Interviews: The Latest Architecture and News

National Building Museum and Metropolis Magazine contributor Andrew Caruso takes you “inside the design mind” of Pulitzer Prize-winning architecture critic Paul Goldberger.

It’s rare to find someone willing to pay for opinions these days, and rarer still to be known for them. Yet, Paul Goldberger has crafted a career by objectively navigating the subjective. As an arbiter of quality in architecture and design for nearly four decades, he spends a few moments with me to reminisce about the “short break” he took from journalism that led to, among many accolades, the Pulitzer Prize in 1984 and, more recently, the Scully Prize.

Andrew Caruso: You’re being recognized this year by the National Building Museum with the Vincent Scully prize. Given your relationship with Scully began when you were a student at Yale, this must be a very meaningful award.

Paul Goldberger: Scully was very much a teacher and mentor to me. Actually my first exposure to him was a high school visit to Yale. I observed one of his classes and was blown away. He was one of the reasons I wanted to go to Yale in the first place and I was lucky to work with him through college and as my thesis adviser.

The complete interview after the break…

In this video, JA+U interviews minimalist Japanese architect Shinichi Ogawa of Shinichi Ogawa and Associates. Ogawa describes the “austerity” and “organization” of minimalist design in regard to different projects. In residences, where flexibility and options are important, he says that the minimalistic approach grants a wide range of possibilities, providing open and flexible spaces that connect with the site. Ogawa describes the a range of projects that use simple forms and expressions to interact with the environment and accentuate the surroundings.

Norman Foster is undoubtedly one of the most influential architects of our time. Since establishing his award-winning practice in 1967 – originally titled Foster Associates – the Pritzker Prize laureate has grown Foster + Partners into an international powerhouse, with project offices in more than twenty countries.

Cinematographer Tomas Koolhaas, son of notorious Rem Koolhaas, has shared with us his latest clips from the feature length documentary film, REM. Set to debut in 2013, the motion picture breaks away from conventional approach to filming architecture and exposes the raw, human experience of Dutch architect’s most famous projects. As Tomas describes, REM gives the audience “a rare insight into the reality of the hidden internal life of the buildings”.

ArchDaily had the chance to discuss the film with Tomas. Continue after the break for the complete interview and another small preview of the film!

Ensamble Studio

SPAINLab, the name of the exhibit, looks to expose the research process behind the works of contemporary Spanish Architects:

• RCR Arquitectes (Rafael Aranda, Carme Pigem, Ramón Vilalta)
• Selgascano (Lucía Cano, José Selgas)
• Urban Habitat / Barcelona City Council (Vicente Guallart)
• SMAO — Sancho-Madridejos Archiecture Office (Sol Madridejos, Juan Carlos Sancho)
• Menis Arquitectos (Fernando Menis)
• Cloud 9 (Enric Ruiz-Geli)
• Ecosistema Urbano (Belinda Tato, José Luis Vallejo)

More photos about the pavilion and description from Anton and Débora after the break:

The Headquarters Krogmann in Lohne-Kroge, Germany, by Despang Architekten investigates the numerous characteristics and fundamental opportunities inherent within wood and exhibits a modern approach to the craftsmanship of traditional German vernacular. Designed as a new corporate center of operations for the woodworking company Krogmann, this new office would need to succeed not only in handcrafting a new image for them, but also serve as a catalyst for future growth while showcasing their ability as ‘makers’ in the field of construction. Having worked as the builders for several projects for Despang Architekten, their choice to retain them as the design architects for their own project was a natural extension of an already solid relationship built upon the dedication to quality and progressiveness. As an extension of this article, we also had the opportunity to speak with Principal and University of Hawaii Associate Professor Martin Despang about the process involved in the making of this project.

More details and our Q&A with Martin after the break.

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We interviewed Winnipeg- based 5468796 Architecture (Johanna Hurme + Sasa Radulovic) and Jae-Sung Chon (Faculty of Architecture, University of Manitoba), the team that curated the “Migrating Landscapes” exhibit at the Canadian Pavilion for the 13th Venice Biennale. The Migrating Landscapes Oganizer (MLO) invited, through a national competition, young Canadian architects and designers from a wide range of cultural and educational backgrounds to create scale models of ‘dwellings’ and accompanying videos that draw on cultural memories.

