In Brazil, urban policies are commonly assumed to be the responsibility of either municipalities or the federal government. However, there is another level of government that cannot be overlooked: the states. State urban policies are just as important as municipal and federal ones.
The footprint of urban construction is expanding rapidly. Globally, building floor area could double by 2060. Constructing and maintaining urban infrastructure requires significant amounts of energy and material resources. Consequently, how cities build—and with what materials—directly impacts whether sustainability goals are achievable or even realistic. Cities must ensure they are using low-impact, renewable materials. This challenge presents a clear opportunity for wood.
Organized by the Intendencia de Paysandú and sponsored by the Sociedad de Arquitectos del Uruguay, a preliminary design competition was launched for the renovation and general building refurbishment of the June 8 Indoor Stadium in the city of Paysandú, Uruguay.
Amazon Day was celebrated on the 5th of this month. Established in 2007, the date aims to raise awareness about the importance of this biome, which is essential to the planet's environmental and climate balance. Constantly under threat and shaping a contested territory, Earth's largest natural biome is a frequent site of human intervention. How have architecture and urbanism engaged with this context?
Rio de Janeiro will host the world's largest urban garden, according to the organizers of the Hortas Cariocas program. The municipal government-funded initiative aims to promote "food sovereignty, generating self-sufficiency through organic products, and creating gardens in municipal schools and communities across Rio."
As part of the cultural programming at the Crystal Bridges Museum of American Art, the exhibition "Architecture At Home" features an outdoor space bringing together five housing prototypes that seek to spark a conversation on contemporary housing. Driven by research, five architecture firms based in the Americas designed and fabricated 500-square-foot prototypes for a contemporary home, installed along Orchard Trail on the museum grounds.
Together with publisher gestalten, we recently published our first book: The ArchDaily Guide to Good Architecture. It represents a pause to reflect on the more than 40,000 projects curated over the past 15 years, drawing from their contributions to answer the ambitious question of what constitutes good architecture.
Now, it is your turn—our readers—to tackle this question.
Commissioned from LAN (Local Architectural Network) by the French government, the Nanterre minimum-security prison project engages with the concepts of the penal system by critically reviewing the design of these buildings. The complex is guided by an attempt to better integrate it into the urban fabric, reinforcing the importance of the relationship between the city and prison structures as spaces for social integration. Consequently, understanding the proposal for the Nanterre Minimum-Security Area involves political, institutional, and historical factors that retrieve and reframe historical and contemporary debates surrounding the penitentiary system in general, and the French system in particular. While a prison is naturally understood by its confinement, LAN's design prioritizes an educational and humanitarian character to transform both the inmates and the public's perception of them.
The use of bicycles has grown in recent years, altering the landscape of Brazil's major cities. Among the factors that may have contributed to this shift, one of the most prominent is investment in cycling infrastructure. Data from a Brazilian study reinforces this perspective, demonstrating that bike lanes are a determining factor for those who do not yet ride to take up cycling.
The firm LBR&A—founded by Mexican architect Benjamín Romano—has been recognized at the German Design Council's Iconic Awards: Innovative Architecture for its project Casa CH73. The residence was named “Best of the Best” in the Architecture category, which encompasses projects such as corporate buildings, museums, hotels, shopping centers, stadiums, and housing, among others.
The 12th Ibero-American Biennial of Architecture and Urbanism (BIAU) announced today on its website the winners of its four categories: Works, Actions on the Margin, Publications, and Academic Programs.
A total of 9 works and 20 projects were named winners in this edition of the BIAU, an event organized by the Government of Spain through the Ministry of Transport, Mobility, and Urban Agenda (MITMA) via the General Directorate of Urban Agenda and Architecture. The biennial will take place within the framework of the MEXTRÓPOLI Architecture and City Festival in Mexico City from September 21 to 25.
What is it like to walk past the buildings and houses on the street where you live? Or the street where you work, study, shop, or take your children to school? What relationship do these buildings and houses have with the sidewalk? How do they treat pedestrians? Do they make you want to walk past them? Do they welcome or repel?
The Santiago Architecture Film Festival is celebrating its first decade since its inaugural edition in October 2012. To mark this milestone, it has invited members of its community to answer the question that has guided its work: What do we talk about when we talk about film and architecture?
