This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

Concéntrico is an International Architecture and Design Festival that, through a democratic approach open to all citizens and visitors, aims to reflect on the urban environment and the city.

The abandoned industrial building of the Clesa Factory, which closed its doors for good back in 2012 after nearly two years in bankruptcy proceedings, is set to become the "Matadero" of northern Madrid. The industrial site, located at 67 Avenida de Cardenal Herrera Oria, was designed in 1959 by architect Alejandro de la Sota and officially opened in 1962. The former dairy plant's 37,928 square meters are now being transferred to the Madrid City Council, which aims to convert the space into a major “cultural container.”

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Mares is an urban transformation and social economy project developed by estudio SIC, VIC (Vivero de iniciativas ciudadanas) and TXP (Todo por praxis) in Madrid, Spain. The project reclaims four former buildings across four different districts of the city, converting them into innovation hubs. Each hub is linked to key urban challenges: Mobility, Food, Recycling, Energy, and Care.

In recent days, Mexico City has experienced pollution levels reaching 150 points on the Air Quality Index in various areas, such as Nezahualcóyotl in the State of Mexico. On May 13 of this year, Mexico City Mayor Claudia Sheinbaum reported that while hazy conditions and low visibility prevailed in the nation's capital, an environmental contingency had not yet been declared.

Earthen construction remains highly relevant today, spanning the preservation of architectural heritage, new projects seeking sustainable horizons, and numerous training programs offered by institutes and universities. Yet we cannot overlook one of the major driving forces behind this building material: self-construction. Thanks to its technical advantages and accessibility, communities worldwide have chosen to build their settlements with earth. Consequently, construction becomes a collective exercise where every individual can contribute to shaping a shared future.

In this article, we look at how the NGO Terrachidia works with the community of Mhamid in Morocco to rehabilitate public spaces chosen by local residents. Supported by volunteers, they rescue regional building traditions, successfully preserving and highlighting the local knowledge embedded in places where the pursuit of modernity has led to abandonment, but which remain deeply valued by those who inhabit them.

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On Friday, May 7, the winning proposal of the second "Imagining Machines" (Máquinas Imaginantes) open call was announced. The initiative invited architects, researchers, and writers to reflect on "machines" of the past and present operating within architecture as tools for social analysis and production. The open call accepted both real and speculative projects, incorporating installations, historical documents, archival material, performance formats, and publications that engaged with the creation of imagining machines.

In February of this year, construction will begin on the renovation of Plaza de España in Madrid. The project is a collaborative effort by design firms Guadiana and Porras La Casta Arquitectos, led by architects Lorenzo Fernández-Ordóñez and Fernando Porras-Isla.

The project, known as Welcome Mother Nature, seeks to create a large green area in the city center, recovering its long-lost identity as a "plaza," which had been reduced to a transit space. The proposal emphasizes the definition of a plaza as a "social place of expression, gathering, and freedom." The project's main priority is to create a space where "it is easy to build shared civic experiences," while creating a new lung for a city that constantly lives under a cloud of pollution and smog.

Dear readers,

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Pirwi, the leading national design editor, recently presented new collections featuring collaborations with Mexican artists and designers, including Daniel Pouzet, Joel Escalona, Moisés Hernández, Pablo Herrera, Sebastián Ángeles, Sergio Morales, and Mario García Torres. These collaborations range from small objects such as shelves and furniture to design pieces that offer a critique and reflection on the era we inhabit. Some of the pieces shown below come together as a complete range of daily-life objects designed by Pirwi, reflecting the brand's aspiration to reach a more inclusive audience and refresh its image with materials and finishes not previously explored.

Curious, inquisitive, and tenacious, Miguel Fisac [1913–2006] learned by doing. Fascinated by technology and construction, his direct on-site experience made up for everything that neither university nor books could teach or convey to him. Although his early work could be described as "academicist," within a few years the architect from Ciudad Real managed to shed this approach, turning instead to organic-patterned masonry and beams with bone-like logic. All of this was rooted in an intrinsic, personal commitment to creating a humanized architecture aligned with technical precision.

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Colonia Roma is considered one of Mexico City's architectural jewels, shaped by early 20th-century trends that stood as a symbol of Porfirian aspirations. The neighborhood, one of the city's most prominent and home to a large community of creatives, is a living entity that constantly evolves. It attracts both domestic and international tourists who enjoy walking along its tree-lined streets, taking in the vibrant architectural styles and diverse culinary scene.

When designing outside of urban areas, where property lines are not constrained by party walls and adjacent buildings do not dictate the layout, some of the most honest architectural responses emerge regarding how to intervene and what stance to take toward the surrounding landscape.

The following four architectural projects located in the Province of Córdoba, shaped by the topographical conditions and the specific characteristics of their surroundings, establish a profound sense of belonging with the landscape. By blurring the line between the natural and the artificial, they offer valuable tools and insights for designing on suburban plots.

