Exterior rendering of ICA Miami's new building. Image Courtesy of Gensler
The Institute of Contemporary Art, Miami (ICA Miami) has appointed Gensler to lead the renovation and expansion of its second building in Miami's Design District, with the project scheduled to open in late 2027. Acquired by the museum in 2024, the building is located on the same block as its existing facility and will add 30,000 square feet of space, doubling ICA Miami's facilities. The expansion will introduce new galleries, educational spaces, and venues for public programming, establishing a multi-site campus intended to extend the museum's exhibition and community activities.
Structures of Landscape / ENSAMBLE STUDIO. Image Courtesy of ENSAMBLE STUDIO
The United States' contribution to the 20th International Architecture Exhibition of La Biennale di Venezia will explore the relationship between the country's architecture, landscapes, and the people who shape it. Titled Earth Craft, the exhibition will be commissioned, organized, and curated by a team from the University of Miami School of Architecture (U-SoA). The lead curator, Professor Germane Barnes, conceived the exhibition as a representation of the United States "through its makers and not through its icons," recognizing that celebrated buildings were raised by anonymous builders who dug, shaped, and fired architectural legacy. Vyta Pivo, assistant professor, curator, and historian of Earth Craft, adds a contemporary approach by translating inherited knowledge of soil, water, and heat into computational design, conceiving craftwork and robotic fabrication as complementary. The exhibition will occupy the United States Pavilion at the Giardini della Biennale between May 8 and November 21, 2027, tracing earthen materials from the ground to finished buildings.
The contemporary kitchen is no longer just a space for food preparation; it has become one of the most dynamic areas of the home. Design decisions can redefine both spatial configurations and the layout of elements as they integrate with various social areas, incorporate new technologies, or adapt to changing domestic habits. In this scenario, and in response to multiple needs, the balance between functionality, comfort, durability, and aesthetics is directly linked to the selection of finishing materials. Depending on the countertop finish or the cabinet opening system, each kitchen configuration helps build environments tailored to different activities and ways of living.
A new capital is usually introduced through its principal buildings: the assembly, the secretariat and the ceremonial spaces that give a seat of government its public image. In Amaravati, India's Andhra Pradesh, that image of a new capital sits within an older landscape of cultivated fields, villages and established routes. Before the capital project, the region was already occupied by agricultural villages, local roads and settlements connected to the Krishna River and its water systems. The capital project is reorganizing this agrarian territory into a planned administrative city, bringing existing settlements and land ownership into the process of urban development. Its architectural identity will depend on how the new buildings, infrastructure, and public spaces relate to the settlements and landscapes already there.
What happens to a building after the architecture is finished? For buildings intended to serve the public, their continued life depends on more than the physical conditions of their construction. It involves the activities that take place within them, the relationships they allow to develop, the people who occupy and shape them, and the institutional structures responsible for their upkeep. Yet these conditions are not always secured through the act of building itself. They are continually negotiated, often through forms of work that remain outside the conventional understanding of architectural practice.
The Drill Hall in central Johannesburg offers a way of examining this unfinished work. Its history is marked by changes in use, occupation and institutional responsibility, but also by repeated attempts to imagine what the building could offer the city.
