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The Berlinische Galerie's exhibition Anything Goes? recounts how a global, contradictory Postmodernism took root on both sides of the Berlin Wall in the 1980s. Florian Heilmeyer in his piece originally published on Metropolis discusses the ambitious exhibition that was able to look simultaneously at both sides of the German city at that time.

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Architect Jürgen Mayer H. founded his firm J.MAYER.H in Berlin in 1996. He studied both in Germany (Stuttgart University) and in the US (Cooper Union and Princeton). Back in 2010, Mayer H. told me that while his solid professional education in Germany equipped him with the know-how about the technical and practical aspects of architecture, he still lacked a clear vision about how to develop his own thought and an architectural language.

Years of questioning and experimenting eventually led to the development of his own distinctive voice. Mayer H.’s buildings have brought unique identities to many places around the globe, particularly through his use of data protection patterns that triggered the creation of architecture unlike anything seen before. On my recent visit to his studio in West Berlin we discussed the architect’s identity. When I confronted Mayer H. about what he thinks about his signature style at the times when it is no longer celebrated by the media he said, “This started as my voice and by now it is the contribution of an entire team. There is no intention or strategy, just our own capacity to work with the medium of architecture.”

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