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Michael Meredith: The Latest Architecture and News

Small Projects, Wide Reach: Hilary Sample on the Benefits of Maintaining a Purposefully Small Office

11:30 - 17 May, 2017
MOS Architects, "Selfie Curtain" – 2016 Istanbul Design Biennial. Image © MOS Architects
MOS Architects, "Selfie Curtain" – 2016 Istanbul Design Biennial. Image © MOS Architects

In the seventh episode of GSAPP Conversations Amale Andraos speaks with Hilary Sample, an academic and co-founder of MOS Architects alongside her partner Michael Meredith. They discuss the lasting influence of ORDOS 100—a collection of villas built in Inner Mongolia by emerging and renowned practices—on the firm’s thinking, the role of representation, and how Sample's practice pursues an inclusive way of working and thinking – while maintaining a purposefully small office.

MOS Architects, "Selfie Curtain" – 2016 Istanbul Design Biennial. Image © MOS Architects MOS Architects, "An Unfinished Encyclopedia of Scale Figures without Architecture" – Nicholas Hawksmoor. Image © MOS Architects MOS Architects, "An Unfinished Encyclopedia of Scale Figures without Architecture" – Lina Bo Bardi. Image © MOS Architects MOS Architects, "Lot No. 6" – 2008. Proposal for Ordos 100, Inner Mongolia. Image © MOS Architects + 11

MOS Architects Take on Humanitarian Design in Nepal

00:00 - 8 December, 2013
MOS Architects Take on Humanitarian Design in Nepal, Lali Gurans Orphanage and Learning Centre. Image © MOS Architects
Lali Gurans Orphanage and Learning Centre. Image © MOS Architects

In this article, which originally appeared on Australian Design Review as "Reframing Concrete in Nepal," Aleksandr Bierig describes how New York-based MOS Architects, a firm better known for its experimental work, is designing an orphanage for a small community in Nepal.

Strangely enough it has become almost unremarkable that an office such as New York-based MOS Architects would find itself designing an orphanage for a small community in Nepal. Now under construction in Jorpati, eight kilometres north-east of the capital, Kathmandu, is the Lali Gurans Orphanage and Learning Centre, which finds itself at the intersection of any number of tangential trends: the rise of international aid and non-governmental organisations, the seeming annihilation of space by global communications networks and the latent desire of architects to use their designs to effect appreciable social change. Emphasizing simple construction techniques and sustainable design features, the building hopes to serve as a model for the surrounding communities, as an educational and environmental hub, the provider of social services for Nepalese women and as a home for some 50 children.

MOS Architects, founded in 2003 by US architects Michael Meredith and Hilary Sample, is not a practice known for its involvement in humanitarian projects. Its work is often experimental and, at times, willfully strange. Alongside its architecture, MOS makes films, teaches studios, designs furniture and gives lectures on its work. It was after one lecture in Denver, Colorado in 2009 that Christopher Gish approached Meredith and Sample to ask if they would be interested in designing an orphanage.