Venice Architecture Biennale 201615th International Architecture Exhibition

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The Baltic Pavilion at the 2016 Venice Biennale, representing Estonia, Latvia and Lithuania, will explore the "transformative efforts at play" that are currently "reprogramming an inert region beyond the delineations of separate nation states." It "intends to explore the built environment of the Baltic States as a shared space of ideas." Located in Enrichetto Capuzzo's Palasport Arsenale Giobatta Gianquinto, a Brutalist architecture sports hall located next to the Arsenale, the exhibition will also be accompanied by a series of related events that will be presented in the form of a cross-section through Baltic space unfolding as "a non-linear stratigraphy."

Portugal has unveiled the theme of its contribution to the 2016 Venice Biennale: “Neighborhood – Where Alvaro Meets Aldo.” Curated by Nuno Grande, a Portugese architect, teacher, critic, and curator, and Roberto Cremascoli, an Italian architect and longtime collaborator of Álvaro Siza Vieira, the exhibition will focus on the works of both Álvaro Siza and Aldo Rossi.

At a press conference earlier today, the director of the 2016 Venice Biennale Alejandro Aravena revealed more details about his plans for this year’s event. Alongside announcing the proposal and invited teams for Aravena’s own central exhibition titled “Reporting from the Front,” which will occupy all of the Biennale’s main venues, the Biennale announced the full list of participants in the 62 national pavilions, including 5 first-time participants: Kazakhstan, Nigeria, the Philippines, the Seychelles, and Yemen.

Detroit Resists has released a statement questioning the ambition of the US Pavilion’s “The Architectural Imagination” exhibition at the 2016 Venice Biennale. The exhibition consists of twelve teams of designers who will present newly speculative projects that can be applied not only to various sites in Detroit, but also to other cities around the world. Yet while the exhibition aims to understand Detroit’s political, social, economic, and environmental context so that “the power of architecture” can be of service to the community of Detroit, Detroit Resists’ statement claims that in the past this “architectural power” has been indifferent to the political context.

In 2000, in a trial held in London, the notorious British Holocaust denier David Irving sued an American historian and her publisher for libel. He posited that the Holocaust didn't really happen – "was the planned and systematic murder of six million European Jews an elaborate hoax?" The battle over the meaning of the architectural evidence took centre stage. Ultimately, forensic interpretation of the blueprints and architectural remains of Auschwitz became crucial in the defeat of Irving, in what remains to date the most decisive victory against Holocaust denial.

Argentina has unveiled the theme of its national pavilion for the 2016 Venice Biennale: “experimentAR, poéticas desde la frontera” (to experience, poetry from the border). The pavilion will be curated by Atilio Pentimalli with Alejandro Vaca Bononato as the head of artistic direction.

Boris Brorman Jensen and philosopher Kristoffer Lindhardt Weiss have been appointed to curate the Danish contribution to the 2016 Venice Biennale. Their exhibition will centre on the theme of 'humanism', a "central leitmotif in Danish architecture," which "promotes a sense of community and expresses civic pride." Although it is top of the agenda, they state that "there is not much agreement on how, when and by what means this 'humanistic architecture' should be realised."

Alejandro Aravena's proposal for the Architecture Biennale 2016, "Reporting from the front”, invites each country to share experiences and moments of crisis that architecture has experienced in recent years. The proposal calls for a reflection on the mistakes in order to share solutions that may allow other countries to anticipate and avoid similar situations.

The Nordic nations—Finland, Norway and Sweden—have reached a pivotal point in their collective, and individual, architectural identities. The Grandfathers of the universal Nordic style—including the likes of Sverre Fehn, Peter Celsing, Gunnar Asplund, Sigurd Lewerentz, Alvar Aalto, and Eero Saarinen—provided a foundation upon which architects and designers since have both thrived on and been confined by. The Nordic Pavilion at the 2016 Venice Biennale—directed by Alejandro Aravena—will be the moment to probe: to discuss, argue, debate and challenge what Nordic architecture really is and, perhaps more importantly, what it could be in years to come.

Malkit Shoshan, shortlisted earlier this year for the Harvard GSD Wheelwright Prize, has been selected by Het Nieuwe Instituut to curate the Dutch Pavilion at the 2016 Venice Biennale. Founder of the Amsterdam-based architectural think tank FAST (Foundation for Achieving Seamless Territory), Shoshan has been fellow of the Institute for the past two years having previously authored the award-winning book Atlas of Conflict: Israel-Palestine (2010). Her current work, entitled Drones and Honeycombs, is a study of the architecture and landscape of war and peace and examines "public space as war zone." It is this research, under the title 'Blue', which will be presented as a new series of narratives for architecture in conflict areas.

Rio de Janeiro architect and urban planner Washington Fajardo has been named by the Bienal de São Paulo Foundation as curator of the Brazilian Pavilion at Venice Biennale 2016. Fajardo is president of the Rio World Heritage Institute (Instituto Rio Patrimônio da Humanidade) and the Municipal Council of Cultural Heritage Protection (Conselho Municipal de Proteção do Patrimônio), as well as special advisor to Mayor Eduardo Paes on urban planning issues.