultural heritage buildings to be preserved, has resulted in architecture with a unique and strong identity. The void of the old stable courtyard is also part of the cultural heritage and creates a secluded but completely open public space to be used both by students, teachers and passer-by.

    © Åke E:son Lindman
    © Åke E:son Lindman

    The main building, new and cloaked in shimmering gold glass, is combined with a more restrained plastered wing, which serves as an entrance to the campus through a portico. Suspended in the portico a bespoke and permanent artwork is created by artist Ebba Matz. The sculpture’s name is “Sch, tyst, lyssna” which means “hush, silent, listen”. In the stone paving leading up to the entrance a sketch with the name “there is no such thing as silence” is engraved. The entrance is situated to the south and allows also for a generous and welcoming outdoor space with an ancient oak tree cautiously preserved on site and in company with new greenery and places to sit in the sun.

    © Åke E:son Lindman
    © Åke E:son Lindman

    Architectural themes have been the notions of music workshop, rhythm and gold-shimmering brass, all of which are also visible in the choice of materials. The entrance hall in the main building is the “heart of the school” where all the movements, communications and entrances to the halls are gathered. The restaurant here is also open for all.

    © Åke E:son Lindman
    © Åke E:son Lindman

    The college contains four public concert halls for teaching, education and performance. Each hall is designed for different kinds of musical focus with different acoustical needs and this has resulted in four unique characters. The requirements of tone control have called for a great deal of collaboration with acoustic consultants.

    © Åke E:son Lindman
    © Åke E:son Lindman

    Acoustic sound insulation is very ambitious from an international perspective for music colleges, and the insulation degree is very high even between rehearsal rooms and corridors, many rooms are constructed as floating constructions with no contact to the main structure of the building, which has been a challenge for all consultants and contractors. All structural principles, materials, heating fixtures and lighting and are carefully chosen to meet the extremely high acoustical criteria.

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    Project location

    Location to be used only as a reference. It could indicate city/country but not exact address.
    About this office
    Cite: "Royal College of Music / AIX Arkitekter" 20 Jun 2018. ArchDaily. Accessed . <> ISSN 0719-8884
    © Åke E:son Lindman

    瑞典皇家音乐学院 / AIX Arkitekter

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