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Democracy’s essence is the people's self-government and autonomy based on their own rights, and its characteristics are demonstrated through equality and participation. If democracy means a more equitable way of public life in architecture, then, this way of life is dependent on the homogenization of the building's spatial structure, with open, transparent, and functionally diverse public spaces. It is also possible to argue that the birth, maintenance, and demise of democracy all occurred in public space.

The democratic regime of Athens began in the sixth century B.C. The square became a meeting place, a symbol of architecture's democratic politics. Although people's access to assembly has become more widespread and convenient as technology has advanced, the existence of public space in the city remains critical, representing the spatial demands of citizens' public rights beyond the basic conditions of survival and serving an important spiritual function of expressing democracy. So, how architecture be democratic? How can we realize the public nature of architecture?

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Western aesthetics is based on the mathematical analysis of an object's formal structure, using classical beauty laws such as balance, symmetry, and the golden mean. Eastern aesthetics differ in that, as it emphasizes intuitive experience, such as "white space" in traditional Chinese painting, through emotional communication with the "imagery" to produce a certain "Conception." The contrast between reality and emptiness allows the viewer's imagination and feelings to flourish, allowing them to realize "showing the breadth of heaven and earth even in a square inch place." 

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