Publications: The Latest Architecture and News

We recently received KieranTimberlake’s newest book, Inquiry. Instead of listing one project after the next, as in most monographs, this book is organized around ten gerunds: bending, coupling, filtering, inserting, offsetting, outlining, overlapping, puncturing, reflecting, and tuning. This is a lovely and informative way to view their work. The reason behind the book’s organized is explained by Karl Wallick in the preface. Wallick writes, “Architecture is not exactly whole: we remember instances, elements, and details, but rarely are the experiences and sensations in architectural experience comprehensive. The context of what we do as architects is also fragmentary, even as it seeks to be resolved comprehensively. Rather than insisting on the totality of complete works, architecture might be better understood as an infinite matrix of detailed moments.”

We recently received a book from Caramel Architekten. We previously featured four of their projects if you would like a taste of their work (click here). The book is presented in both German and English and offers a wonderful insight into their inspiration and range of work. Project Description: Caramel architectural office was founded by the architects Gunter Katherl (1965), Martin Haller (1966), and Ulrich Aspetsberger (1967) in 2002. The office s motto is: For each project anew! Most construction contracts result from successful bids for both national and international competitions. Some projects were also awarded with prizes, e.g. reklameburo , Einfamilienhaus h , the Kaps farm extension, or the temporary info shop for European Capital of Culture Linz 09. As one of the major offices and no longer as a young architectural office but with a noticeable number of high scale buildings Caramel Architects coin the Austrian architectural landscape.

We recently had the pleasure of having Steven Ehrlich visit our office and give a talk about his work. He is as personable as his work is fascinating. He left us with a recently published book of his work titled Steven Ehrlich Houses. We have featured two of the houses that are covered in the book if you would like a preview of what the book has to offer. (Ehrlich Architects’ projects houses and more) The book, of course, offers a far more in-depth look at the projects including a title page for each project with photographs of what inspired the design. As a world traveler who lived in west Africa for 6 years, Ehrlich’s inspirational photographs are captivating and clearly illustrate the driving force behind each project.

David Bainbridge, founder of the Passive Solar Institute, recently sent us his book Passive Solar Architecture. The book is a great introduction for anyone interested in passive solar architecture. The content is kept simple and straightforward. It allows any novice to become familiar with the main concepts and techniques used in the field. The authors, Bainbridge and Ken Haggard, have also provided a free-downloadable lab manual that students can use to learn concepts and techniques through a hands-on approach.

Aflalo & Gasperini Arquitetos recently shared with us the book they are launching titled, “The Architecture of Croce, Aflalo and Gasperini.” The book details the 50 years history of one of the most important architecture office in Brazil. The book is a 372 bilingual publication (Portuguese and English) and it’s a part of the Office’s 50 years commemoration. If you are unfamiliar with their work check out a few of the projects we have featured.

Following years of research, a+t publishers presents the first theoretical-practical book on hybrid buildings. Taking its inspiration from the four issues of a+t magazine’s Hybrid series, the book takes a look at the theories and projects which have had the greatest historical importance. Steven Holl prefaces the book with an introduction where he foresees the path which hybrid typologies should take towards the creation of new urban spaces.

The New Modern House is a comprehensive look at the emerging trend of architecture that favors substance over style, combining functional design and sustainable processes with a straightforward, honest aesthetic.The New Modern House features 50 of the best recent residential case studies, from single family houses to self-builds, eco-friendly structures, recycled projects, and creative re-uses. All are accompanied by full details, models, sketches, and diagrams, allowing a closer look at their conception and construction. At the heart of the book is the concept of a new authenticity, which demonstrates a logical evolution of modernist design.

More information, credits and photos after the break.

I never can get enough of Volume. This issue is loaded with provocative articles that stimulate discussion about a pressing reality, the dramatic demographic shift in the age of human populations. Throughout this issue there are articles like Martti Kalliala’s that push the boundaries of the discussion. Looking at the rapid increases in average life expectancy, Kalliala’s asks what the world will be like if we could live to a thousand? These types of articles are supplemented by exposés into existing and proposed retirement communities and nursing homes. This, as Volume always does, gives a nice balance to the intellectual inquiry and practical application.

“Established initially in London in 1980 and based in Germany since 1988 the architectural office of Bolles + Wilson has firmly established itself as an international practice underpinned by thorough research and theoretical discourse. This monograph chronicles a variety of projects alongside more than 25 recent buildings that are surveyed through different chapters that cover such areas as urban planning, projects in different foreign countries, library architecture and specific designs for the Dutch city of Rotterdam. Accompanied by texts from Julia Bolles-Wilson and Peter Wilson, the survey is generously laid out with colour photographs, technical drawings, models and sketches. Works and projects featured include: the Suzuki House, Tokyo; the Masterplan Falkenried, Hamburg; the Spuimarkt Block, The Hague; DGM Quartier, Magdeburg; the Kaldewei Kompetenz Center, Ahlen; the Münster City Library; and the New Luxor Theatre, Rotterdam.”

Sited on the coastal edge of the Bay of Bengal, Golconde, a dormitory for the Sri Aurobindo Ashram in Pondicherry, India, was designed by architects Antonin Raymond and George Nakashima. Golconde is a remarkable architectural edifice, seemlessly negotiating between the tenets of early modernist architecture while addressing the pragmatic impositions of a tropical context. Espousing radical economy and uncompromising construction standards, it proposes environmental sensitivity as a foundation for the design process. Completed in 1942, Golconde was the first reinforced, cast-in-place concrete building in India and celebrates the modernist credo: architecture as the manifest union of aesthetics, technology, and social reform.

