the world's most visited architecture website
i

Sign up now and start saving and organizing your favorite architecture projects and photos

Sign up now to save and organize your favorite architecture projects

i

Find the most inspiring products for your projects in our Product Catalog.

Find the most inspiring products in our Product Catalog.

i

Get the ArchDaily Chrome Extension and be inspired with every new tab. Install here »

i

All over the world, architects are finding cool ways to re-use run-down old buildings. Click here to see the best in Refurbishment Architecture.

Want to see the coolest refurbishment projects? Click here.

i

Immerse yourself in inspiring buildings with our selection of 360 videos. Click here.

See our immersive, inspiring 360 videos. Click here.

All
Projects
Products
Events
Competitions
Navigate articles using your keyboard
  1. ArchDaily
  2. News
  3. The Indicator: Solitude Lost

The Indicator: Solitude Lost

The Indicator: Solitude Lost
The Indicator: Solitude Lost, Photograph of the Division of Classification and Cataloging, 1937. Image Courtesy of Wikimedia Commons, the National Archives and Records Administration
Photograph of the Division of Classification and Cataloging, 1937. Image Courtesy of Wikimedia Commons, the National Archives and Records Administration

You see it all the time. You walk into a firm and there, in the often open hangar-like space, you see a sea of people at their computers with headphones on, attempting to maintain their own sense of space in the face of pervasive distractions and the constant white noise of the studio environment. While it can be inspiring to see and hear everything that is going on in a creative office, and while it is healthy to engage co-workers, there are times when people need to “tune out”. But the space of headphones can not equate the true space of being alone and quiet.

Fast Company recently queried “you” about why you hate open office layouts and the resulting onslaught of “disgust” yielded ten common complaints:

[1] It’s loud

[2] You are constantly interrupted

[3] No privacy

[4] There is always pressure to talk to people and be socially engaged

[5] People are always peeking at your monitor—“That looks cool!”

[6] Malodorous emanations

[7] The curse of headphones

[8] Everyone can hear every conversation about everything

[9] No control over workspace

[10] If you want privacy you have to stay super late or come super early

What all of this comes down to is how distracted you are. There is a growing body of evidence that suggests creative minds naturally gravitate toward and thrive in solitude.

The open office has been evolving since the 1950s when it was first developed in Hamburg Germany. This also coincides with when businesses, looking for new ways to increase creativity and productivity in the workforce, began tapping more into popular psychology. This, according to Susan Cain in the New York Times, is also when “brainstorming” came into our cultural lexicon. Though it may seem like second nature to us today, brainstorming was actually invented by an advertising executive named Alex Osborn. However, what often gets overlooked is that brainstorming was originally focused on eliciting quantity rather than quality. It was an easy way to get a lot of ideas out into the open in a short amount of time.

But research suggests that the all-important element of quality depends on being alone and uninterrupted. So after decades of realigning our work and educational settings in ways that privilege group dynamics, there is one spatial element critical to success that has been overlooked: quiet space.

A Playground for Leif . Image Courtesy of Designliga
A Playground for Leif . Image Courtesy of Designliga

In her article, “In Defense of Introverts,” ArchDaily’s Vanessa Quirk, adds another dimension to this in terms of introversion and extroversion. It might be easy to assume that architecture is the quintessential extroverted endeavor, emerging from the noise, chaos, and clutter of “creative office” environments, offices without cubicles, defined by “flexible”, “collaborative” spaces. And yet, the probability that your favorite architecture was created in sustained moments of silence and uninterrupted concentration is very high. It’s not just Peter Zumthor who works this way.

While she wouldn’t go back to a world of cubicles, Quirk argues that “we have swung the pendulum too far in the extrovert direction.” While our work and educational environments have been increasingly denuded of quiet spaces, our senses have been overloaded by constant, pervasive connectivity. In the era of collaboration, teamwork, and “creative office space” the value of solitude has been lost. But what about solitude in the production of architecture? Is there space for silent, contemplative work in our offices and academic studios? Should there be? How connected, and hence distracted, must we be before we start to wonder: might it be more healthy and productive to unplug, disconnect, and, perhaps more importantly, be alone?

Guy Horton is a writer based in Los Angeles. In addition to authoring “The Indicator”, he is a frequent contributor to The Architect’s Newspaper, Metropolis Magazine, The Atlantic Cities, and The Huffington Post. He has also written for Architectural Record, GOOD Magazine, and Architect Magazine. You can hear Guy on the radio and podcast as guest host for the show DnA: Design & Architecture on 89.9 FM KCRW out of Los Angeles. Follow Guy on Twitter @GuyHorton.

Cite: Guy Horton. "The Indicator: Solitude Lost" 14 Jan 2014. ArchDaily. Accessed . <https://www.archdaily.com/466605/the-indicator-solitude-lost/> ISSN 0719-8884
Read comments