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The former Cine Cosmos, designed by architect Carlos Crombé, was built on a 2,000-square-meter lot on the corner of Calzada México-Tacuba and Melchor Ocampo (Circuito Interior) in Mexico City's Miguel Hidalgo borough. Its opening was delayed until 1948 due to a fire. Along with many other theaters like the Ópera, Teresa, and Alameda, it was part of the so-called “Mexican cinema corridor” that stretched from this avenue to the city's Historic Center.

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According to 2018 data from INEGI's National Survey of Demographic Dynamics (ENADID), the child population under fifteen in Mexico represents 25.3% of the overall total, which stands at 125 million people. The reality is that this population, despite representing just over a quarter of the total, has few to no spaces dedicated to their entertainment and development. With this figure in mind, this article reflects on public space and childhood in Mexican cities.

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Veracruz is a state located in eastern México, bordered by the states of Tamaulipas, Tabasco, Chiapas, Oaxaca, Puebla, Hidalgo, and San Luis Potosí, and facing the Gulf of Mexico. Covering an area of 71,820 km², it is the country's third most populous state.

“These types of projects are of vital importance because they seek to reverse social, economic, urban, and political instability, providing organized attention to community needs and creating built platforms that serve as a bridge between the intrapersonal and intra-institutional scales.” Excerpt from the project description of the Community Development Center / OCA + BONINI

Since 2008, World Social Justice Day has been observed every February 20 to support and promote the international community's efforts to achieve sustainable development, poverty eradication, the promotion of full employment and decent work, universal social protection, gender equality, and access to social well-being and justice for all. According to the United Nations, “Social justice is an underlying principle for peaceful and prosperous coexistence within and among nations," representing the core of its mission to promote development and human dignity.

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March 9 marks the birth anniversary of one of the most globally significant Mexican architects, a pioneer of the Modern Movement in Mexico whose work has transcended geographical boundaries to be studied by generations of architects who have rewritten his teachings to make them their own. Luis Barragán, the Guadalajara-born architect and 1980 Pritzker Prize laureate, left a timeless legacy that continues to pave the way for new research and discoveries today.

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In late May 2021, Puerto Escondido, Oaxaca, hosted the inaugural edition of MDF Mexico Design Fair, an emerging platform born out of a desire to discuss, exhibit, and celebrate the Mexican design scene. Its primary objective is to promote the acquisition of contemporary Mexican design, strengthening its position by understanding and transcending the goals of the international market.

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Tepoztlán is a region located in the state of Morelos, in the south-central part of the country, bordered by the states of Guerrero, Puebla, the State of Mexico, and Mexico City. Spanning an area of 242.646 square kilometers, it is one of the 111 Pueblos Mágicos (Magical Towns) designated to boost tourism by highlighting the unique attributes of each destination.

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As part of the annual collaborative efforts of the Design Week team in Mexico City, the "Inédito" exhibition opened on October 9 at the Espacio CDMX Arquitectura y Diseño gallery. It marks the sixth consecutive edition of this open call, which aims to support, promote, and showcase utilitarian design projects across several categories: social impact, environmental impact, innovation, function, aesthetics, concept, user experience, materials, and processes. The exhibition is divided into three categories—professional, student, and digital—where, far from competing, participants gain exposure to opportunities in both national and international markets for outstanding design with commercial and production viability.

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The National Social Distancing Campaign (Jornada de Sana Distancia) in Mexico began on March 23, 2020. However, a couple of weeks earlier, despite the federal government's recommendation to continue normal activities, people on social media were already choosing to replicate the European model of self-isolation. Some architecture firms immediately decided to close their physical spaces and transition to remote work, while others took a few more weeks. Still, this period of social and physical (spatial) distancing is experienced differently in every household. The months of this pandemic have exposed not only inequality regarding basic needs in dense urban areas, but also the fragility of our social order. Whether at a macro or micro scale, all these experiences are shaped and influenced by the built environment, making architecture both a judge and a party to the equation. 

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One of the most critical factors in architectural design is the site's specific climate. While this can present challenges in extreme conditions—requiring insulating materials to adapt to shifting environments—Mexico's privileged climate works in the architects' favor. It allows them to create microclimates and spaces that blur the boundary between indoors and outdoors.

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Located in southern Mexico, bordering the state of Tabasco and sharing a border with Guatemala, the state of Chiapas is one of the most significant regions for Mesoamerican cultures like the Olmec, Maya, and Chiapanec. Consequently, some of the area's most important tourist attractions are the archaeological zones of Yaxchilán, Palenque, Chinkultic, Toniná, and Bonampak, which are crucial for understanding the construction, structural, and social processes that shaped this territory.

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The National Social Distancing Campaign (Jornada de Sana Distancia) in Mexico began on March 23, 2020. However, a couple of weeks earlier, even despite the Federal Government's recommendation to continue activities as normal, social media was already filled with people choosing to replicate the European model and self-isolate. Immediately, some architecture practices decided to close their physical offices and transition to a remote work model, while others took several weeks longer. Yet, this period of social and physical (spatial) distancing is experienced differently in every household. In the months since this pandemic unfolded, it has laid bare not only the inequality in basic needs within dense urban areas but also the fragility of the social order itself. Whether at a macro or micro scale, all these experiences occur within and are influenced by the built environment, making architecture both judge and jury in this equation.