Automation has become a major talking point—not only for its potential to replace countless low-income or low-skilled jobs, but also for its capacity to render entire professional careers obsolete through artificial intelligence and machine learning.

At ArchDaily, we opened the floor to this discussion in 2017 with an in-depth report on the subject, and we recently turned to our Instagram audience to ask what they think about automation. Do they believe it will affect them? Our readers seem confident: some argue that architecture is an art—or rather, a discipline centered on emotions—even if they overlook the standardization and modulation processes already established in the real estate market. According to those who responded to our poll, this emotional dimension inherent to architecture is precisely what makes it harder to automate.

On Tuesday, April 23, Archiprix Chile 2019 announced the winners of this year's edition at the Centro Cultural Estación Mapocho, honoring the thesis projects of young Chilean architects with three top prizes and three honorable mentions. The award ceremony was preceded by a lecture by Martín del Solar, co-founder of Grupo Talca, a Chilean practice featured in the 2016 Venice Biennale.

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It is inspiring to learn about new architectural practices innovating with natural materials. Chilean architect Domingo Arancibia is the founder of NORMAL, an architecture office characterized by conducting interdisciplinary regional studies that allow them to experiment with local materials and apply them to construction systems.

Based in Chile, a country with more than 6,400 kilometers of Pacific coastline, the studio has spent over two years researching the properties of cochayuyo—a unique seaweed found along the country's coast—and exploring how it can be used in architectural projects.

Like the rest of ArchDaily, the ArchDaily Brasil team holds an annual call for graduation projects—or final theses—among students from Lusophone countries, namely Portuguese-speaking nations. With this open call, the editorial team seeks to highlight projects that showcase inspiring ideas and spark discussions for our global audience.

Construction of Colombia's second-tallest skyscraper, BD Bacatá, is finally resuming following an agreement signed between BD Promotores, Prabyc Aluman, and Acción Fiduciaria. The deal involves a total investment of 48 billion Colombian pesos ($15.5 million), according to reports by local media outlets Portafolio and W Radio.

Originally published in ArquitecturaAhora, architect Ana Sugranyes explores the origin and evolution of the concept of the right to the city, from 1960s Paris to its global expansion.

In the name of social integration or sustainability, the United Nations New Urban Agenda (2016) also incorporated a reference to the right to the city. “Words, then, are of no use: they are just words,” says Alberti. Meanwhile, Chile maintains its high level of income inequality, which has a direct, correlative effect on the deep socio-spatial segregation of its territories and cities; this, in turn, corresponds to worrying levels of social, cultural, and structural violence. 

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On Thursday, October 3, a new space called Design House opened in Mexico City, showcasing a series of interventions that integrate disciplines such as design, architecture, and interior design. Over the past nine years, the initiative has presented cutting-edge proposals from more than one hundred participating firms across various properties. These projects are created in collaboration with showrooms from the Design Route (Ruta del Diseño), which provide the design firms with the pieces and accessories that make up their diverse proposals.

For the third consecutive year, National Monuments Day will take place during the first weekend of May throughout Argentina, coordinated by the National Commission of Monuments, Places, and Historic Assets of the National Ministry of Culture.

What Will Happen Here? (O que vai acontecer aqui?) is a new documentary by Left Hand Rotation, in collaboration with Stop Despejos and Habita, on the housing struggles in Lisbon—a city where rents have increased by 50% over the last three years and that has become the leading European city for real estate fund investment.

On the occasion of the recent XXI Chilean Architecture Biennial, Juan Pablo Urrutia, a member of the curatorial team, spoke with Spanish architect Andrés Jaque, founder of the Office for Political Innovation, whose practice explores the intersection of the everyday and the political in architectural design.

Through the Santiago Development Corporation (CORDESAN), and with the support of the Architects Association (CA) and the Association of Architectural Offices (AOA), the Municipality of Santiago (Chile) has announced the winning projects in the design competition to remodel the Ahumada-Puente, Huérfanos, and Estado-21 de Mayo pedestrian promenades in the center of the Chilean capital.

The initiative marks the 40th anniversary of the transformation of Ahumada Street into a pedestrian promenade, a thoroughfare currently used by more than two million people daily, connecting Santiago's Plaza de Armas with the Alameda, the Chilean capital's main east-west arterial road.

"It is necessary to give a new image to [the] pedestrian promenades, which serve as hubs of activity for many residents who work and commute around them, defining the main character of downtown Santiago," explained Felipe Alessandri, Mayor of Santiago and President of the competition, in the competition guidelines.

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On November 23, Mexican artist Pedro Reyes presented projects from his architectural and design practice for the first time. The exhibition features chairs, tables, bedroom furniture, tiles, and small-scale architectural models that showcase a distinct architectural language that has evolved in recent years.