Twelve thousand pairs of shoes and stacked, rotating geometric forms were installed in the city centre of Abrantes, Portugal from July 13th-20th. The installations were the two winning projects of Portugal’s 180 Creative Camp 2014, which was designed by the country’s Canal 180 to promote Urban Interventions Projects.
The competition received 72 entries from 18 countries and was created in partnership with Archdaily, Canal 180, and the Municipality of Abrantes. The contest ran until June 8th with a jury that included Archdaily Executive Editor Becky Quintal, the Executive Director of Canal 180, and the President of the Municipality of Abrantes. The two winning projects each received 2,500 Euros to realize and install their work in Abrantes.
See photos and read more about the winning projects of 180 Creative Camp after the break.
Architects: Pedro Mendes Arquitectos
Location: Rua Nossa Senhora Fátima 384, 4050-428 Porto, Portugal
Architect In Charge: Luis Diaz-Mauriño, Pedro Mendes
Design Team: Patrícia Costa Horta, Pedro Marques Alves, Tiago Marcelino Cruz e Pablo Martín Palomeque
Area: 2855.0 sqm
Photographs: Jorge Lopez Conde, André Martins
Today is Eduardo Souto de Moura’s 62nd birthday. With over 60 buildings worldwide, Souto de Moura is known for his thoughtful use of colors and materials. Although often described as a “Miesian” architect, de Moura provides local and original interpretations of Mies van Der Rohe’s modernist style.
Born in Porto, Souto de Moura enrolled at the School of Fine Arts in Porto, studying sculpture and later transferring to architecture at the University of Porto – a decision he credits to a meeting with the artist Donald Judd. While still a student, Souto de Moura interned in the studio of Álvaro Siza, where he worked for five years until starting his own practice in 1980, following Siza’s advice. Although his first major commission was the Cultural Center of Porto, his early career included mostly private homes. Later, de Moura was commissioned for larger public buildings, such as the the Braga Municipal Stadium (2004), the Burgo Tower (2007), and the Casa das Histórias Paula Rego (2008).
The archives of Álvaro Siza, whose drawings, sketches, and models have been exhibited in the most renowned cultural institutions around the world, may soon be transferred to the Canadian Centre for Architecture (Centre Canadien d’Architecture, CCA) in Montreal.
The architect confirmed on Wednesday to Portuguese paper PÚBLICO that he has been “in talks” with the CCA, as well as other un-named institutions from different countries, in order to “decide the future” of his archives.
Siza was born in Matosinhos, Portugal, in 1933. His first work was built in 1954, before Siza had even completed his studies at the School of Fine Arts at the University of Porto (now Faculty of Architecture, University of Porto – FAUP).
Building Pictures, a Portuguese company specialized in producing and directing architecture videos, decided to celebrate the year of Portuguese architecture by creating a competition inviting architects, artists, designers, directors, and students to submit their favorite spaces. 31 videos answered the challenge and shared their experiences and inspiring places. The jury selected three winners, whose beautiful videos can be seen after the break.
The Portuguese Pavilion at the 14th edition of the Venice Biennale has created a newspaper, “Homeland, News from Portugal,” which covers the last 100 years of architectural, social and economic news from Portugal.
“Homeland, News from Portugal” has the objective of addressing the issues raised by Rem Koolhaas for Fundamentals – Absorbing Modernity: 1914-2014 through a critical and purposeful reflection on housing – a field par excellence for modern experiments – as an essential element of urban and rural environments and a social and cultural reflection of inhabitants.
The newspaper will publish the progress of ongoing projects of 6 groups of architects working in 6 Portuguese cities on 6 different types of housing (temporary, informal, collective, improvement, isolated, rural), and will be distributed during the 6 months of the Venice Biennale.