This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

The exhibition Victims: A Work by John Hejduk materializes the unbuilt work of the New York architect, presented here for the first time by the Leopoldo Rother Architecture Museum at the National University of Colombia. Alongside the scale model of the project, the 67 figures are accompanied by narratives, illustrations, and a short film titled Structures of a Wound.

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As a tribute to Mexico's rich and diverse chromatic palette, the Museo del Objeto del Objeto (MODO) presents its new temporary exhibition: “Mexico in Color,” curated by Ana Elena Mallet and Mariano Marroquín. The exhibition offers a cultural review of color perception in Mexico and its impact on art and design. One of the first experiences visitors will encounter is the conceptualization of color in folk art to forge identity. Subsequently, this element is adopted as a defining feature in the arts and, ultimately, as a driving force for the country's modernization.

Starting tomorrow, April 8, the London city government will implement strict emission rules for pollutants and particulate matter in the central area of the city. The goal is to reduce air pollution levels. According to London Mayor Sadiq Khan, the measure could help reduce the incidence of lung disease and premature deaths related to air pollution. Official estimates suggest that around 9,000 people die annually in the city from pollution-related illnesses.

The Museo Casa de la Memoria is located in Medellín's Boston neighborhood and was developed to commemorate the bicentennial of Colombia's independence. Led by Juan David Botero as the design team coordinator, the project was conceived from the outset as a highly recognizable building for both the community and visitors, drawing its sculptural form from traditional gabled houses. "It is a museum for the victims of violence, and as such, we had to ensure it was a space for everything; a home, the house where memory comes to life," Botero says.

The 3,800-square-meter cultural facility unfolds along the creek like a tunnel, housing exhibition rooms, workshops, archives, offices, and an auditorium. Its envelope functions as a folded skin, incorporating an air cavity that absorbs cool air, draws it in through the facade, and expels it as hot air at the top. This chimney effect helps control the typical 30ºC summer temperatures of the area, ensuring a stable and comfortable indoor climate. Below, we take a closer look at its sculptural thermal and acoustic envelope.

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A disruption of chronological order. This is what we know as Anachrony, and it is also the perfect concept to describe the creative process of Chilean architect Juan Agustín Soza. Through his sketches, Soza reveals a timeless creative process—one that does not aim to graphically represent the future final result of a work, but rather expresses ideas through aesthetic codes to establish design guidelines and parameters for the project.

Below, you can read more about the drawing process as a design tool in our interview with Juan Agustín Soza.

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The casa chorizo is a residential typology historically used in Argentina, primarily in the city of Buenos Aires. It consists of a succession of similarly sized rooms connected along a longitudinal axis that open onto a gallery or courtyard, from which they receive light and ventilation. Typically built on plots between party walls, their service areas are grouped at the back. Today, numerous projects address the rehabilitation of this type of housing. These can be understood as research initiatives exploring how a city's characteristic construction matrix can be reviewed and updated to adapt to contemporary ways of living.

Photographer Manuel Sá shared with us his perspective on the Coati Restaurant, designed in 1987 by Lina Bo Bardi, João Filgueiras Lima - Lelé (precast reinforced mortar), Marcelo Ferraz, and Marcelo Suzuki.

The entire complex—comprising a restaurant, a bar, and three historic houses converted into nine apartments with ground-floor commercial space—is located in the Pelourinho district of Salvador, and is part of the pilot project for the Bahia Historic Center Recovery Plan proposed by Lina. The restaurant is unfortunately abandoned and falling into disrepair, as is the rest of the complex.

Today, January 27, marks the 113th birthday of Félix Candela—of Spanish and Mexican nationality—who is one of the most globally recognized architects of the 20th century. His career was defined by his exploration of reinforced concrete through experiments that resulted in his famous cascarones (concrete shells): key structural and design elements that support many of his works, such as the Cosmic Rays Pavilion at UNAM, Mexico City (1951); the Palmira Chapel in Cuernavaca (1958); the Los Manantiales Restaurant, Xochimilco (1958); and the Palacio de los Deportes for the 1968 Olympic Games in Mexico City.

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Residencia WW is a project in Mexico born from the idea of fostering community among women. Located in a 1920s house at 102 Edgar Allan Poe Street in Polanco, Mexico City, the space functions as a social and business club designed to build and support this community's growth.

The new workplace paradigm, driven by digital transformation, is introducing significant changes to employee profiles and the roles people perform within their work environments. At Actiu, these shifts represent an opportunity to turn workspaces into strategic levers of change, allowing organizations to align their transformation goals with the well-being and satisfaction of their workforce.

A sustainable social housing unit featuring productive and commercial spaces is the winner of the third edition of the Chilean competition Construye Solar. The project, known as Casa Mercado, was developed by a team of students from Universidad Mayor.

The XI Ibero-American Biennial of Architecture and Urbanism (XI BIAU) recently announced the 210 projects selected for its upcoming edition, which will be held for the first time in Asunción this October.

