Catalunya: The Latest Architecture and News

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"A city of rooms" is a research work by architect Paula Olea Fonti that focuses on the study of shared housing, which is one of the most common ways for young students and professionals to live in the city. A popular and ordinary house, if you will. One that many architects would distinguish for its low architectural value.

André Ricard and Daniel Giralt-Miracle, the member responsible for ADI/FAD, proposed the island of Ibiza as the venue for the ICSID Biennial Congress in 1971. That's how the story began. At that time, the so-called "Urquinaona Open Design Group" already existed in Barcelona. From the group, and with Carlos Ferrater at the head, they offered their help to the organization of the congress. They refused, as everything seemed to have already been organised. Together with Fernando Bendito, Ferrater asks about accommodation for the students. They still had nothing. They get the opportunity they were waiting for. Thousands of invitations are sent out to students all over the world. The number of replies was greater than the number of registered students.

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In 1929, Ludwig Mies van der Rohe and Lilly Reich design the German National Pavilion for the 1929 Barcelona International Exhibition. The official reception for the exhibition was held there, presided over by King Alfonso XIII and the German authorities. From then on, the story is well known to everyone. A symbolic work of the Modern Movement, the Pavilion has been extensively studied and interpreted, and has inspired the work of several generations of architects.

The gaze is a tool that the architect uses constantly but does not fully value. It is an instrument that, in addition to allowing us to know and recognize our reality and the phenomena that arise from it, can work as a method of analysis. "Entrearcos (Between-arches): architecture of connection" is a research project developed by the architect Daniela Silva Landeros that studies, in the specific case of the Ciutat Vella neighbourhood of the city of Barcelona, the issue of arches in our cities. And Silva Landeros does so from alternative points of view that call into question the way we are used to looking.

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Under heavy bombing, buildings seem to have only one fate: destruction. Severely damaged during the Spanish Civil War, the 13th-century Gothic Church of Vilanova de la Barca (Lleida, Spain) remained abandoned since 1936.

It was only almost 80 years later that the remnants of the structure – parts of the naves, the west façade and the apse towards the east– went through a restoration and refurbishment process. This time, however, the building was not meant to be used as a church but as a multi-purpose hall.