The Westminster City Council has granted planning permission to Sheppard Robson for a “dramatic” rooftop extension to London’s Aldwych House. The £15m project – situated within the Westminster Conservation Area – will add 8,500 square feet of high-quality office and reception space by installing a series of geometrical-folded forms on top of the landmark Midtown office building.
A proposal to create a floating swimming pool in the Thames river will step up a gear tomorrow, as Studio Octopi will present their design for the Thames Baths at the Guardian’s World Cities Day Challenge. Originally created as part of the Architecture Foundation’s competition to design ways to reconnect Londoners with the river, the Thames Baths design has gained momentum over the last year, with a recent iteration of the design proposed for London‘s Victoria Embankment.
More on the design after the break
Architects: Peter Feeny Architects
Location: Oxfordshire, UK
Design Team: Peter Feeny, Matthias Thum, Ondrej Mundl, Richard Hood, David Max Phillips, Jose Soto
Photographs: Rafael Dubreu
The Royal Institute of British Architects have announced an international design competition to regenerate Centenary Square, one of Birmingham‘s largest public spaces, and neighbor to Birmingham’s International Convention Centre, the Old Rep Theatre, and the the Library of Birmingham by Mecanoo which was shortlisted for the 2014 Stirling Prize.
Architects: O’Donnell + Tuomey Architects
Location: Houghton Street, London School of Economics and Political Science, London WC2A 2AE, UK
Design Team: John Tuomey, Sheila O’Donnell, Willie Carey, Geoff Brouder, Laura Harty, Kirstie Smeaton, Gary Watkin, Anne-Louise Duignan, Ciara Reddy, Jitka Leonard, Iseult O’Cleary, Henrik Wolterstorff, Mark Grehan, Monika Hinz
Area: 6101.0 sqm
Photographs: Alex Bland, Dennis Gilbert
From the architect. What happens when a designer decides to turn a classic Herzog & de Meuron masterpiece into a carnival space? That’s precisely what happened when architect Gia Wolff was asked to create an installation – part of which doubled as a performance piece – for the show Up Hill Down Hall: An Indoor Carnival in the Tate Modern‘s Turbine Hall. How did she approach transforming such a cultural icon? Three words: red-pink rope.