Through the Lens: Art Deco's debt to Agatha Christie

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Screenshot from "Evil Under the Sun." Image Courtesy of Carnival films, LWT & Picture Partnership Productions

This article comes courtesy of Charlotte Neilson, the author of the fascinating design blog Casting Architecture. Her column, Through the Lens, will look at architecture and production design in TV and film.

The categorisation of period architecture generally remains firmly in the realm of the professional or amateur enthusiast - let’s face it, you can go through life without knowing the difference between a Corinthian and Ionic column without too much inconvenience. Oddly, however, most people are able to name a few of the main features of Art Deco architecture fairly easily - the curved corners, stylised forms, the use of bakelite and chrome, the transport motifs.

It’s interesting that this period is so much more familiar to us, considering it spanned quite a short timeframe compared to other architectural styles; the Arts and Crafts and Art Noveau movements, for example, which both occurred in a similar time frame to Art Deco, are much less known to the wider community.

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Cite: Charlotte Neilson. "Through the Lens: Art Deco's debt to Agatha Christie" 22 Mar 2013. ArchDaily. Accessed . <https://www.archdaily.com/346555/through-the-lens-art-decos-debt-to-agatha-christie> ISSN 0719-8884

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