The concept of social housing in Chile began to emerge in the late 19th century, driven by population growth following rural-to-urban migration. At the time, people lived primarily in conventillos (tenements) and ranchos (shacks) under precarious living conditions. Facing a severe housing deficit, Chile took its first state measure in 1906 with the “Workers' Housing Law” (Ley de habitaciones obreras). Over the years, this policy framework evolved, leading to the creation of the Ministry of Housing and Urbanism (MINVU) in 1965, followed by the Housing and Urbanization Service (SERVIU) around 1980—institutions that continue to manage housing policy to this day.
It is increasingly common to see contemporary families seeking housing options that not only meet their social, economic, and cultural conditions, but are also capable of responding to their future residential needs. At the same time, we witness the emotional, physical, and financial effort required to transform and adapt existing spaces to accommodate family changes. Consequently, designing evolutionary and adaptable housing has become one of the greatest challenges for architects today.
Located in northern Spain, Logroño is a crossroads of both borders and architecture. It is not only a key stop on the Camino de Santiago and a gathering place for lovers of fine food and excellent Rioja wine, but works from its long architectural history can be found seamlessly interwoven throughout the city, often going unnoticed: from the ancient ruins on Monte Cantabria to Rafael Moneo's modern City Hall—not to mention the contemporary design of the High-Speed Rail Station by Ábalos + Sentkiewicz or the upcoming Bosonit building by Kengo Kuma in the historic center.
There is no need to worry about getting lost. Over its eight editions, the team behind the Concéntrico Festival has curated an extensive series of locations: new squares, interior courtyards, and hidden public spaces that speak volumes about the role of the urban fabric when discussing architecture in Logroño.
The Escola da Cidade, through the event XVI International Seminar – Cities in Debate: Contemporary Perspectives and Practices, organized by Professors Silvio Oksman and Sabrina Fontenele, welcomed architect Joice Berth for a talk on citizenship.
Building Visions is a new architecture series by Chilean director Diego Breit-Lira that, across four episodes, features architects Johannes Tovatt, Marta Maccaglia, Anupama Kundoo, and Florian Boer. What do they have in common? They seek answers to the major questions facing our civilization today: climate change, rapidly growing cities, education, resource consumption, local community participation, and networking.
In early September, the Brazilian Embassy in Mexico launched the exhibition Una nueva arquitectura brasileña, curated by the Institute of Architects of Brazil (IAB) and featuring photography by Joana França. The exhibition is held entirely in a public space on Avenida Paseo de la Reforma, one of Mexico City's most prominent thoroughfares. Approximately one million people are expected to pass by the site during the exhibition run.
According to the National Fire Academy of Chile, a fire is defined as “fire out of control.” Once a fire starts, temperatures can reach 1000° Celsius, generating flames and smoke that endanger both human lives and buildings.
According to a report by ONEMI, the main causes of structural fires – those occurring in homes, buildings, and commercial premises – include domestic accidents, electrical failures, and gas leaks.
Shortly before commemorating another world day for walkers pedestrians, an article in Obras magazine reveals that 40% of the roads in the Xochimilco and Milpa Alta boroughs lack sidewalks. This is despite mobility laws mandating the construction of complete streets integrating universal design across all boroughs in Mexico City.
Today's world presents significant challenges for the press at large. Amid widespread debate over news consumption and journalism, architectural publishing is no exception. In a profession where images are paramount, the shift in landscape—from print to digital media—has brought numerous challenges, intensifying the competition for audiences. Social media has become a platform where people not only consume but also produce content.
Natural light is a key design element that can improve indoor comfort in architectural projects. VELUX Academy offers courses, videos on daylighting design, and information modules featuring exclusive content on the subject. This expert-curated content challenges how architects and designers think, ensuring the best possible design outcomes for their clients.
Noise, high-rises, cars, buses, subways, and a relentless flow of people coming and going. This is how large cities are portrayed in cinema. This imagery is compounded by distant personal relationships and the promise of anonymity within the crowd, shaping a vibrant, connected routine that can also feel oppressive and isolating. Today, we find ourselves in a constant search for balance between the benefits of the megacity and the challenges imposed by its scale.