Since it’s founding in 1986, Reiser + Umemoto, RUR Architecture P.C. has become a widely published, internationally recognized practice with a diverse collection of projects ranging in scale. On multiple occasions, the firm has been awarded for their contributions to architectural practice and theory – the most recent being The Cooper Union’s 2008 Presidential Citation and the 2011 John Hejduk Award – as they treat “each project as the continuation of an ongoing inquiry, delving into relationships among architecture, territory and systems of distribution.”

Part I – Part II – Part III

Part I – Part II – Part III

“Spain used to be a sexy, fit and energetic country. Envy, inferiority complexes, greed, arrogance and pride soaked it in fat. It is currently suffering from moral obesity.” That was Architect Manuel Ocaña’s incendiary take on the current state of his home country, one of the hardest hit by the Recession due to its extraordinary pre-Crisis construction boom (a.k.a “the mother of all housing bubbles”).

For this week’s edition of our Recessionary Interviews series – in which we talk to Architects across the globe surviving the Recession - we decided to get one final perspective from the Iberian Peninsula. We chatted with Spain’s Josep Ferrando, of Josep Ferrando Bramona Architecture, who told us how the economic bust has shifted focus from public works towards an architecture of “re”: rehabilitating, re-structuring, re-inhabiting.

Get Ferrando’s take on the state of Architecture in Spain today, after the break…

Part I – Part II – Part III

During the opening of the 13th Venice Biennale, we had the chance to talk with Sergei Tchoban and Sergey Kuznetsov, partners at SPEECH and curators of i-City, the Russian pavilion, awarded with a Special Mention at the Biennale.

During the opening of the Venice Biennale, we had the chance to sit down and talk with the curator and participants of the Japan Pavilion, awarded with the Gold Lion.

In the following videos you can see Toyo Ito, curator of “Architecture. Possible Here? Home-for-all”, along with collaborators Akihisa Hirata and Sou Fujimoto, discussing what Architecture means to them, the role of architects in our society, and how they approached the Biennale’s theme “Common Ground” on this particular exhibition, which reunites Japanese architects and an architectural photographer collaborating on the design of houses for those affected by the 2011 tsunami.

We thank the Japan Foundation for this interview.

Akihisa Hirata and Sou Fujimoto videos after the break:

Jean Nouvel and Mia Hägg presented “Meetings Lines” at the Venice Biennale. For ‘Common Ground’ they decided to show their finalist project for the Slussen Masterplan competition, an ambitious urban design project that seeks to replace much of the degenerated water and transportation infrastructure in the heart of Stockholm. The project proposes three different public spaces, designed as living links for the city, inspired by infrastructure such as the Rialto Bridge in Venice.

More about the exhibit after the break.

“Forty years ago the public cause proved a powerful source of inspiration. Given the numbers of architects that chose to serve it, one might even speak of a common ground. In the age of the ‘starchitect’, the idea of suspending the pursuit of a private practice in favor of a shared ideology seems remote and untenable. In the context of the 2012 Venice Architecture Biennale, this exhibition hopes to provide a small contribution towards finding that common ground once more…” – OMA Partner Reinier de Graaf, August 2012

Throughout Europe in the late 1960s and early 1970s, large public works departments employed architects to design a multitude of public buildings in an effort to serve the public cause. Reinier de Graaf describes this “heyday of public architecture” as “a short-lived, fragile period of naïve optimism – before the brutal rule of the market economy became the common denominator.”

Alejandro Aravena, Executive Director of ELEMENTAL, tells us more about The Magnet and The Bomb, their exhibit at the Venice Biennale. You can learn more about the projects presented at this installation: PRES Constitución and Calama PLUS.

National Building Museum and Metropolis Magazine contributor Andrew Caruso takes you “inside the design mind” of architect Steven Holl.

This year, the American Institute of Architects conferred its highest honor – the AIA Gold Medal – upon Steven Holl. I had the opportunity to talk with Steven about his sources of inspiration, a mid-career enlightenment, and his recent recognition as one of the most celebrated “American” architects.

Andrew Caruso: Balancing your practice with teaching and art is clearly a part of the designer we know you to be. How do these explorations shape your design point of view?

Steven Holl: Every project is unique: a site and a circumstance, a culture, a climate, a program. All of these forces are unique and you need a concept to hold the manifold pieces together, an idea that makes the project significant in its place and for its purpose. That is always the way I begin projects.