The Applied: Research Through Fabrication exhibition which took place the first weekend in March highlighted the winning proposal of their competition, titled ‘Cast Thicket’, designed b yo_cy’s Ken Tracy and Christine Yogiaman. The project was exhibited at the two-day event led by internationally recognized instructors within the field of parametric modeling provided a robust opportunity for participants to be exposed to the highest level of concentrated learning possible. More images and information on the event after the break.
Architects: Perkins + Will
Location: Vancouver, British Columbia, Canada
Design Team: Peter Busby, Aneta Chmiel, Maginnis Cocivera, Paul Cowcher, Anna Espinoza, Jana Foit, Jeremiah Deutscher, Joerk Gravenstein, Herman Kao, Jon Loewen, Teresa Miller, Soren Schou, Eric Stedman, Julie Wong
Area: 15,794 sqm
Photographs: Martin Tessler
ANIMA, the first work in Italy by Bernard Tschumi, is a cultural, social, and architectural generator of events. Situated in Grottammare, the project is intended to welcome and encourage a broader expression of creativity and culture. The schematic design highlights the remarkable quality of a building characterized by flexible space and the structure manifests itself to the visitor as both highly permeable and exceptionally receptive. Unveiled just last month, completion is scheduled for 2016, creating stronger ties between the people and the territory. More images and architects’ description after the break.
As the ‘last piece of the puzzle’ at Toronto’s Union Station, the renovation of the train shed roof covering the passenger platforms and tracks which connects GO Transit’s Union Station Bus Terminal to the station building delivers part of the…
Harvard Graduate School of Design (GSD) recently held a lecture featuring performance artist Marina Abromović alongside OMA principle Shohei Shigematsu in the anticipation of the Marina Abromović Institute for the Preservation of Performing Art (MAI) 2014 opening. In the lecture, Shigematsu speaks about the process in which they transformed a former theater in Hudson, New York, into a structure that’s capable of assisting the institute’s mission to develop new kinds of performance, while functioning as a space for preserving and hosting historic performance pieces. Shigematsu references OMA’s history of designing spaces that combine architecture and art, such as the Quebec National Museum and a recent collaboration with Kanye West.
More on this discussion after the break…
Brazilian architect Carla Juaçaba has been announced as the winner of the inaugural arcVision – Women and Architecture Prize, an international social architecture award instituted by the Italcementi Group. The prize honors Juaçaba’s work for exemplifying significant qualitative excellence and attention to the core issues of construction, such as technology, sustainability, social and cultural implications.
More on Carla Juacaba after the break…
It’s an unusual idea – every year a 5,500 square meter hotel is temporarily ‘borrowed’ from Sweden’s River Torne and come spring, the rooms and suites are returned to the river to be washed out to sea. The temporal Swedish ICEHOTEL is a complex built from ice, with a different design every year. Each winter it hosts guests and houses a collection of bespoke ice-art, created by selected artists from around the globe.
Read more about ICEHOTEL and see pictures of this year’s hotel after the break…
The design of the future Cinema Hall of Locarno Film Festival by Mauro Turin Architectes… was inspired by a strong urban vision. The main goal of the project therefore resulted in the will to create a building that is at
This article was written by Armen Karaoghlanian for Interiors, an online journal run by Armen and Mehruss Jon Ahi, published on the 15th of each month, in which films are analyzed and diagrammed in terms of space. It has been revised and re-published with permission.
Michael Haneke, known for his cold, disturbing and bleak films, such as Funny Games (1997), Caché (2005) and The White Ribbon (2009), goes for a little compassion with his latest, Oscar-nominated film Amour (2012). The film, which explores the private life of a married couple, Georges (Jean-Louis Trintignant) and Anne (Emmanuelle Riva), is a meditation on how individuals cope with the loss of a loved one.
Haneke sets his film within a single location, a Parisian apartment, which was constructed in a soundstage. The filmmaker, who often obsesses over the sound and production design in his films, had complete freedom with the construction of this space. In The Hollywood Reporter, we learn about how specific he was with the design of the space itself. “The crew had to install and reinstall the parquet floor to make sure it creaked just right.” In lieu of shooting on actual locations, Michael Haneke recreated an entire location according to his specifications to create the space he desired for his film.
Read more about how the spaces in Amour allow for the story to unfurl, after the break…