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Watch How These South American Architects Construct a Brickless Brick Wall

06:00 - 1 November, 2016

Using concrete and bricks made of raw mud, architects Solanito Benitez, Solano Benitez, Gloria Cabral, Maria Rovea and Ricardo Sargiotti built a wall able to be constructed by the two materials working in tandem. Once the concrete dries, the bricks are washed away, returning the mud back to its natural state, leaving spaces in the lines of concrete, like a kind of negative.

This artistic intervention arose from an invitation to participate in an art exhibition in Unquillo MUVA, Cordoba, Argentina from April 11 to May 3, 2014. 

More information and images below.

Courtesy of Ricardo Sargiotti Courtesy of Ricardo Sargiotti Courtesy of Ricardo Sargiotti Courtesy of Ricardo Sargiotti +17

Gabinete de Arquitectura’s “Breaking the Siege” – Winner of the Golden Lion at the 2016 Venice Biennale

16:00 - 31 May, 2016
Gabinete de Arquitectura’s “Breaking the Siege” – Winner of the Golden Lion at the 2016 Venice Biennale, © Laurian Ghinitoiu
© Laurian Ghinitoiu

Bricks are an iconic element of Solano Benítez’s studio. An ancestral material, forged by man using an ancient technique of modeling and baking. Bricks are very versatile, cheap and easy to manufacture – even marginalized areas of the world can afford to build houses with brick. Benítez feels the poetry of brick and has experimented with its versatility, relying solely on bricks as the main construction material. [1]

Gabinete de Arquitectura's exhibition, designed by Solano Benítez, Gloria Cabral and Solanito Benítez, was awarded the Golden Lion for Best Participant in the International Exhibition, Reporting From the Front, for “harnessing simple materials, structural ingenuity and unskilled labour to bring architecture to underserved communities.”

© Laurian Ghinitoiu © Laurian Ghinitoiu © Laurian Ghinitoiu © Laurian Ghinitoiu +11

How Peter Zumthor and His Protégé Gloria Cabral Built a Connection Beyond Language

09:30 - 5 December, 2015
How Peter Zumthor and His Protégé Gloria Cabral Built a Connection Beyond Language, Cabral examines a model of the tea chapel. Image Courtesy of Gloria Cabral and Peter Zumthor/Rolex Mentor and Protégé Arts Initiative
Cabral examines a model of the tea chapel. Image Courtesy of Gloria Cabral and Peter Zumthor/Rolex Mentor and Protégé Arts Initiative

In May last year, the Rolex Mentors & Protégés initiative announced a surprising partnership in its name: Paraguayan architect Gloria Gabral was to spend a year working alongside the famously elusive Swiss master Peter Zumthor. The differences between the two architects - from the languages they spoke to the age of their respective careers - were obvious from the outset. But as explored in this article by Paul Clemence, originally published by Metropolis Magazine as "Intuitive Connection," over the past year they've been discovering that the things that they have in common run far deeper.

It was an unlikely pair. He is a well-established architect with a long career, working out of a small town tucked deep in the mountainous Graubünden canton in Switzerland; she is at the beginning of a promising career in Asunción, Paraguay’s capital and largest city. They did not even share a common language, yet they connected through something more binding than the spoken word: an intuitive sense of space—and their work ethic.

Peter Zumthor Selects Paraguayan Architect Gloria Cabral as Protégé

00:00 - 22 May, 2014
Peter Zumthor Selects Paraguayan Architect Gloria Cabral as Protégé, Peter Zumthor with protege Gloria Cabral. Image Courtesy of Rolex Mentor and Protege Arts Initiative
Peter Zumthor with protege Gloria Cabral. Image Courtesy of Rolex Mentor and Protege Arts Initiative

Peter Zumthor has chosen to mentor Paraguayan architect Gloria Cabral as part of the Rolex Mentor and Protégé Arts Initiative. Cabral, a partner at Asuncion-based Gabinete de Arquitectura, will spend a year collaborating with the Swiss architect, who has dedicated his expertise in an effort to learn, create and grow with the young talent.

Describing Cabral’s work to reveal an original spirit, Zumthor stated: “In Gloria’s work and attitude I sense a keen interest in the physical experience of architecture, which makes it exciting for me to collaborate with her.”