As dwellers of big cities, we tend to be dragged into a very fast-paced lifestyle. Surrounded by monumental buildings and infrastructure, we can easily lose sight of key spaces that connect us with our neighborhood and provide us with rare moments of peace and enjoyment. Appropriation of the environment we inhabit becomes an uncommon circumstance.
The new architecture of Belarus responds to an interplay of history and culture. Regional forces have defined the built environment and its evolution, and in turn, shaped the lives of the Belarusian people. Since the landlocked country attained its independence in 1991, it has had the most development in its cities, where two thirds of the population live. Over the last ten years, a range of new buildings have begun to paint a picture of its emerging design culture.
The incorporation of the human figure is one of the most effective tools used in architectural photography: it helps the viewer decipher the scale of work and assess its amplitude. While it successfully communicates a rough idea of the measurements of the elements in the picture, it also helps architecture become more relatable and accessible. People engage better with the built environment when it is populated, mainly because the human sense of society and community is the cornerstone of our civilization. With this in mind, we are showcasing a selection of our favorite photographs where the human figure takes center stage, enhancing our reading of architecture.
