Architects: Mcfarlane Green Biggar Architecture + Design
Location: Gambier Island, Sunshine Coast F, BC, Canada
Design Team: Steve McFarlane, Michelle Biggar, Josie Grant, Daniel Marcotte, Lydia Robinson, Tomas Machnikoski
Area: 1700.0 sqm
Photographs: Courtesy of office of mcfarlane biggar (omb)
Green, or living, walls have begun popping up and growing across commercial interiors everywhere over the last decade. To understand how a living wall functions, and how to design one, we went straight to a pioneer in the profession: Ms. Birgit Siber of Diamond Schmitt Architects in Toronto. The synthesis of natural systems and building systems had been in her mind since her days as a student, but the major break came in 2000, when her team constructed a massive living wall for The University of Guelph-Humbar. To understand how architects are closing the gap between interior and exterior via the living wall, read the full interview after the break.
Daniel Libeskind’s “elongated Star of David” has been announced today, the architect’s 67th birthday, as the winner of an international design competition for Canada’s National Holocaust Monument. Selected from a shortlist of six, the winning ”Landscape of Loss, Memory and Survival” monument is expected to be constructed in the Canadian capital of Ottawa on the corner of Wellington and Booth Streets sometime next year.
“You don’t need big and flashy starchitecture to make a statement; the most powerful architecture is often that which blends into the landscape and reveals itself slowly.” In this article on Monocle, written by Nelly Gocheva, the late Canadian architect Ron Thom is remembered for just this reason. To learn more about Thom’s architectural approach and works, including his masterplan for Trent University, which celebrates its 50th anniversary this year, read the article here.
The Museum of Contemporary Canadian Art (MOCCA) is calling for submissions that respond to the thematic of an upcoming exhibition, entitled TBD, that will be on view September 5 to October 25, 2014 in Toronto, Canada.
The exhibition proposes that the definition of a museum is not fixed but rather “to be determined.” By asking, “what is a contem- porary art gallery?” the exhibition questions our fundamental assumptions concerning the role and importance of museums in so- ciety and their associated architectural forms. MOCCA’s galleries will become a place of inquiry and discussion featuring artworks and activities that destroy existing paradigms and offer projections about the shape of museums in the future. This is a particularly timely topic given the proliferation of museum architecture in Canada and abroad and the current juncture in MOCCA’s existence which sees the institution searching for a new and permanent venue.