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  1. ArchDaily
  2. Events
  3. Treatise: Why Write Alone?

Treatise: Why Write Alone?

  • 00:00 - 21 January, 2015
Treatise: Why Write Alone?
Treatise: Why Write Alone?, Alex Maymind, "100 Drawings," 2012-13. Archival inkjet print. 25 x 25 inches. Courtesy of the artist
Alex Maymind, "100 Drawings," 2012-13. Archival inkjet print. 25 x 25 inches. Courtesy of the artist

Drawing inspiration from Steven Holl and William Stout’s brainchild Pamphlet Architecture, a new collaborative project, Treatise: Why Write Alone?, unifies fourteen design firms to examine the architectural treatise as a method of exploring theoretical questions and sparking discussion. The project was developed by designer Jimenez Lai of Bureau Spectacular in response to receiving a grant from the Graham Foundation. His unconventional ideas on the architectural process made him wonder, "Why write? And, why write alone?" The resultant collection of publications delves into these questions, both collectively and individually, with a collaborative piece as well as submissions from each firm.

Andrew Kovacs, "Guggenheim Helsinki Model," 2014. Found objects. 48 x 96 x 12 inches. Courtesy of the artist Design With Company (Stewart Hicks & Allison Newmeyer), "Midwest Culture Sampler (Department of Quantity, Scale, Image)," 2014. Three archival inkjet prints. 26 x 11 1/4 inches each. Courtesy of the artists. is-office (Kyle Reynolds and Jeff Mikolajewski), “Javits, Javits,” 2012. Archival inkjet print. 56 x 40 inches. Courtesy of the artists. SOFTlab (Michael Szivos), "Shizuku," 2009. Plywood. 72 x 24 x 36 inches. Courtesy of Jessika Creedon. + 5

is-office (Kyle Reynolds and Jeff Mikolajewski), “Javits, Javits,” 2012. Archival inkjet print. 56 x 40 inches. Courtesy of the artists.
is-office (Kyle Reynolds and Jeff Mikolajewski), “Javits, Javits,” 2012. Archival inkjet print. 56 x 40 inches. Courtesy of the artists.

Like its influential predecessor, Treatise challenges the idea of defining architecture within society’s limits and instead empowers young designers to express their stance on the issue, encouraging them to address concerns as well as push the boundary of what is possible. All fourteen treatises, along with accompanying models, drawings, and multi-media installations, will be exhibited from January 23, 2015 to March 28, 2015 at the Graham Foundation. The work explores various aspects of design, from re-imagining the existing to create something innovative, to investigations of spatial interaction. The exhibition will begin with an opening reception on January 23, 2015, and host the book launch of Treatise on March 18, 2015.

Participants include: Bittertang (New York); Bureau Spectacular (Chicago); CAMES/gibson (Chicago); Design With Company (Chicago); FAKE Industries (New York); First Office (Los Angeles); Pieterjan Ginckels (Brussels, Belgium); is-office (Chicago); Andrew Kovacs (Los Angeles); Alex Maymind (Los Angeles); Norman Kelley (Chicago and New York); Point Supreme (Athens, Greece); SOFTlab (New York); and Young & Ayata (New York).

Andrew Kovacs, "Guggenheim Helsinki Model," 2014. Found objects. 48 x 96 x 12 inches. Courtesy of the artist
Andrew Kovacs, "Guggenheim Helsinki Model," 2014. Found objects. 48 x 96 x 12 inches. Courtesy of the artist
Cite: "Treatise: Why Write Alone?" 21 Jan 2015. ArchDaily. Accessed . <https://www.archdaily.com/590372/treatise-why-write-alone/> ISSN 0719-8884