Heavenly Bodies / Diller Scofidio + Renfro

Heavenly Bodies / Diller Scofidio + Renfro

© Floto + Warner © Floto + Warner © Floto + Warner © Brett Beyer + 32

Installation  · 
New York, United States
  • Architects Authors of this architecture project Diller Scofidio + Renfro
  • Area Area of this architecture project
    60000.0 ft2
  • Project Year Brands with products used in this architecture project
  • Team

    Elizabeth Diller (Partner in Charge), Kumar Atre (Project Lead), Ricardo Scofidio, Matthew Johnson, Anthony Saby, Alex Knezo, Swarnabh Ghosh, Jack Solomon
  • Photographs

  • Lightning Design

    Tillotson Design Associates
  • Graphic Design

    The Met’s Design Department
  • Structural Engineering

    Laufs Engineering Design
  • Fabrication

    New Project
  • Client

    The Costume Institute, The Metropolitan Museum of Art
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© Floto + Warner
© Floto + Warner

Text description provided by the architects. The Costume Institute’s spring 2018 exhibition features Papal robes and accessories from the Sistine Chapel sacristy (many of which have never been seen outside The Vatican) and fashions from the early twentieth century to the present, shown in the Byzantine and medieval galleries and at The Met Cloisters. DS+R’s approach to this project examines the notion of ‘Catholic space’ to enable a dialogue between Fashion and medieval Christian art, the exhibit’s inceptive curatorial gesture.

© Brett Beyer
© Brett Beyer

Catholic space is an intricate mise-en-scene. The Catholic imagination invoked by the show’s title suggests a constellation of images, a world of immanence in which the spiritual is accessible via the sensual. Church liturgy is an immersive interweaving of diverse art forms. Scripture, music, architecture, art, and decorative arts work in concert to engender collectivity, ritual, and devotion. More than a stage or a container, Catholic space is the holistic integration of a multisensory aesthetic experience.

© Floto + Warner
© Floto + Warner

Fashion is a natural extension of this model, sculpting ineffable fantasies into a discourse on cultural inheritance—Catholicism included. Contemporary designers often draw on the same pool of timeless Christian imagery as the Byzantine and medieval artists represented in The Met’s collection, creating potential for powerful resonances between modern garments and historic artworks. To facilitate this exchange, DS+R conjures the integrative and immersive framework of Catholic space.

© Floto + Warner
© Floto + Warner

Visitors will discover the garments and accessories as a series of discrete interventions across 27 galleries spread over two locations. A custom display system stitches the many galleries together. The displays respond to the specificities of both the art they display as well as the diverse conditions of the gallery sites. They translate dimensional and material qualities into a family of objects (e.g. pedestal, platform, vitrine, etc.) with a coherent architectural language that lets them stand out from their context. Each display in the sequence draws the historic art and architecture into dialogue with the fashions to create a durational experience with an emphasis on rhythm, narrative, and atmosphere.

© Floto + Warner
© Floto + Warner

The installation plays on the preeminence of light within Catholic space. Natural light is one of the most moving dimensions of medieval churches. It imparts a sense of time and a deep exteriority. Within the exhibition, the marching rhythm of the garments is periodically punctuated with projections of ‘supernatural daylight’. As if by providence, key works are revealed within window-shaped frames of cool crisp light. Isolated from their neighbors, they are brought into a direct relationship with their architectural environment and the sky implied beyond. As an interruption of the codes of museum experience, this creates an affective bridge to another, perhaps more spiritual, world.

© Floto + Warner
© Floto + Warner

While the modern and contemporary fashion objects are enlivened by their proximity to their sources of reference (and inspiration), the papal robes and accessories from the Sistine Chapel sacristy are presented in an abstract setting, in display furnitures that respond to the qualities of each object. This visual ‘decontextualization’ gives precedence to their magnificent physicality and otherworldly craftsmanship.

© Brett Beyer
© Brett Beyer

The exhibition design strikes a balance between an experience which feels elevated, and one which allows for the requisite level of criticality within a broader material culture. On the one hand, religion is sacred and inviolate, but on the other, it has always engaged with art and design. The tension this exhibition explores is how that relationship, and the values it expresses, change over time.

© Brett Beyer
© Brett Beyer

Project gallery

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Project location

Address: 1000 5th Ave, New York, NY 10028, United States

Location to be used only as a reference. It could indicate city/country but not exact address.
About this office
Cite: "Heavenly Bodies / Diller Scofidio + Renfro" 09 May 2018. ArchDaily. Accessed . <> ISSN 0719-8884
© Floto + Warner

天赐之体 / Diller Scofidio + Renfro

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