Interviews by Vladimir BelogolovskyBelogolovsky has conducted more than 300 interviews with leading international architects since 2002.

Vladimir Belogolovsky talks with Mexican-American architect Francisco Gonzalez-Pulido on his exhibition 30 Projects/30 Years/30 Stories now on view at the Museo Metropolitano in Monterrey, Mexico.30 Projects/30 Years/30 Stories, a large retrospective on the work of Mexican-American architect Francisco Gonzalez Pulido, was opened on June 18 at the Museo Metropolitano in Monterrey, Mexico. The exhibition will remain on view until September 21.

Swiss architect Mario Botta is known for his geometrically imposing, spatially captivating structures that are invariably dressed in zebra-like horizontal stripes in either black and white or red and white combinations. These both traditional and strikingly modern villas, chapels, wineries, schools, libraries, museums, company headquarters, banks, and residential blocks are scattered throughout towns and mountainous villages in the architect’s native Ticino region in southern Switzerland, extend all over Europe and can be encountered in places as far away as China, India, South Korea, Japan, and the USA.

Vladimir Belogolovsky speaks with Antoine Predock about the soon-to-be-built Bahías, a community of 13 houses in Costa Rica, inspired by a vision of manmade foliage.

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Vladimir Belogolovsky speaks with American architect Rick Joy about his early inclinations towards architecture, what kind of architecture he likes to visit, and about designing his buildings as instruments. 

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Vladimir Belogolovsky speaks with Russian architect Totan Kuzembaev about flexibility in buildings, the freedom in design, and that even after leading a successful practice for almost twenty years, he still keeps searching for how to make architecture.

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Vladimir Belogolovsky speaks with Christoph Hesse over Skype between New York and his office in Korbach, Germany to discuss his pioneering projects and why working in the countryside is relevant.

Vladimir Belogolovsky speaks with Chinese architect LI Xinggang of Beijing-based office Atelier Li Xinggang about the particularities of working within a design institute, the architect’s philosophy referred to as “poetic scenery and integrated geometry,” and his role in the design of the Bird’s Nest and why he thinks it is the most important piece of contemporary architecture in China.;

Vladimir Belogolovsky speaks with architects Yingfan Zhang and Xiaojun Bu, co-founders of Atelier Alter, about architecture in motion, their faith in tabula rasa, and the widespread rapid urbanization process in China.

Even though Eric Owen Moss’ buildings are easy to spot it is hard to categorize them. They constitute a clash of forms and surfaces that collide, break, contort, superimpose onto themselves, bend, split, melt, and explode seemingly out of control –all to avoid being subscribed to anything that may even remotely evoke a design methodology of any kind.

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John Wardle (b. 1956) founded John Wardle Architects in Melbourne, Australia, in 1986. His early interest in architecture started with encountering objects and precious bits and pieces of demolished buildings at the demolition yard owned by his father’s friend.

Wardle studied architecture at RMIT, acquiring his bachelor’s degree in 1981. Wardle returned to his alma mater to acquire his master’s almost 20 years later, when he was already a seasoned practitioner, leading his own successful office. He now heads a large practice of over 90 employees with studios in Melbourne and Sydney.

After studying architecture at Tsinghua University in Beijing and Miami University in Oxford, Ohio Beijing-born and based architect Wang Hui (b. 1967) co-founded URBANUS in 1999 in Shenzhen with his partners Liu Xiaodu and Meng Yan. After his graduation in 1997, Wang Hui worked in New York until 2002, while also moonlighting for URBANUS remotely. The architect heads the company’s Beijing office, which he set up in 2003, overseeing projects in the Beijing-Tianjin-Tangshan triangle, the Yangtze River Delta region, and other parts of China.

Tong Ming (b. 1968, Nanjing, China) received his bachelor’s (1990) and master’s (1993) degrees in architecture from Southeast University in Nanjing. In 1995, Tong moved to Shanghai to pursue his PhD in Urban Planning at Tongji University, which he obtained in 1999. He then worked at Suzhou Design Institute until establishing his own independent University-based practice, TM Studio in 2004. He also maintains another studio UNO, Urban Network Office space in West Bund specializing in organizing seminars, workshops, exhibitions, and lectures.