Credits, Contents and more photos after the break.

We recently featured the companion to this book, Louis Kahn On the Thoughtful Making of Spaces. This large format book draws together over two hundred—mostly unpublished—drawings of Kahn’s Dominican Motherhouse. It offers a fascinating look into Kahn’s design process and his struggles with ideas about space. It shows the project changing over the years and goes straight to the heart of one of Kahn’s most quoted sayings, “A building is a struggle, not a miracle.”

We recently received the book Reveal: Studio Gang Architects. This monograph takes an in-depth look at several of firm’s extraordinary projects. Archdaily has featured many of the same projects, but our pieces are mere shadows of what is presented in this book. If you enjoyed the glimpses on our website you will love this book. It is rare that I find a monograph that goes into such great depth. Beside the standard plan, section and photographs, each project is accompanied by notes, research, sketches, histories, philosophies, and more. This allows for a much more rewarding conversation than the standard glossy monograph. By the end of each chapter you can easily understand why each design decision was made and how meticulous this studio is. The Aqua Tower, for example, without any additional knowledge holds its own amongst the architecturally cherished Chicago skyline; however, after you read about the design process behind it the tower becomes that much more wonderful. I highly recommend this book.

P.S.: You can watch our interview with Jeanne Gang.

In this book Michael Maltzan holds conversations with a photographer, architects, a landscape architect, a futurists, and a urban planner about Los Angeles’s recent past and its near and distant future. For Maltzan, Los Angeles is currently in a delicate moment of transformation “where past vocabularies of the city and of urbanism are no longer adequate, and at this moment, the very word no longer applies.” In order to guide this transformation in a positive direction Maltzan asserts that “architects, urban theorists, architects, designers, planners, and city leaders requires keen investigation to produce forms that represent this city and and its culture, as opposed to importing other urban models.” The conversations along with the photographs by Iwan Baan presented in this book are part of the keen investigation Maltzan advocates for. This makes for a very engaging book for anyone interested in Los Angeles and shaping the future of cities in general.

I recently read Detail Magazine’s latest issue about Digital Processes. The issue is divided into three parts. The first part deals with digital planning technologies that include mapping techniques for analysis, terrestrial laser scanning, and geographic information systems among others. The second section delves into digital production technologies such as CNC laser cutting, hot wire cutting, and jointed-arm robotics. The final piece brings these together by showcasing six projects that utilize these technologies. In its totality, the issue is a good overall look at the present and future opportunities digital technology offers the profession.

“… if someone who has a valid point of view wants to give it an audience, he has no choice but to start a magazine.” - Eno Dailor On Pamphlet Architecture 1-10

San Rocco Magazine is a new architecture magazine conceived under a five-year plan which researches on their creators fields of interest. Their second issue covers the subject of ISLANDS in whatever meaning you can imagine for the word “island”. As they wrote:

An island is any piece of land that is surrounded by water. An island is any object lost in an endless extension of a uniform element. As such, the island is isolated. The island is by definition remote, separated, intimately alternative. The island is elsewhere. Islands can be natural or artificial: atolls, rocks, volcanoes, oases, spaceships, oil rigs, carriers.

Based on Gilles Deleuze book, L’île Désert et autres textes, the magazine is divided in two main blocks: oceanic and continental islands. Can we talk, then, about the possibility of architectural islands? More after the break.

When coming across Delugan Meissl Associated Architects’s newest book I first noticed its sheer weight and size. The second thing I noticed were the words Vol. I. Most architects would be happy/lucky enough to fill a book a quarter the size with their work. The projects range from chairs and small houses to the Porsche Museum and master planning of healthcare campuses. The introduction by Karl Jormakka gives a nice lens in which to view their work. Their work is constantly trying to elicit physiological responses “from a visceral juxtaposition of the human body with the architectural setting,” says Jormakka. In this way their work differs from many of the avant-garde architects who tie their work to French philosophers or abstract ideas from the natural sciences. Viewing DMAA’s work in this light, readers can easily explore how each project attempts to physiologically engage its users.

When I first read John Adams by David McCullough a few years ago I could not decide if I liked Mr. Adams for Mr. Adams or if I liked him for Mr. McCullough’s writing. After viewing Iwan Baan’s newest book, Living with Modernity, I have the same ambiguous feeling about Brasilia and Chandigarh. Baan’s photography of these controversial cities is both subtle and disarming. “ do not show how Le Corbusier and Niemeyer thought their cities would look; they show what the cities look like now, fifty to sixty years later.” Without arguing any particular point, Baan documents “what happens when the chilly, impersonal drawing from the past is populated by real, live human beings.” Some discomforting images are reminiscent of what happens when a child places his Tonka Trunk in the middle of an anthill; life follows in and out of structures that relate very little to the realities of daily life. Spaces are simply co-opted for purposes that stand in stark contrast to the intended purpose of the structures. At the same time Baan captures fascinating and brilliant moments of beauty that Niemeyer and Le Corbusier never could have planned for–or the did. As difficult as it is to put stunning photography into words, the short accompanying essay by Cees Nooteboom certainly comes close and is well worth a read. The book closes with a succinct but informative piece by Martino Stierli. Stierli gives the background, historical context, and controversy surrounding the two cities. In the end, I am still ambivalent on whether or not I admire such a ambitious/hubris top-down approach to design, but after seeing the cities in Baan’s book I am certainly fascinated by them—perhaps enough so that I will travel there some day in the future.