The project emerged as an opportunity to increase accessibility to Buenos Aires's Hipódromo de San Isidro—currently privately managed—through minimal interventions. By creating a linear park around the perimeter, the proposal makes this urban green lung more inclusive, transforming it into a social hub that enhances both the environment and quality of life.

Anyone who has ever been to the beaches of Rio de Janeiro has certainly seen vendors selling grilled *queijo coalho* (curd cheese) or grilled shrimp, sweet mate tea, and Globo biscuits—classic snacks of the Rio shoreline. In São Paulo, open-air markets serve sugarcane juice and fried *pastel*, a local adaptation of a dish originally brought by Chinese immigrants and popularized by Japanese immigrants. In Minas Gerais, there is *pão de queijo* (cheese bread) and pastel, also filled with cheese. In Salvador, it is impossible not to mention *acarajé* (with or without hot sauce), which has been declared an intangible cultural heritage asset by IPHAN. The capital of Bahia even has its own Street Food Guide, reflecting the immense culinary diversity found in the city.

Architecture and Urbanism students and faculty from across the country will have a unique opportunity to present their work to professionals from around the world during the 27th World Congress of Architects, UIA2020RIO, which takes place in Rio de Janeiro from July 19 to 23 next year. This opportunity is part of the National Exhibition and Award “All the worlds. Just one world. Architecture 21”, whose open call is now available.

The visual stimulus that triggered this research[1] was the suggestive ambiguity of the letter m/h. Less glamorous than roadside motels, these motel-hotels are an affordable invitation to sexual fulfillment. To capture both their material and intangible complexity, the work is structured as a fiction. In doing so, the narrator imagined within these motel-hotels the potential to reveal other component parts of herself—as if these places, in their ambiguity and anonymity, could facilitate this encounter. In a simultaneous process of liberation and frustration, the multiple narrators find agency.

It is well known that our cities are increasingly saturated by automobile use; mobility has therefore become a key element in any discussion on urban living, particularly in large Brazilian cities. This premise prompts us to examine and better understand which aspects of urban commuting we can prioritize for intervention, moving toward approaches where car use is less necessary. An important step in this dialogue is understanding just how time-efficient cars actually are. Mapping Lab conducted a visual analysis of 27 Brazilian capital cities using data from the here.com platform.

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A survey by CAU/BR conducted in partnership with the Datafolha Institute has revealed new insights into the professional profile of architects and urban planners in Brazil. This is the largest survey conducted in the country since the Census of Architects and Urban Planners in 2012, which was carried out when all professionals registered with the newly created Council of Architecture and Urbanism. "We need precise information to guide CAU's initiatives, both for the entity's planning and to improve communication with professionals," said the president of CAU/BR, Luciano Guimarães.

To expand the Technical Assistance Network for Housing Improvements initiated in São Paulo during the Hands-on Program in Technical Assistance for Social Interest Housing (ATHIS), the non-governmental organization Soluções Urbanas is promoting the Technical Assistance for Housing Improvements Workshop across several Brazilian states. The workshop will be led by Architect and Urban Planner Mariana Estevão.

The book Sustainable Tropical Cities, published by the Institute of Tropical Architecture (San José, Costa Rica) in 2006, gathers the conclusions its authors compiled over years of observation and study. Bruno Stagno and Jimena Ugarte, both architects and immigrants enamored with the tropics, aimed to demonstrate the specific characteristics that cities located in the tropical belt possess—or should possess—while introducing an unprecedented topic.

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On Monday, the Paseo del Bajo was officially inaugurated: one of the most highly anticipated—and expensive—infrastructure projects in Buenos Aires in recent years.

The Conservation and Restoration Service of the Alhambra in Granada is working on the wall of the Fuentepeña ravine, located in the sector known as ‘Cuesta del Rey Chico,’ to stabilize a section that collapsed in the early hours of Friday, February 8.

The Board of the Alhambra and Generalife announced this on its official Twitter account. According to the director of the Board, Reynaldo Fernández Manzano, the wall was built in 1915 by the architect and conservator of the Alhambra, Modesto Cendoya. The wall was constructed using poor materials that gradually deteriorated over time, and plans were already in place for its demolition and reconstruction. Following the sudden collapse, the Conservation and Protection Service will rebuild it with the original materials in a first phase before undertaking the comprehensive project.

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On November 9 and 10, the seventh consecutive edition of Open House will take place in Buenos Aires. This international architecture and urbanism festival highlights works of significant architectural, cultural, and heritage value, opening them to the public to build a bridge between residents, professionals, enthusiasts, and their city. The project's first edition in Buenos Aires was held in 2013, making it the first Latin American city to host the event, which drew 300 volunteers and around 10,000 visitors. This seventh edition is expected to attract approximately 45,000 people.

ArchDaily is working with CityMakers to publish a series of articles, conversations, and interviews with the key figures in urban co-production behind the Barcelona CityMakers Lab 2019, an event taking place from October 14 to 20, 2019.

On this occasion, we feature Jokin Santiago Elorriaga, director of Leku Studio, who will lead a masterclass at the Barcelona CityMakers Lab 2019. Jokin is the founding architect of Leku Studio and was responsible for the design and transformation of the Sant Antoni Superblock.