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Nanjing-based architect Zhang Lei (b. 1964, Jiangsu, China) does not believe in history, only time. He is convinced that history is something that is taking place in our own time, being shaped by particular circumstances, current programmatic demands, latest building techniques, and contemporary sensibilities.

Douglas Cardinal (b. 1934) is a visionary indigenous Canadian architect based in Ottawa, Ontario. He grew up in Red Deer, Alberta. His mother, who was of German origins, loved painting and music, and both became his passions as well during his years at a Catholic boarding school. In 1953, he started studying architecture at the University of British Columbia in Vancouver, but was forced to leave two years later due to his outspoken opposition to follow rigid geometry of the Bauhaus and International Style models, championed by his professors. He wanted to create buildings that would respond to nature and the organic rhythm of life, drawing from his childhood experience of being intimate with nature.

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Interdisciplinary architecture and urban design firm, Crossboundaries was founded in 2005 in Beijing by Binke Lenhardt (b. 1971, Mannheim, Germany) and Hao Dong (b. 1973, Shanxi province, China). The two met in New York in 1999, while pursuing Master of Architecture degrees at Pratt Institute. Dong had earned his bachelor’s from the Beijing Institute of Civil Engineering and Architecture and Lenhardt had received a Diploma in Architecture from the University of Applied Sciences in Dortmund, Germany. Prior to coming to the US, Lenhardt worked in Holland and Germany where she is a registered architect. After graduating from Pratt in 2000, the two architects worked at various firms in New York before moving to Beijing in 2002, at the time when the city was already preparing for the 2008 Summer Olympics. They started working at the Beijing Institute of Architectural Design (BIAD) after Lenhardt studied Chinese at a local university and became proficient in Mandarin. The architects worked their way up at BIAD.

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Ralph Johnson (b. 1948) is a global design director at Chicago-based Perkins and Will. The architect joined the company in 1977 and has been heading its design ideology since 1985. Johnson is the architect behind the firm’s most iconic buildings, including Rush University Transformation Project (2012), O’Hare International Airport (1993), and Boeing International Headquarters (1990) – all in Chicago, the United States Coast Guard Headquarters (2015) in Washington DC, Tinkham Veale University Center at the Case Western Reserve University (2015) in Cleveland, and Shanghai Natural History Museum (2015). The architect’s monographs have been published regularly since mid-1990s under his own name. He has been a visiting critic at the Illinois Institute of Technology and the University of Illinois, his alma mater, from which he received his Bachelor of Architecture in 1971. He acquired his Master of Architecture from Harvard’s GSD in 1973.

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Architect Antoine Predock (b.1936 in Lebanon, Missouri) started his pursuit of an engineering degree at the University of New Mexico College of Engineering. A chance encounter with architecture professor Don Schlegel sparked a life-long passion in architecture. After switching to architecture school – first at the University of New Mexico and then, at the advice of Schlegel, transferring to Columbia University, Predock obtained a Bachelor of Architecture in 1962. After traveling throughout Europe on a Columbia University Traveling Fellowship with a focus on work in Spain, he began his internship in San Francisco with Gerald McCue, a future Dean at Harvard’s Graduate School of Design. In 1966, Predock went back to New Mexico, the place he considers his spiritual home, to establish what since has become a world-renowned practice. In 1985, he was awarded the Rome Prize with residency and study at the American Academy in Rome.

Jiakun Liu was born in 1956 in Chengdu, China. Architecture was not his first choice to pursue at school, as he originally wanted to be an artist. He heard that architecture had something to do with drawing, so he applied to Chongqing Institute of Architecture and Engineering, not fully understanding what his role as an architect would be. After his graduation in 1982, Liu worked at the Chengdu Architectural Design Academy for two years, the experience he did not enjoy. So, he set out on a self-searching journey that lasted for over a decade, spending time in Tibet and Xinjiang in West China where he practiced meditation, painting, and writing, producing several works of fiction, while officially working at the Literature Academy as a writer. 

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