
-
Architects: Zaha Hadid Architects
- Area: 120 m²
- Year: 2009
-
Manufacturers: Fabric Images, Rockey Structures, The Gray Circle, Tracey Dear Productions
-
Professionals: Fabric Images, Rockey Structures, The Gray Circle


i.M.A.D.E is an institute within Ball State University, focusing on digital design and fabrication techniques for both industry and education related to architecture and allied arts.
It acts as an effective link between the academy and the manufacturing industry, with all the benefits this alliances bring: the fresh ideas on one side, and the technical capacity on the other.
With strategic industry partners, students test knowledge through team-based projects dealing with the translation of bits into atoms, shifting scales between models, prototypes, 1:1 construction, and the development of solutions to real problems by managing a complex set of design constraints.
Among this partners we find our friends from CASE, experts in applying design technology to built environments. They partner with i.M.A.D.E in technology (workshops, lectures, crits, etc.). Our friend Federico from CASE collaborated with i.M.A.D.E’s director Kevin Klinger in the book “Manufacturing Material Effects”.
After the jump, selected works from i.M.A.D.E.

A month ago we told you about the upcoming exhibition Overlappings (which already ended), which included a selection of fresh portuguese architects.
Now, young architecture photographer Joao Morgado shared with us some photos of the exhibit.
The intervention of the space is kept minimal, same as the architecture being displayed. A set of 6 chests contain the works of each office (Aires Mateus, Bak Gordon, Inês Lobo, João Favila, Paulo David and Ricardo Carvalho & Joana Vilhena), each one displayed on a different way: computer screen, models, drawings, photos, etc.
I wouldn´t expect “less” from an exhibit of these brilliant architects.
More photos after the break:

Three Rotterdam museums – Museum Boijmans Van Beuningen, the Netherlands Architecture Institute and Nederlands Fotomuseum – are bringing the rich culture of Brazil to the city on the Maas.
Brazil Contemporary is running since 30 May until 23 August 2009.
Our friend Rob Ley sent us info on their latest installation, Reef, which we’ll be checking out next week. Reef, an installation by Los Angeles Designers Rob Ley (Urbana) and Joshua G. Stein (Radical Craft) is currently on view at Storefront for Art and Architecture in New York City. This kinetic sculptural installation takes advantage of new Shape Memory Alloy (SMA) technology to create a responsive environment.

Our friends from Minimalismi shared with us this info. This October, Zaha Hadid will exhibit her best works in an exhibition at the Salone of the Palazzo della Ragione in the Italian city of Padova.
The Palazzo has presented itself as a vigorous design challenge for Zaha Hadid due to the historical quality of the space. The aim has been both to respect the spatial / contextual characteristics and to intervene in the space at the same time. The undulating blocks, whose forms are defined by the rules of breaking and continuity, generate 6 distinct islands within themselves. Each of these islands define the Conceptual Morphologies of the ZHA exhibition concept, namely: (1) Lines/Bundles/Networks, (2) Waves/Shells/Cocoons, (3) Aggregations/Clusters/Jigsaws, (4) Fields, (5)Landscape & Topography, and (6) Parametricism.
More images after the break.

In recent years, the art world has played host to a number of lively explorations of architecture and the built environment. (In 2006, The New Yorker went so far as to snipe, “Painting about architecture has become popular to the point of excess, much the way seventies artists went overboard on the cube.”) By looking at architecture through the lenses of politics, psychology, humor, and more, artists have been helping to enrich the conversation about the field.
Last week I sat down with painter Sarah McKenzie, who was in New York for the opening of her new show, Building Code, to discuss her thoughts on art and architecture. McKenzie, who first came to public attention for her aerial views of suburban developments, currently uses images of construction sites as her source material.
The interview after the break.

With the exhibition “Yes is more”, the Danish Architecture Centre zooms in on BIG – Bjarke Ingels Group. Using unconventional approaches, humour, and international focus, BIG has contributed to the renewal of the Danish architectural tradition.

An exhibition on the works of German architect Juergen Mayer H., entitled “Patterns of Speculation”, just opened at the SF MoMA. Mayer joins two modes of exhibiting architecture in a gallery – installation and documentation – to present a unique, hybrid environment.

Architects: KPMB Architects Location: Toronto, Canada Client: Gardiner Museum Project Team: Bruce Kuwabara (design principal), Shirley Blumberg (partner-in-charge), Paulo Rocha (design/project architect); Shane O’Neill, Javier Uribe, Kevin Bridgman, Tyler Sharpe, Ramon Janer, Steven Casey, Bill Colaco (project team) Structural Enginnering: Halsall Associates Ltd. Mechanical and Electrical Engineering: Crossey Engineering Ltd. Contractor: Urbacon Budget: US $7,23M Photographs: Eduard Hueber & Tom Arban
