One of the greatest difficulties when studying is understanding how to apply the concepts presented to us. In structural engineering education, it is common to use symbols and abstractions to understand the forces involved in a structure and how they work. Another major challenge is translating this abstract information into something tangible: the actual building elements.
Engineer Matheus Borges has been creating illustrations on his Instagram to help decode this information. Below, we look at what these support types are and how they behave.
What role does street furniture play in public spaces? In response to human social behavior, the design of public spaces is part of a complex inquiry. Alongside the analysis of uses, community participation, the study of climatic and geographical conditions, and resource efficiency—among many other factors—it involves selecting appropriate urban equipment and elements to meet the needs of a large share of the population. As the Spanish architect and urban planner Oriol Bohigas Guardiola maintained, architecture is not only an art but also a direct service to society. Consequently, harmony among the multiple disciplines involved should yield tools that improve and facilitate community life. Understanding the role of street furniture—how it supports specific activities depending on its layout, dimensions, materials, and long-term lifespan—is essential to the current and future functioning of urban spaces.
The jury of the Oscar Niemeyer Prize has announced the 20 finalist works for the second edition of the award. The organizers aim to biennially highlight the best of architectural production "at a time of an unquestionable strengthening and presence of Latin American architecture on the international stage."
Established under the umbrella of the Network of Architecture Biennials of Latin America (REDBAAL), the 2016 edition of the award recognized a built work for "its values as an architectural and technological proposal; and for its relationship with the context, as well as social, cultural, and environmental aspects." The winner was The Place of Remembrance, designed by Barclay & Crousse (Peru), while second place went to the Brasiliana USP Library, designed by Eduardo de Almeida + Mindlin Loeb + Dotto Arquitetos (Brazil), and third place went to the San Bernardo Chapel, designed by Nicolás Campodónico (Argentina).
"We must recognize the value of the local and enrich it with the global, embracing everything that enriches us as peoples and societies. Architecture protects and communicates; it is a public reality from which we cannot detach ourselves. The city is also composed of architectural elements, meaning that architecture must be conceived from and toward the city," the organizers explained in the official press release.
The jury—composed of architects Carla Juaçaba,Carlos Jiménez, Fabián Farfán, Jean Pierre Crousse, and César Shundi—evaluated all the submissions and selected the twenty finalists:
The second edition of Living Places - Simon Architecture Prize is a competition organized in collaboration with prestigious international architecture firms, featuring 145 projects from 12 European countries and Mexico. Although European in scope, this edition of the prize includes Mexico as a special guest. The award is presented in two categories: Personal Places and Collective Places, with a €10,000 prize for the winner of each.
The jury comprised various professionals, including renowned Mexican architect Frida Escobedo, founder of her eponymous studio, the youngest designer of a Serpentine Pavilion and recently awarded a RIBA International Fellowship; Davide Rapp (Milan), an architect and filmmaker who created the film “Elements” for the 2014 Venice Biennale as the introductory video to the central exhibition; Cecilia Tham (Hong Kong, Barcelona), founder of the creative community MOB Makers of Barcelona; and Ricardo Flores (Buenos Aires, Barcelona) of Flores & Prats Arquitectos, one of the winners of the prize's previous edition.
The Open Museum is a project designed by Mexican architect Fernanda Canales as part of the Arch Days CDMX and Design Week 2018 activities. It consists of three courtyards of different sizes that extend the museum into the park, creating a new meeting point alongside the Tamayo Museum. The pavilion's shape follows the natural flow of pedestrian paths in the area, introducing a new experience based on linked spaces that frame the existing trees, the sky, and the museum's sloped side wall, which is transformed into a new agora.
On Wednesday, November 21, the winners of the XXI Pan-American Architecture Biennial of Quito (BAQ2018) were announced in Ecuador.
Divided into six participation categories, the juries selected a series of projects and publications that stand out as meaningful contributions to their respective fields, offering relevant lessons for our discipline. The following are the winners in Category A (Architectural Design), Category B (Urban Design and Landscape Architecture), Category C (Social Habitat and Development), and Category D (Architectural Rehabilitation).
MRD designed Corporativo Santa Fe, a renovation proposal for a five-story office building covering an area of 490 square meters. Built in 2016, the project was led by Antonio Morodo Díaz in collaboration with Sergio Macotela Baca.
The 21 projects that make up the Official Selection of the Mexican Pavilion at the 16th International Architecture Exhibition of the Venice Biennale converge in latitudes, geographical regions, and echoes of the territory, drawing from the curatorial theme "Freespace." In four installments, we will share the works and insights of each of the participants representing Mexico in Venice. Read on to discover the third part of these projects.
Since its founding, the National Workers' Housing Fund Institute (Infonavit) has conducted research to guide its urban, architectural, economic, and social approach to housing in Mexico.
The Architectural League of New York is an independent architecture forum that aims to "stimulate thinking and debate about the critical design and architectural issues of our time." Each year, through the 'Emerging Voices' competition, they recognize the work of various North American architectural practices with the potential to positively influence how architecture is conceptualized and built across the continent.
Javier Reverte once said that "the adventure of travel consists of being able to experience the daily lives of other people in places far from your home as an extraordinary event." It is precisely within those extraordinary events that, upon arriving in a new country, we undergo an adaptation process that transforms the extraordinary into the everyday. Whether you share a language with your host country or face an unfamiliar tongue, the first few months are a crash course in absorbing countless new concepts—from discovering you can buy cigarettes at pharmacies to distinguishing the distinct calls of trucks selling tacos, tamales, or sweet potatoes. We learn new terms to define daily life, while simultaneously relearning familiar words that take on entirely new meanings.
As part of a generation of photographers who in recent years have helped place Mexican architecture on the global map, Jaime Navarro is one of the key figures who has navigated the technological transition shaping a new way of seeing and practicing architecture. As one of the country's most recognized photographers, Jaime Navarro's approach aims for photography that can help document the beauty and goodness of specific historical moments, witnessing how we relate, what moves us, and what transcends disciplinary boundaries to build new futures. Below, we present an exclusive interview that showcases his career and the admiration of the ArchDaily team.
Throughout 2018, we selected thousands of projects for publication on our site, occasionally highlighting a few for their innovative techniques and materials, their integration with their context, or their community engagement. Working daily with editors in Brazil, the United States, Mexico, Chile, China, and Northern Ireland, and thanks to the extensive network we have forged with institutions worldwide, we have the tools to gain a much broader perspective on current architectural production—not only in Mexico, but globally.
