In this interview, conducted by the Council for Tall Buildings and Urban Habitat, Ole Scheeren discusses the ideal height for sustainable buildings. Drawing reference from two of his projects, MahaNakhon and The Interlace, he speaks to the difference between height and density, and how those two interplay when creating livable spaces in urban areas. He goes on to talk about how large buildings such as skyscrapers can be made more open to the surrounding city, both visually through programming. Watch the full clip above!
Imagine the ideal city—one where residents are happy, healthy, financially secure, and living in a community that is both beautiful and safe. How do we bring our own neighborhoods up to that standard? The Liveable City, a series of (free!) seminars and events starting this week at the University of Manchester, can offer a few answers. A collaboration between the University, the Danish Embassy in the UK, and RIBA North West, The Liveable City is an exploration in urban design and planning. It invites architects, businesses, and the general public to participate in dialogue that seeks to improve the quality of life in cities in the United Kingdom and in Denmark. The schedule of events runs from November 20th to the 27th, and will take place in the Benzie Building of the Manchester School of Architecture. See more details after the break!
Demand for design services in the US has slowed. According to the latest Architecture Billings Index (ABI) reported by the American Institute of Architects (AIA), the October ABI score was 53.7, down from a mark of 55.2 in September, and the new projects inquiry index fell to 62.7. Despite this, the demand is still considered “healthy” with the South showing the strongest regional conditions.
“Though it has been slow in emerging, we’re finally seeing some momentum develop in design activity for nonprofits and municipal governments, and as such we’re seeing a new round of activity in the institutional sector,” said AIA Chief Economist Kermit Baker, Hon. AIA, PhD. “It will be interesting to see if and how the results of the mid-term Congressional and gubernatorial elections impact this developing momentum.”
A breakdown of regional highlights, after the break.
A team of California-based designers have invented an earthquake-proof column built of 3D printed sand, assembled without bricks and mortar to withstand the harshest seismic activity. The ‘Quake Column‘ is comprised of a pre-determined formation of stackable hollow bricks which combine to create a twisting structure, optimized for intense vibrations in zones of earthquake activity. Created by design firm Emerging Objects, the column’s sand-based composition is one of many in a series of experimental structures devised by the team using new materials for 3D Printing, including salt, nylon, and chocolate. The column can be easily assembled and disassembled for use in temporary and permanent structures, and was designed purposefully with a simple assembly procedure for novice builders.
Find out how the Quake Column works after the break
What does it take for a 22-year-old art school drop-out to start a lifelong professional relationship with “the greatest American architect of all time”? Originally published by Curbed as “How a 22-Year-Old Became Wright’s Trusted Photographer,” this article reveals that for Pedro E. Guerrero, it took some guts and a lot of luck – but once they were working together this unlikely pairing was a perfect match.
When Frank Lloyd Wright hired Pedro E. Guerrero to photograph Taliesin West in 1939, neither knew it would lead to one of the most important relationships in architectural history. Wright was 72 and had already been on the cover of Time for Fallingwater. Guerrero was a 22-year-old art school drop-out. Their first meeting was prompted by Guerrero’s father, a sign painter who vaguely knew Wright from the neighborhood and hoped the architect would offer his son a job. Any job.
Young Guerrero had the chutzpah to introduce himself to the famous architect as a “photographer.” In truth, he hadn’t earned a nickel. “I had the world’s worst portfolio, including a shot of a dead pelican,” Guerrero said later. “But I also had nudes taken on the beach in Malibu. This seemed to capture Wright’s interest.”
If New Yorkers thought that construction during Michael Bloomberg’s tenure as Mayor was frantic, then what’s coming next might be quite a shock: courtesy of CityRealty, these images show the New York skyline in 2018, when many of the city’s current projects will be complete. Produced from building models by TJ Quan and Ondel Hylton as a marketing ploy for Jean Nouvel‘s 53 West 53rd street which recently (finally) began construction, the images include all of Nouvel’s illustrious future neighbors: the “Billionaire’s Row” including 111 West 57th Street, 220 Central Park South, 225 West 57th Street (Nordstrom Tower) and One57; new Midtown developments such as 432 Park Avenue, 520 Park Avenue, 425 Park Avenue, One Vanderbilt, 610 Lexington, 15 Penn Plaza, and the Hudson Yards towers; and even the latest financial district towers, 1WTC, 30 Park Place, 125 Greenwich, and 225 Cherry Street.
The UK government’s Department for Communities and Local Government (DCLG) has concluded that UK architecture should continue to be governed by “light-touch regulation based on protection of title,” following the first phase of a review into the future of the Architects Registration Board (ARB). Now, a second phase of the review promises to investigate options to deliver this regulation, determining whether or not it is best achieved by the ARB.
A statement released by the DCLG says that it will now work “with all parts of the profession to identify opportunities to simplify the role of the regulator,” with BD Online reporting that the available options including absorbing the role of the ARB into that of the Royal Institute of British Architects (RIBA), or to keep the ARB as an independent body – but with the DCLG warned that “it should not be assumed that an independent regulatory body would necessarily have the same form or role as the existing regulatory body.”
The Pazzi Chapel is a landmark of architecture in the city that was once the cradle of the Italian Renaissance: Florence. Located in the Santa Croce church complex (the largest Franciscan church in the world), the chapel was designed by Filippo Brunelleschi - the goldsmith-turned-architect who dedicated his life to engineering the dome of Florence’s Santa Maria del Fiore. It is “a prime example of 15th-century architectural decoration in grey pietra serena sandstone, colourful maiolica, and terracotta.”
550 years have taken their toll on this structure and its decoration. Concern for the state of the loggia of the chapel is now so great that the non-profit institution in charge of the church’s administration – the Opera di Santa Croce – have raised 50% of the funds needed to carry out a restoration, set to begin in early 2015. They are now looking to crowdfunding to source the remaining half ($95,000) and, in so doing, are inviting people from around the world to become part of the 720-year-long history of Santa Croce.
“What is the role of the architect as a visionary; can the architect (or should the architect) assume the position of social or urban orchestrator? Can architecture’s presence in a technocracy promote a vision outside of its intentions?” – Professor Paul Robinson
The thirty-second Piran Days of Architecture international conference will take place on November 22, organized around the central theme of Vision. The conference will explore a contemporary methodology for interpreting the myriad facets of an architect’s vision in the context of “increasing technological, sociopolitical, sociocultural and environmental demands.”