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  1. ArchDaily
  2. Projects
  3. Office Buildings
  4. Italy
  5. Andrea Maffei
  6. 2015
  7. ALLIANZ Tower / Arata Isozaki + Andrea Maffei

ALLIANZ Tower / Arata Isozaki + Andrea Maffei

  • 03:00 - 16 November, 2015
ALLIANZ Tower / Arata Isozaki + Andrea Maffei
ALLIANZ Tower  / Arata Isozaki  + Andrea Maffei, © Alessandra Chemollo
© Alessandra Chemollo

© Alessandra Chemollo © Alessandra Chemollo © Alessandra Chemollo © Alessandra Chemollo + 26

  • Architects

  • Location

    Milan, Italy
  • Client

    Citylife S.p.A. / Armando Borghi, Marco Beccati - project director, Roberta Pasinetti - technical director, Roberto Russo, Andrea Zerbini, Gianni Armas, Martino Negri,
  • Area

    81615.0 sqm
  • Project Year

    2015
  • Photographs

  • Design Team

    Pietro Bertozzi, Takeshi Miura, Alessandra De Stefani, Chiara Zandri, Vincenzo Carapellese, Roberto Balduzzi, Francesca Chezzi, Takatoshi Oki, Stefano Bergagna, Paolo Evolvi, Elisabetta Borgiotti, Davide Cazzaniga, Adolfo Berardozzi, Hidenari Arai, Higaki Seisuke, Taro Hayashi, Takuichiro Yamamoto, Giuliano Godoli, Giorgio Ramponi, Carlotta Maranesi, Atsuko Suzuki, Sofia Bedynski, Antonietta Bavaro, Mauro Mazzali, Sofia Cattinari, Haruna Watanabe, Madoka Tomita, Ayako Fujisawa
  • Structure

    competition: Mutsuro Sasaki, Hiroki Kume, Takeshi Suzuki / Sasaki and Partners, Tokyo; project: Maurizio Teora, Luca Buzzoni, David Scott, Matteo Baffetti, Valeria Migliori, Francesco Petrella, Angelo Mussi / Arup, Milano and New York, basement structures: Holzner Bertagnolli, Cap Engineering
  • Facades

    Mikkel Kragh, Mauricio Cardenas, Matteo Orlandi, Maria Meizoso, Carlos Prada / Arup Milano and Madrid
  • Plants

    competition: P.T. Morimura, Tokyo, project: Gianfranco Ariatta, Roberto Menghini, Riccardo Lucchese, Sylvia Zoppo Vigna, Andrea Ambrosi / Ariatta Ingegneria dei sistemi, Milano
  • Fire Project

    ing. Salvatore Mistretta, Milano
  • Vertical Transportation

    Hans Jappsen / Jappsen Ingenieure, Frankfurt
  • Lighting Design

    LPA – Light Planners Associates, Tokyo
  • LEED certification

    Fabio Viero, Gioargio Butturini / Manens-Tifs s.p.a.
  • Project Management

    Giorgio Montagna, Valentina Guagenti, Francesca Milani, Valentina Grassi / J&A, Milano, Alberto Ferrari, Pietro Baccarelli / Ramboll, London
  • General Contractors

    Colombo Costruzioni S.p.A. , Focchi S.p.A.
  • Construction Manager

    Claudio Guido / In.Pro s.r.l.
  • Construction Documents

    Andrea Matricardi / Mpartner, Franco Mola / ECDS, Francesco Iorio / Studio Iorio, Michele Capè / Studio Capè, Ariatta Ingegneria dei Sistemi
  • Construction Security

    Donato Bertoncelli / Gestione Progetti
  • Cost Control

    Aldo Bottini, Stefano Rocca / BMS Progetti
  • More Specs Less Specs
© Alessandra Chemollo
© Alessandra Chemollo

Text description provided by the architects. Milan is the city that best represents the international face of Italy, comparable to London, Frankfurt, Paris. Unlike many historical Italian cities, Milan is more related to its development in the nineteenth and twentieth century, to be more precise after the industrial revolution.

Ground Floor Plan
Ground Floor Plan

In this sense, design in Milan is compared with the more contemporary face of Italy, made up of factories, subways, concrete and steel and not so much of particular historical presences. Witness is the fact that the Futurist movement has developed mainly in Milan, a movement created to respond to the issues of the contemporary city. It was not a particularly important relationship with the large existing masterpieces, but rather a reflection on the themes of the contemporary city.

© Alessandra Chemollo
© Alessandra Chemollo

To develop the project, we immediately thought it was not interesting to rely on a single architect for the design of the whole complex, but to start a dialogue. Due to the size of the area we decided to aspire to re-interpret the complexity of the city through many architects who brought the idea of buildings with different shapes and materials.

© Alessandra Chemollo
© Alessandra Chemollo

In any street in Milan there are buildings from different periods and with different architectural features. From this belongs the life of a city, in the dynamic tension between the works of later periods in an archipelago of images and colors. This was our ambition, choosing to work in a group.

© Alessandra Chemollo
© Alessandra Chemollo

In our archipelago forms, we found interesting to develop the idea of ​​a skyscraper without a limit, a kind of endless tower. Now we find skyscrapers of any shape and decoration in all parts of the world. Starting from this study, we looked to a fascinating concept to be applied to high-rise buildings, instead of studying only a shape of an aesthetic beauty.

Cross Section
Cross Section

In the aspiration of maximum verticality and tension towards the sky, it was a limit to choose a complete shape and concluded at a certain height and we preferred to apply the concept of a modular system that can be repeated in an infinite way with any limit.

© Alessandra Chemollo
© Alessandra Chemollo

The module we decided is composed by 6 office floors with a long thin plan of 24x61.5m. The choice of these proportions is finalised  to make the whole volume thinner to emphasize the verticality and makes it structurally provocative, due to the slender shape so high.

Typical Floor Plan
Typical Floor Plan

The facade of the module is composed by a triple glass unit slightly curved to outside. The vertical succession of rounded forms create a feeling of slight vibration of the volume of the building as it rises upward. Elevations of the short sides are fully glazed and show the mechanical series of panoramic lifts going up and down to the various floors of the building.

© Alessandra Chemollo
© Alessandra Chemollo

The idea of ​​endless tower can be compared to previous ambitions of other artists as Constantin Brancusi, for example, who in 1937-38 installed one of his endless column of Targu-Jiu in the park to create repeatable systems indefinitely. When asked about the reasons for this idea, Brancusi replied: "We need to support the vault of heaven."

© Alessandra Chemollo
© Alessandra Chemollo
Detail 2
Detail 2
© Alessandra Chemollo
© Alessandra Chemollo

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Location to be used only as a reference. It could indicate city/country but not exact address. Cite: "ALLIANZ Tower / Arata Isozaki + Andrea Maffei" 16 Nov 2015. ArchDaily. Accessed . <https://www.archdaily.com/777083/allianz-tower-arata-isozaki-plus-andrea-maffei/> ISSN 0719-8884
© Alessandra Chemollo

米兰ALLIANZ大厦 / Arata Isozaki + Andrea Maffei