The Glass Centre / Philippe Samyn and Partners

The Glass Centre / Philippe Samyn and Partners

© Marie-Françoise Plissart © Marie-Françoise Plissart © Marie-Françoise Plissart © Marie-Françoise Plissart + 38

Lommel, Belgium
  • Architects Authors of this architecture project Philippe Samyn and Partners
  • Photographer Created with Sketch.
  • Manufacturers Brands with products used in this architecture project
    BAECK & JANSEN NV, Schindler NV, T.H.V. Van Laere NV – ANMECO NV, Yvan Pâques
  • Architects and Engineers

    Philippe SAMYN and PARTNERS sprl, Architects and Engineers
  • Conception and Direction

    Philippe Samyn
  • Partner in Charge

    L. Gestels
  • Associates

    J.P. Buse, D. Debougnoux, S. Konincks, R. van Lammeren, M. Van Rossen.
  • Structural engineering

    Philippe SAMYN and PARTNERS sprl with SETESCO sa (J. Schiffmann, Ph. Samyn).
  • MEP engineering

    Philippe SAMYN and PARTNERS sprl with FTI sa (J. Michiels, Ph. Samyn).
  • Documentation management

    Philippe SAMYN and PARTNERS (A. Charon)
  • 3D renderings

    Philippe SAMYN and PARTNERS
  • Pictures on site

    M. Scheepers – M-F Plissart – I. Tömöri
  • Models

    AMA (F. Van Hoye)
  • Modelspictures

    A. Fernandez
  • Main contractor

  • Workshop equipment

  • Monumental lighting

  • Client

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© Marie-Françoise Plissart
© Marie-Françoise Plissart

Text description provided by the architects. The Glass Centre, Flemish Centre for Modern Art, has been constructed along the length of the "De Vryheyt" passage, right in the heart of the town of Lommel. On "Dorp" square it completes the cultural ensemble for- med by the Aerts house and the regional tourist cent- re. In the "De Vryheyt" passage, a new glass gallery links "Dorp" square with the "De Adelberg" cultural centre and its future theatre.

Section 05
Section 05

The nature of the project required us to design a glass building, and it has been designed in such a way that the space it provides blends in seamlessly with the art it displays and produces, forming a unified whole. Furthermore, the structure emphasises the Glass Centre's multifunctionality (education, information, ser- vices, exhibitions and glass production). The building's architecture adapts to this multifunctionality, using glass in varied and innovative ways. The Glass Centre is composed of two interconnected glass areas that interact with each other: first, there is a parallelepiped composed of a stainless steel frame covered with an ultra-clear glass curtain wall; second, there is a glass cone made up of triangles, which clearly identifies the building as the Glass Centre. The roof is considered to be the fifth facade and will receive a special treatment in the future.

© Marie-Françoise Plissart
© Marie-Françoise Plissart

The range of colours used for the finished interior decor includes only white, black and a range of pure greys, composed exclusively of white and black pigments. The result is a neutral canvass that maximises the impact of the art works and their colours. In practice, we have retained white and two shades of grey with 35 and 45 percent black.

© Marie-Françoise Plissart
© Marie-Françoise Plissart

From the outset, the building's sustainability was consi- dered to be an essential element of the project, both by the owner and by the architect. Heat from the kilns is therefore collected and used to heat the building and rainwater is used for the glass production work.

© Marie-Françoise Plissart
© Marie-Françoise Plissart

The 6 m high parallelepiped houses the exhibition areas, which are laid out on three levels around the cone (the lower level, street level and the first floor). The luminous street level floor attracts visitors' attention and entices them into the Glass Centre. This area overlooks the exhibition hall situated in the lower level, the access to the cone and the two-storey glass kiln. As a result, visitors are naturally drawn to the lower level.

Planimetry 02
Planimetry 02

The lower level, which benefits from little natural light, is particularly well adapted to exhibiting art works made from glass. The exhibition area has a direct link to the workshop: it is separated only by large glass panels, enabling visitors to follow the manufacturing process whilst remaining at a safe distance.

© Marie-Françoise Plissart
© Marie-Françoise Plissart

A semi-closed mezzanine offers an enticing view of the cone and the exhibition area on street level.

© Marie-Françoise Plissart
© Marie-Françoise Plissart

The glass cone, which is 8 m in diameter, reaches a height of 30 m, dominating the other buildings in the town centre. It is clearly visible from all directions, but it is not an imposing presence in the urban landscape thanks to its filigree structure and the ultra-clear cove- ring that makes it almost transparent. At night, however the cone stands out as a real landmark thanks to a sea of electroluminescent diodes, as well as its illuminated point. Its point, which is made of perforated steel plate, is lit from the inside by a projector that shines upwards. The electroluminescent diodes that light up the structu- re in varying patterns are attached to the joints of the frames. They snake around the walls and come to a point at the top, constantly changing the building's visual impact. 

© Marie-Françoise Plissart
© Marie-Françoise Plissart

Project gallery

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Project location

Address: 3920 Lommel, Belgium

Location to be used only as a reference. It could indicate city/country but not exact address.
About this office
Cite: "The Glass Centre / Philippe Samyn and Partners" 28 Jul 2017. ArchDaily. Accessed . <> ISSN 0719-8884
© Marie-Françoise Plissart

比起玻璃金字塔,玻璃锥体妙不妙? / Philippe Samyn and Partners

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