ArchitectsKashef Mahboob Chowdhury/URBANA
TeamAnup Kumar Basak, Sharif Jahir Hossain, Motiur Rahman, Amrul Hasan
Text description provided by the architects. The Friendship Center near the district town of Gaibandha, Bangladesh, is for an NGO which works with some of the poorest in the country and who live mainly in riverine islands (chars) with very limited access and opportunities. Friendship uses the facility for its own training programs and will also rent out for meetings, training, conferences etc. as income generation.
The low lying land, which is located in rural Gaibandha where agriculture is predominant, is under threat of flooding if the embankment encircling the town and peripheries break.
An extensive program with a very limited fund meant that raising the structures above flood level (a height of eight feet) was not an option: nearly the entire available fund would be lost below grade. Being in an earthquake zone and the low bearing capacity of the silty soil added further complications. The third and final design relies on a surrounding embankment for flood protection while building directly on existing soil, in load bearing masonry. Rainwater and surface run-off are collected in internal pools and the excess is pumped to an excavated pond, also to be used for fishery. The design relies on natural ventilation and cooling, being facilitated by courtyards and pools and the earth covering on roofs. An extensive network of septic tanks and soak wells ensure the sewage does not mix with flood water.
The ‘Ka' Block contains the reception pavilion, offices, library, training/conference rooms and pavilions, a prayer space and a small 'cha-shop’. The 'Kha' Block, connected by three archways, is for more private functions and houses the dormitories, the dining pavilion and staff and family quarters. The laundry and drying shed is located on the other side of the pond. There is no air-conditioning and the entire lighting is through LED and energy efficient lamps.
As in construction, so in conception - the complex of the centre rise and exist as echo of ruins, alive with the memory of the remains of Mahasthan (3rd century BC), some sixty kilometers away. Constructed and finished primarily of one material - local hand- made bricks - the spaces arc woven out of pavilions, courtyards, pools and greens; corridors and shadows. Simplicity is the intent, monastic is the feel.
The centre serves and brings together some of the poorest of poor in the country and -by extension - in the world, yet in the extreme limitation of means was a search for the luxury of light and shadows of the economy and generosity of small spaces; of the joy of movement and discovery in the bare and the essential.