Herreros Arquitectos just sent us their recent project for a mixed-use building in Casablanca, Morocco. Resulting from a series of urban, spatial, formal and sustainable variables, the project–which includes housing, commercial and athletic spaces–is characterized by a permeable facade that directly responds to the climate. The repeated decorative element is a reinterpretation of a traditional geometric code that is common to the region.
Juan Herreros is one of the most influential Spanish architects practicing today. Executing a delicate balance between his role defining the practice of architecture with work in the academy, he has not only overseen the construction of significant built projects, but also teaches at School of Architecture of Madrid and is a Full Professor at GSAPP Columbia University in New York. It was recently announced that his winning proposal for the Munch Museum/Deichman Library competition was given the green light. The museum will house the world’s largest collection of Edvard Munch artworks and is scheduled to open in 2018.
Herreros strives to highlight architecture’s multi-faceted, multi-disciplinary nature by revealing the complex relationships that lie behind individual projects—undergirded by what Herreros identifies as a “technical culture” (see the exhibition Dialogue Architecture that he curated at the last Venice Biennale).
Together with Iñaki Abalos he founded Abalos&Herreros in 1984. In 1992 they founded the International Multimedia League (LMI), an organization that contributes to the simpliﬁcation and intensiﬁcation of artistic practice. Since 2006 he practices with the firm Herreros Arquitectos a collaborative office that has won numerous competitions and commissions. His projects can be found around the world and range from schemes for public spaces to designs for houses.
“Something unique about [our] studio is that, given the difficulties of doing research in architecture today and the usefulness of the “research applied to architecture” concept, we maintain two open, integrated lines of work: one line maintains small projects, very quick, very immediate; and the other is related to the large projects, generally the result of international competitions around the world.”
Check out a full transcript of our interview with Herreros after the break…
Architects: Herreros Arquitectos
Location: Costa del Este, Panama
Project Architects: Herreros Arquitectos + Mallol y Mallol
Project Managers: Jens Richter (HA), Ignacio Mallol (M&M)
Project Team: Gonzalo Rivas Zinno, Carmen Antón, Joanna Socha (HA), Ruben Taboada (M&M)
Client: Banco de Panamá
Area: 35,395 sqm
Photographs: Fernando Alda
During the 13th Venice Biennale we had the chance to interview Spanish architect Juan Herreros, founder of Herreros Arquitectos (full interview in a following post).
The exhibit Dialogue Architecture aims to expose the complex relations that happen behind the scenes of a project, part of the technical aspects of architecture from where innovation informs the creative side of it.
More about the exhibit after the break.
Centro Internacional de Convencions de Bogota awarded to Herreros Arquitectos in collaboration with Daniel Bermudez
Herreros Arquitectos in collaboration with Daniel Bermudez, were recently awarded the design of the Centro Internacional de Convencions de Bogota. Beating some of the world’s most prestigious architects, Zaha Hadid, David Chipperfield, Rem Koolhaas, Diller & Scofidio, Snøhetta, and Dominique Perrault, the winning design is defined as an urban experience, in which its inhabitants and strangers will come together to share their common interest in knowledge, innovation and the strength of civil society. Aspiring to obtain the Gold-status LEED certificate the new 70,000 sqm Centro Internacional de Convencions de Bogota will be the maximum exponent of Colombia’s ability to apply state-of-the-art technology as well as of the country’s commitment to the environment
An exhibition devoted to Herreros Architectos’ recent work is currently on display at the ROM for Kunst og Arkitektur Gallery in Oslo.
More renderings of the winning design following the break.
This week, with the help of our readers, our Architecture City Guide is headed to Madrid. As the third largest city in the European Union, Madrid is the economic and political capital of Spain. The streets and neighborhoods for the most part remains historic, but the city is punctuated with moments of engaging and interesting contemporary architecture. For those who have followed our city guides, you will have noticed that this is our second stop in Spain. That said, Madrid is distinctly different from Barcelona. The differences between the two are manifested in their architecture, both old and new. Our lists only cover relatively recent projects, but a quick glance at the two will give you a sense of the differing cultures and lifestyles (Barcelona’s City Guide). Both lists are far from complete and we are looking to add to them in the near future. In the meantime add more of your favorites to the comment section below.
The Architecture City Guide: Madrid list and corresponding map after the break.
Bjørvika, a harbour in the eastern part of Oslo, Norway, has become a hot spot for architectural innovation. We have the brand new Oslo Opera by SNOHETTA and the recent competition for the Oslo Central Station awarded to Space Group.
And a recent planning/design competition -actually 2 competitions- just added two cultural buildings to the harbour: the Munch-Area, which will have the new Munch-museum with a collection of the Stenersenmuseum, and the Deichman axis withav the Deichman Library.
Both competitions included invited practices and a stage on which practices applied for pre-qualification.
The winning project for the Munch Museum was Lambda, by Herreros Arquitectos. The winning project for the Deichman Library was Diagonale, by Lund Hagem Arkitekter and Atelier Oslo. See all the winners after the break.