New images have been released of Istanbul‘s new airport, designed by Grimshaw, Nordic Office of Architecture and Haptic Architects, assisted by local Turkish Partners GMW Mimarlik and Tekeli Sisa. Projected to be the world’s largest airport terminal under a single roof at almost one million square metres, the new airport is expected to serve 90 million passengers a year on the opening of the first phase, rising to 150 million a year after completion in 2018.
Architects: van Dongen-Koschuch
Location: Peperstraat 10, 5911 HA Venlo, The Netherlands
Architect In Charge: Frits van Dongen, Patrick Koschuch
Design Team: H.Fekry, Henk de Haas, Jeroen Kreijne, Raul Forsoni, Gianna Bottema
Constructor: ABT, Delft
Area: 2500.0 sqm
Photographs: Allard van der Hoek
Porsche Design has narrowed down a list of 20 participating teams to six shortlisted firms for an invited competition to design a new luxury residential tower in Frankfurt, Germany. The project, which will be Porsche Design’s debut in European real estate, will include up to 200 apartments, ranging from “Porsche Design suites” to two-story townhouses and luxury penthouses. The teams moving on to the competition’s second round, include: 3XN (Copenhagen), Stefano Boeri Architetti (Italy), MAD (China), Delugan Meissl (Austria), Neutelings Riedijk (Rotterdam) and Neil M. Denari (Los Angeles).
Winners will be chosen based of the most “fitting” concept and connection to outdoor space. Construction is expected to begin in early 2016; completion is scheduled for 2018.
Damian Rogers Architecture is hoping to “bring surf to the city” by proposing a $8 million AUD artificial beach and wave pool for the Victoria Harbor in Melbourne. Capable of simulating “surfable” 1.5-meter-high waves, the heated salt-water pool is envisioned as an extension of Central Pier in the Docklands. If built, the pool would be complimented by a beach, encompassing boardwalk, and grass-covered recreation and retail facility.
Architects: M – Arquitectos
Location: EN1-2A, 9580 Vila Do Porto, Portugal
Architect In Charge: Arch. Fernando Monteiro
Design Team: Arch. Marco Resendes, Arch. Miguel Sousa, Arch. Diana Policarpo, Arch. Carolina Oliveira, Arch. Pedro Furtado, Arch. Maria Bento
Area: 500.0 sqm
Photographs: Artur Silva
Widening the debate on whether or not Paris should preserve its 19-century skyline or “embrace innovation,” Parisian city council members have rejected the controversial, 180-meter “Triangle Tower” designed by Herzog & de Meuron. Despite the 83-78 vote, the fight carries on; Mayor Anne Hidalgo has declared the veto to be invalid and hopes a new round of balloting will rule in favor of the tower. Though, in a city that fears of loosing its “existing urban fabric to skyscrapers,” it seems unlikely that the tower will be built.
Billionaire Barry Diller, chairman of IAC/InterActiveCorp and former head of Paramount Pictures and Fox, has commissioned Thomas Heatherwick to design a $170 million “futuristic park” on Manhattan’s lower west side. Replacing the deteriorated Pier 54, the new “Pier55” will be a lush undulating landscape, raised atop 300 mushroom-shaped concrete columns placed 186 feet off of the Hudson River shoreline, that will host outdoor performances, act as a marine sanctuary for striped bass and guard the city against storms.
Heatherwick will be collaborating with landscape architect Mathews Nielson. Read on to learn more about the project.
Before studying architecture at the Architectural Association in London, Rem Koolhaas embarked on a short but fruitful career in film as a member of 1,2,3 Group, a youthful band of five who shared different roles in front of and behind the camera in a kind of anti-auteur cinema.
The first film produced by the group came from the longtime friendship between Rem and scriptwriter and director Rene Daalder, who along with Jan de Bont, Frans Bromet and Samuel Meyering produced 1,2,3 Rhapsody (1965), a short film which featured Koolhaas as an actor in some scenes and a cameraman in others.
As Afghanistan begins its second decade of democratic governance after nearly 30 years of political instability, through the funding from the Republic of Korea, UNESCO has teamed up with the Afghan Ministry of Information and Culture, to build a Cultural Center close to the boundaries of the Bamiyan World Heritage property. With the realisation of the Bamiyan Cultural Centre, Afghans have the opportunity to recapture their heritage, to create a new impact on a historical site and to foster a positive relationship between their struggles and their hopes.
“This new architectural programme can challenge cultural barriers, reaffirm Afghanistan’s remarkable ancient history and enforce culture as a foundational component to Afghan national identity and peace-building,” states UNESCO.
1. When he was young he collaborated with the director Jan de Bont, whose credits would later include Speed and Twister.
2. Koolhaas dates his desire to become an architect to a speech he delivered to a group of architects at the University of Delft when he was 24.