Transitional Spaces: The Latest Architecture and News

When we talk about the building envelope, we often make the analogy of a skin that protects and wraps the structure, creating a transition in the physical environment. This concept is interesting as it identifies that, similar to its function in humans, the skin plays a role in protecting and regulating the interior setting, besides contributing to the aesthetics of the building. In this way, both the human skin and the building envelope act as elements that respond to the stimuli of the surroundings and the life that develops within them. More than just protective barriers, they are experienced as means of active interaction with the context.

While envelopes evolve within diverse contexts, materials, and systems, minimalist windows distinguish themselves through their aesthetic qualities by being transparent and fluid skins. These windows excel with their functionality and visual lightness, standing out in the architectural landscape. In addition, they are noteworthy thanks to their versatility across different systems that connect life within the interior and exterior. Considering Swiss and Pritzker Prize-winning architect Peter Zumthor's statement that "architecture is exposed to life,” windows play a vital role in expressing that connection, becoming a significant part of the building's identity and essence.

An ancient Indian folktale narrates the story of a demigod, Hiranyakashipu, who was granted a boon of indestructibility. He wished for his death to never be brought about by any weapon, human or animal, not at day or night, and neither inside nor outside his residence. To cease his wrathful ways, Lord Vishnu took the form of a half-human-half-animal to slay the demigod at twilight at the threshold of his house.

Threshold architectural spaces have always held deep cultural meaning to the people of India. In-between spaces are found in the midst of daily activities as courtyards, stairways, and verandas. The entrance to the house is revered by Indians of all social backgrounds. Throughout the country’s varied landscape, transitional entry spaces are flanked by distinctive front verandas that merge the street with the house.

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“Playground: Artifacts for Interaction”, by curator Felipe Ferrer, aims to transform the fences surrounding Peru's public spaces into tools for social integration. The project proposes removing the gates enclosing public spaces throughout Lima  and Peru's other urban centers, inviting residents to freely enter and interact with the spaces. By removing these "security" mechanisms, which really serve as tools of segregation, and installing benches, playgrounds, and soccer fields, the project aims to divert all the energy, time, and resources put into installing fences and channel it into bringing new life to these public spaces.