Israel is a country that was built with modernism as its guide. It flourished in a particular way and resulted in a unique architectural landscape, not only in terms of singular buildings, but also in the way in which the territory itself was planned. Anti-urban in essence, the Sharon Plan from 1951 gave birth to more than 400 new towns scattered across the territory.
This new landscape -a tabula rasa- evolved into a variety of patterns and forms, a landscape that is neither Urban nor Suburban.
“Urburb” is the title of the Israeli exhibit at the 2014 Venice Biennale. Within the pavilion, a constant robotic performance traces the patterns that resulted from the Sharon plan in the sand, only to erase them after a few minutes and then draw them again. It is a performance that makes one think about the future of new settlements and the possibilities of robotic construction.
The exhibition is curated by Ori Scialom, Dr. Roy Brand, Keren Yeala Golan and Edith Kofsky.