In a way, classic furniture is like a mixture between a work of art and a gold bar: it is a safe investment and can often even increase in value with age. In our second selection of design icons from the 20th century, we present Ray and Charles Eames, Marcel Breuer, Arne Jacobsen and Mario Bellini and some furniture pieces from the past century that remain more modern today than ever, in terms of not only design but also comfort. Find out more on the Architonic Platform.
The Eames Institute of Infinite Curiosity is a new non-profit organization that aims to bring forward the design processes and problem-solving approaches of the two renowned designers with the purpose of equipping a new generation of creatives with the tools for tackling today's challenges. Through archival exhibitions, storytelling, and other programming, the institution will demonstrate the Eameses' iterative process and highlight the lessons to be passed on from their methodology, making a vast collection of objects, prototypes, and personal archives available to the public.
On the heels of the Eames Office’s 80th anniversary marked by an exhibition and a Ray-inspired sneaker, director Eames Demetrios spoke to Metropolis about the matriarch who continues to inspire design.
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Charles (June 17, 1907 – August 21, 1978) and Ray Eames (December 15, 1912 – August 21, 1988) are best known for their personal and artistic collaboration and their innovative designs that shaped the course of modernism. Their firm worked on a diverse array of projects, with designs for exhibitions, furniture, houses, monuments, and toys. Together they developed manufacturing processes to take advantage of new materials and technology, aiming to produce high-quality everyday objects at a reasonable cost. Many of their furniture designs are considered contemporary classics, particularly the Eames Lounge & Shell Chairs, while the Eames House is a seminal work of architectural modernism.
The Royal Institute of British Architects (RIBA) has unveiled a recording of the day Ray Eames became the first woman ever to receive the Royal Gold Medal. Commemorating a historical ceremony, the audio reveals the acceptance speech of Ray Eames, during the 131st presentation of the Royal Gold Medal to the office of Charles & Ray Eames in 1979.
Nestled in the verdant seaside hills of the Pacific Palisades in southern California, the Entenza House is the ninth of the famous Case Study Houses built between 1945 and 1962. With a vast, open-plan living room that connects to the backyard through floor-to-ceiling glass sliding doors, the house brings its natural surroundings into a metal Modernist box, allowing the two to coexist as one harmonious space.
Like its peers in the Case Study Program, the house was designed not only to serve as a comfortable and functional residence, but to showcase how modular steel construction could be used to create low-cost housing for a society still recovering from the the Second World War. The man responsible for initiating the program was John Entenza, Editor of the magazine Arts and Architecture. The result was a series of minimalist homes that employed steel frames and open plans to reflect the more casual and independent way of life that had arisen in the automotive age.[1]
Celebrated in Mexico on November 1st and 2nd, Día de Muertos (Day of the Dead) honors the deceased. This video, made by Charles and Ray Eames in 1957, looks at the philosophy and origins of the Mexican holiday, presenting the folk objects and rituals associated with the celebration. Watch the short film above to learn more.
The Eames Case Study House #8, usually known simply as Eames’ House, is usually presented as a kind of kaleidoscope of details. It remains one of the most exuberantly performative homes in the history of architecture, with its resident designers, Charles and Ray Eames, as the chief actors. They enacted the day-to-day as an ongoing celebration, documenting the daily rituals of work, play, and hospitality with photography and film. What this theatre of life conceals is that the Eames’ house was itself, structurally, a kind of theatre. Examining the house as an interactive Archilogic 3D model holds, for this reason, some revelations even for those for whom the house looks as familiar as an old friend.
To celebrate International Women's Day, we asked the Brazilian non-profit group Arquitetas Invisíveis to share with us a part of their work, which identifies women in architecture and urbanism. They kindly shared with us a list of 48 important women architects, divided into seven categories: pioneers, "in the shadows," architecture, landscape architecture, social architecture, urbanism and sustainable architecture. We will be sharing this list over the course of the week.
Yesterday we brought you The Pioneers, and today we present the women architects that have lived in "the shadows" of the some of the great names in the architecture world.
Ray Eames (December 15, 1912-August 1988) is best known for her personal and artistic collaboration with Charles Eames, and together, their innovative designs shaped the course of modernism. Although Charles often gave the firm its public face (particularly in the male-oriented world of mid-century design), the two designers are almost always discussed as a couple and every project that their office pursued was in fact a team effort. When asked about any particular piece of furniture, for example, Ray always maintained that she contributed to the details of the design in a “million ways” and considered the overall form of each project in a critical fashion, emphasizing the collaborative nature of not just their partnership, but their entire office.
