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  1. ArchDaily
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  3. Museum
  4. United States
  5. Ludwig Mies van der Rohe
  6. 1974
  7. AD Classics: The Museum of Fine Arts Houston / Ludwig Mies van der Rohe

AD Classics: The Museum of Fine Arts Houston / Ludwig Mies van der Rohe

AD Classics: The Museum of Fine Arts Houston / Ludwig Mies van der Rohe
AD Classics: The Museum of Fine Arts Houston / Ludwig Mies van der Rohe

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From the architect. After completing a master plan for the site in 1953, Ludwig Mies van der Rohe was commissioned by The Museum of Fine Arts Houston to do two additions to the Caroline Wiess Law Building. Cullinan Hall and Brown Pavilion were added in 1953 and 1974 respectively. 

Photo by yan.da - http://www.flickr.com/photos/darajan/
Photo by yan.da - http://www.flickr.com/photos/darajan/

The museum's original building was designed in 1924 by William Ward Watkin in the Neoclassical style. Here, the South facade features tall Greek columns. In contrast, Van der Rohe's addition on the North side of the museum stands as a renowned example of International style. Along with the National Gallery in Berlin, the additions to MFAH is Mies van der Rohe's only museum work.

Photo by yan.da - http://www.flickr.com/photos/darajan/
Photo by yan.da - http://www.flickr.com/photos/darajan/

Utilizing 30 foot ceilings, and 6,800 square feet of open floor space, Cullinan Hall is the museum's largest and most flexible space for events. Selections from the museum's permanent collection of Modern and Contemporary art are generally showcased in this portion of the museum. 

Photo by yan.da - http://www.flickr.com/photos/darajan/
Photo by yan.da - http://www.flickr.com/photos/darajan/

The gently curved gallery is often used for formal events. Together, Cullinan Hall and Brown Pavilion make up over 10,000 square feet of gallery and reception space

Photo by yan.da - http://www.flickr.com/photos/darajan/
Photo by yan.da - http://www.flickr.com/photos/darajan/

The fan-shaped design featured by Mies van der Rohe increases floor space while the radial steel construction allows for a dramatic curtain wall facing the street. 

Photo by yan.da - http://www.flickr.com/photos/darajan/
Photo by yan.da - http://www.flickr.com/photos/darajan/

The use of modern materials of the time, such as industrial steel and large-pane glass, helped Mies van der Rohe define his "skin and bones" approach. By producing minimal framework for the museum, he implies the freedom of free-flowing open space throughout the interior volume.

Photo by yan.da - http://www.flickr.com/photos/darajan/
Photo by yan.da - http://www.flickr.com/photos/darajan/
Location to be used only as a reference. It could indicate city/country but not exact address. Cite: Daniel Topping. "AD Classics: The Museum of Fine Arts Houston / Ludwig Mies van der Rohe" 17 Aug 2011. ArchDaily. Accessed . <http://www.archdaily.com/153819/ad-classics-the-museum-of-fine-arts-houston-mies-van-der-rohe/>
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18 Comments

Lauren Peterson · December 09, 2014

Mies van der Rohe once explained architectural space as “ defining rather than confining space” (Ransoo Kim – The tectonically defining space of Mies van der Rohe). This idea of defining space relates to the ideas of modernism in reference to the importance of space and how to utilize it. Large open spaces help to create more communal and interactive areas for individuals to become more aware. Mies embraces this idea by creating areas for individuals to become more contemplative about them selves as well as their surroundings.

Charles B Celestine · April 13, 2012

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ppriolo · January 15, 2012

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Senke no Sophistika™ · December 19, 2011

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iSophistikated™ · December 19, 2011

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XIVDESIGN??????? · September 15, 2011

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DIALLO · August 23, 2011

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Santi Maggio Savasta · August 18, 2011

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Erik Joya · August 18, 2011

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Rick · August 18, 2011

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Adhie Indreswara · August 18, 2011

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Barry Maguire · August 18, 2011

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Frederico lucenno · August 18, 2011

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Archifront · August 18, 2011

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James Woolum · August 18, 2011

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Archibuilt 2010 · August 18, 2011

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@ArchiStream · August 18, 2011

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Mr.Con · August 18, 2011

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