ALLIANZ Tower / Arata Isozaki + Andrea Maffei

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  • Client: Citylife S.p.A, Armando Borghi, Marco Beccati - project director, Roberta Pasinetti - technical director, Roberto Russo, Andrea Zerbini, Gianni Armas, Martino Negri
  • Design Team: Pietro Bertozzi, Takeshi Miura, Alessandra De Stefani, Chiara Zandri, Vincenzo Carapellese, Roberto Balduzzi, Francesca Chezzi, Takatoshi Oki, Stefano Bergagna, Paolo Evolvi, Elisabetta Borgiotti, Davide Cazzaniga, Adolfo Berardozzi, Hidenari Arai, Higaki Seisuke, Taro Hayashi, Takuichiro Yamamoto, Giuliano Godoli, Giorgio Ramponi, Carlotta Maranesi, Atsuko Suzuki, Sofia Bedynski, Antonietta Bavaro, Mauro Mazzali, Sofia Cattinari, Haruna Watanabe, Madoka Tomita, Ayako Fujisawa
  • Fire Project: Salvatore Mistretta
  • Construction Documents: Mpartner, ECDS, Studio Iorio, Studio Capè, Andrea Matricardi, Michele Capè, Francesco Iorio, Franco Mola, Ariatta Ingegneria dei Sistemi
  • Cost Control: Aldo Bottini, Stefano Rocca, BMS Progetti
  • Façades: Mikkel Kragh, Mauricio Cardenas, Matteo Orlandi, Maria Meizoso, Carlos Prada, Arup
  • City: Milan
  • Country: Italy
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ALLIANZ Tower  / Arata Isozaki + Andrea Maffei - Exterior Photography, Facade
© Alessandra Chemollo

Text description provided by the architects. Milan is the city that best represents the international face of Italy, comparable to London, Frankfurt, Paris. Unlike many historical Italian cities, Milan is more related to its development in the nineteenth and twentieth century, to be more precise after the industrial revolution.

ALLIANZ Tower  / Arata Isozaki + Andrea Maffei - Image 18 of 26
Ground Floor Plan

In this sense, design in Milan is compared with the more contemporary face of Italy, made up of factories, subways, concrete and steel and not so much of particular historical presences. Witness is the fact that the Futurist movement has developed mainly in Milan, a movement created to respond to the issues of the contemporary city. It was not a particularly important relationship with the large existing masterpieces, but rather a reflection on the themes of the contemporary city.

ALLIANZ Tower  / Arata Isozaki + Andrea Maffei - Image 5 of 26
© Alessandra Chemollo

To develop the project, we immediately thought it was not interesting to rely on a single architect for the design of the whole complex, but to start a dialogue. Due to the size of the area we decided to aspire to re-interpret the complexity of the city through many architects who brought the idea of buildings with different shapes and materials.

ALLIANZ Tower  / Arata Isozaki + Andrea Maffei - Image 8 of 26
© Alessandra Chemollo

In any street in Milan there are buildings from different periods and with different architectural features. From this belongs the life of a city, in the dynamic tension between the works of later periods in an archipelago of images and colors. This was our ambition, choosing to work in a group.

ALLIANZ Tower  / Arata Isozaki + Andrea Maffei - Exterior Photography, Cityscape
© Alessandra Chemollo

In our archipelago forms, we found interesting to develop the idea of ​​a skyscraper without a limit, a kind of endless tower. Now we find skyscrapers of any shape and decoration in all parts of the world. Starting from this study, we looked to a fascinating concept to be applied to high-rise buildings, instead of studying only a shape of an aesthetic beauty.

ALLIANZ Tower  / Arata Isozaki + Andrea Maffei - Image 22 of 26
Cross Section

In the aspiration of maximum verticality and tension towards the sky, it was a limit to choose a complete shape and concluded at a certain height and we preferred to apply the concept of a modular system that can be repeated in an infinite way with any limit.

ALLIANZ Tower  / Arata Isozaki + Andrea Maffei - Interior Photography
© Alessandra Chemollo

The module we decided is composed by 6 office floors with a long thin plan of 24x61.5m. The choice of these proportions is finalised  to make the whole volume thinner to emphasize the verticality and makes it structurally provocative, due to the slender shape so high.

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Typical Floor Plan

The facade of the module is composed by a triple glass unit slightly curved to outside. The vertical succession of rounded forms create a feeling of slight vibration of the volume of the building as it rises upward. Elevations of the short sides are fully glazed and show the mechanical series of panoramic lifts going up and down to the various floors of the building.

ALLIANZ Tower  / Arata Isozaki + Andrea Maffei - Exterior Photography, Cityscape
© Alessandra Chemollo

The idea of ​​endless tower can be compared to previous ambitions of other artists as Constantin Brancusi, for example, who in 1937-38 installed one of his endless column of Targu-Jiu in the park to create repeatable systems indefinitely. When asked about the reasons for this idea, Brancusi replied: "We need to support the vault of heaven."

ALLIANZ Tower  / Arata Isozaki + Andrea Maffei - Interior Photography
© Alessandra Chemollo
ALLIANZ Tower  / Arata Isozaki + Andrea Maffei - Image 25 of 26
Detail 2
ALLIANZ Tower  / Arata Isozaki + Andrea Maffei - Image 14 of 26
© Alessandra Chemollo

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Project location

Address:Milan, Italy

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Location to be used only as a reference. It could indicate city/country but not exact address.
About this office
Cite: "ALLIANZ Tower / Arata Isozaki + Andrea Maffei" 16 Nov 2015. ArchDaily. Accessed . <https://www.archdaily.com/777083/allianz-tower-arata-isozaki-plus-andrea-maffei> ISSN 0719-8884

© Alessandra Chemollo

米兰ALLIANZ大厦 / Arata Isozaki + Andrea Maffei

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